Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
Bustin' Out of L Seven is the second album by the American musician Rick James, released in 1979 through Gordy Records. Included on the album is the top ten R&B hit, "Bustin' Out ". L7 is slang for "square", as in the opening lyrics of "Bustin' Out ", "Well, alright, you squares, it's time you smoked, Fire up this funk and let's have a toke". The letter L and the number 7 form a square.
Robert Joseph Bare Jr. is an American singer-songwriter and musician.
Falling in Between is the twelfth studio album by American rock band, Toto. The album was released in Europe on February 14, 2006 on the Italian label Frontiers Records, and in the United States on April 18, 2006. The band supported the album with a world tour. It was the band's first studio release since Through the Looking Glass in 2002, the last one with lead vocalist Bobby Kimball and the only one with keyboardist/vocalist Greg Phillinganes. Phillinganes originally began playing with Toto as a touring replacement for David Paich, who had retired from the road. Another Porcaro brother, Steve, continues to work in the studio with the band, though he also retired from touring following the Fahrenheit album in 1987. Similarly, Lenny Castro has never been a member of the group, but has consistently contributed to their recordings since their first album in 1978. This is also the band's last studio album to feature bassist Mike Porcaro and drummer Simon Phillips; Porcaro retired from touring in the following year due to symptoms of ALS taking away the use of his hands and died in 2015. Phillips left the band in 2014 to focus on his solo career.
Crossroads is a 1988 music collection box set of the work of Eric Clapton released by Polydor Records. The set includes his work with the Yardbirds, John Mayall & the Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends and Derek and the Dominos, as well as his solo career.
Crack the Sky is an American progressive rock band formed in Weirton, West Virginia, in the early 1970s. In 1975, Rolling Stone declared their first album the "debut album of the year", and in 1978, Rolling Stone Record Guide compared them to Steely Dan. Their first three albums charted on the Billboard 200. In 2015, their debut album was ranked number 47 in the Rolling Stone list of "50 Greatest Prog Rock Albums of All Time ". The band continues to release albums and perform to a small but devoted fan base to this day.
Fast Man Raider Man is the eleventh studio album and a double-album by Frank Black released in the United States on June 20, 2006, and in the United Kingdom on July 19, 2006.
Photograph: The Very Best of Ringo Starr is a career-spanning best-of compilation album by Ringo Starr and is the first such album since the releases of 1975's Blast from Your Past and 1989's Starr Struck: Best of Ringo Starr, Vol. 2. The album was released in the UK on 27 August 2007, and in the US on 28 August.
Atlantic Starr is the self-titled debut album by R&B/funk band Atlantic Starr. Produced by Bobby Eli, founding member and lead guitarist of Philadelphia studio group MFSB. The nine-piece band had an impressive showing on the Billboard R&B charts with "Stand Up", "Keep It Comin'", "(I'll Never Miss) The Love I Never Had" and "With Your Love I Come Alive".
The Sun, Moon & Herbs is a 1971 studio album by New Orleans R&B artist Dr. John, noted for its contributions from Eric Clapton, Mick Jagger, and other well-known musicians. It was originally intended to be a three-album set but was cut down to a single disc. The album was described by James Chrispell on AllMusic as "dark and swampy" and "best listened to on a hot, muggy night with the sound of thunder rumbling off in the distance like jungle drums". The album was Dr. John's first album to reach the Billboard 200 charts, spending five weeks there and peaking at #184 on November 6, 1971.
Hits 1979–1989 is a compilation album by American singer Rosanne Cash, released in 1989. It peaked at No. 8 on the Billboard Top Country Albums charts and No. 152 on The Billboard 200. In February 1995 the album was certified Gold by the RIAA.
Born to Boogie is the fortieth studio album by American musician Hank Williams Jr. It was released by Warner Bros. Records in July 1987. The title track, "Heaven Can't Be Found" and "Young Country" were released as singles. The album reached No. 1 on the Top Country Albums chart and has been certified Platinum by the RIAA. Born to Boogie also won the Country Music Association Album of the Year award in 1988 and the title track earned Williams nominations for the ACM Top Male Vocalist, the CMA Male Vocalist of the Year and the Grammy Award for Best Country Vocal Performance, Male.
Undefeated is the fifth studio album by Nashville-based singer-songwriter Bobby Bare Jr. The album was released in 2014, four years after his previous album, and has elements from multiple genres "alternating between indie rock, dream pop, bluegrass and country".
A Little More Magic is the twelfth studio album by American R&B singer Teddy Pendergrass. It was released by Elektra Records on September 14, 1993 in the United States. This was the third and last album Pendergrass recorded for Elektra, and was commercially the least successful of the three despite featuring songwriting and production credits from well-known names such as Barry White, Gerald Levert and Leon Huff as well as Reggie and Vincent Calloway.
High Notes is the thirty-fourth studio album by American musician Hank Williams Jr. It was released by Elektra/Curb Records in April 1982, making it Williams' eighth studio album for Elektra/Curb and his ninth overall for the label. While not as successful or acclaimed as some of Williams' more recent recordings, High Notes was still a commercial success. It peaked at number 3 on the Billboard Top Country Albums chart and was certified Gold by the RIAA, becoming Williams' seventh album to do so. The album also generated two hit singles, "If Heaven Ain't a Lot Like Dixie" and "Honky Tonkin'". "If Heaven Ain't a Lot Like Dixie" peaked at number 5 on the Billboard Hot Country Singles & Tracks chart while "Honky Tonkin'", a song that was originally a number 14 hit written and performed by his father, Hank, Sr., became Hank, Jr.'s sixth Number One hit on the Billboard Hot Country Singles & Tracks chart.
Maverick is the forty-fourth studio album by American musician Hank Williams Jr. It was released by Curb/Capricorn Records on February 18, 1992. "Hotel Whiskey," "Come On Over to the Country" and "Lyin' Jukebox" were released as singles. The album peaked at number 7 on the Billboard Top Country Albums chart and has been certified Gold by the RIAA.
We're the Best of Friends is a 1979 duet album by American vocalists Natalie Cole and Peabo Bryson. It was released on November 2, 1979, by Capitol Records.
Stickin' to My Guns is the sixteenth studio album by Etta James, released in 1990. It was nominated for a Grammy for "Best Contemporary Blues Recording".
Young Criminals' Starvation League is the first studio album by American singer-songwriter Bobby Bare Jr. The album was released in July 2002 and has been described as "melancholy, decidedly disheveled, and rootsy". It has elements of alternative rock and alternative country, along with "a fascination with early-1970s classic country".
The Longest Meow is the third studio album by American singer-songwriter Bobby Bare Jr. The album, released on September 26, 2006, came two years after his previous studio album From the End of Your Leash, and continues Bare's eccentric and experimental style. The 11-track album was recorded during one 11-hour session in Nashville on March 26, 2006 with musicians from My Morning Jacket, Lambchop, Trail of Dead, and Clem Snide. The album primarily is a mixture of alternative country and indie rock, though also employs elements from other genres. The reception from critics was generally positive, with reviewers admiring Bare for his unconventional approach to music, though still noting that parts of the album seemed rushed as a result of time constraints.
