Fushitsusha (1991 album)

Last updated
Fushitsusha
Fushitsusha Live 2.jpg
Live album by
Released1991
Recorded1991
Genre Psychedelic rock
Length146:56
Label P.S.F. Records
Producer Hideo Ikeezumi
Fushitsusha chronology
1st
(1991)
Fushitsusha
(1991)
Allegorical Misunderstanding
(1994)

Fushitsusha (also known as Live 2) is a live album by the band Fushitsusha. It was released in 1991 by P.S.F. Records. [1] [2]

Contents

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]

In a review for AllMusic, John Dougan called the album "Perhaps the best recording of Haino with Fushitsusha," and wrote: "This is careening, no-holds-barred improvisatory jazz-rock, part Sonny Sharrock, part heavy metal thunder, part '60s garage-rock rant. Haino's playing is jaw-droppingly great, making this a free music masterpiece." [1]

Jon Dale of Red Bull Music Academy stated that the album "gracefully dismantles rock's archetypes with simple rhythmic conceits, traditional instrumental hierarchies and orderly, predictable rock dynamics," and called Haino's playing "incendiary, splitting off into vectors of no-mind, pre-syntactical gush." [3]

Writing for Burning Ambulance, Phil Freeman described the album as "mind-roasting," and called the band "a power trio that made an unholy loud noise, sometimes blasting away at punk-rock tempos and other times eschewing steady rhythm entirely, creating free spaces into which Haino hurled massive, wall-like power chords and jagged solos that sounded like Neil Young having a fatal aneurysm while onstage with Crazy Horse." [4]

The Chicago Reader's Monica Kendrick noted that the album "comes closest to capturing the range of forms Fushitsusha's assault can take, from sparse and lovely song to crushing metablues to superheavy-metal power jam." [5]

Track listing

Disk 1
No.TitleLength
1."Untitled"10:28
2."Untitled"14:42
3."Untitled"11:57
4."Untitled"13:46
5."Untitled"12:23
6."Untitled"9:34
Disk 2
No.TitleLength
1."Untitled"16:37
2."Untitled"9:04
3."Untitled"6:17
4."Untitled"6:49
5."Untitled"9:41
6."Untitled"11:25
7."Untitled"14:13

Personnel

Fushitsusha
Technical personnel

Related Research Articles

<span class="mw-page-title-main">Keiji Haino</span> Japanese musician

Keiji Haino is a Japanese musician and singer-songwriter whose work has included rock, free improvisation, noise music, percussion, psychedelic music, minimalism and drone music. He has been active since the 1970s and continues to record regularly and in new styles.

<span class="mw-page-title-main">Oren Ambarchi</span> Australian musician

Oren Ambarchi is an Australian musician. He is a multi-instrumentalist who plays mainly electric guitar and percussion.

Fushitsusha (不失者) is a Japanese rock band specialising in experimental and psychedelic rock genres. The band consists of electric guitarist and singer Keiji Haino, and a shifting cast of complementary musicians. The group released the majority of its material in the 1990s.

Painkiller is an avant-garde jazz and grindcore band that formed in 1991. Later albums incorporated elements of ambient and dub.

<span class="mw-page-title-main">Jon Langford</span> Musical artist

Jonathan Denis Langford is a Welsh musician and artist based in Chicago, Illinois, United States.

Ruins is a Japanese music duo composed only of drummer/vocalist Tatsuya Yoshida and a bass guitarist. The group, formed in 1985, was supposedly intended to be a power trio; the guitarist, however, never showed up to the band's first rehearsal so the group remained a duo. The music touches on progressive rock, jazz fusion and noise rock.

<span class="mw-page-title-main">Boris (band)</span> Japanese band

Boris is a Japanese band formed in 1992 in Tokyo and composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members contribute vocals. Boris has released more than twenty studio albums on various labels around the world, as well as a wide variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.

<i>Tenshi No Gijinka</i> 1995 studio album by Keiji Haino

Tenshi No Gijinka is an album by Japanese musician Keiji Haino, released on John Zorn's Tzadik label in 1995. The album features nine untitled pieces, consisting of Haino's voice and percussion.

Yasushi Ozawa was a Japanese musician and sound engineer, best known as the bassist in Keiji Haino's rock group Fushitsusha. He was also a member of the free improvisation group Marginal Consort, and in the past he played with East Bionic Symphonia and Machine-Gun Tango.

<i>Allegorical Misunderstanding</i> 1993 studio album by Fushitsusha

Allegorical Misunderstanding is a 1993 album by the band Fushitsusha. The album was produced by John Zorn and was the first studio album from the band.

Satanicide are an American, New York City-based mock metal/glam metal band formed in 1999 that styles themselves and their music to represent, tongue-in-cheek, the heavy metal music scene of the 1980s in New Jersey. Self-described as portraying a lifestyle "where the mullet and kick-ass rock 'n' roll still live", the members sport big hair and spandex and leather stagewear. As part of their presentation, Santanicide plays party anthems and power ballads with a mixture of satire and affection. In 2003, the group were described in The Drama Review as an "irreverent, demonic death-metal turned glam turned cock-rock band". The original four member band consists of frontman Dale "Devlin Mayhem" May, guitarist Phil "Aleister Cradley" Costello, drummer Andrew "Sloth Vader" Griffiths, and bassist Pemberton "The Baron Klaus Von Goaten" Roach. Pemberton was replaced by bassist Jake "Vargas Von Goaten" Garcia in 2003, who was subsequently replaced by Drew Thurlow, followed by Patrick Quade.

<i>Standard Time, Vol. 3: The Resolution of Romance</i> 1990 studio album by Wynton Marsalis

Standard Time, Vol. 3: The Resolution of Romance is an album by Wynton Marsalis, released in 1990. The album reached peak positions of number 101 on the Billboard 200 and number 1 on the Billboard Top Jazz Albums chart.

<i>Standard Time, Vol. 2: Intimacy Calling</i> 1990 studio album by Wynton Marsalis

Standard Time, Vol. 2: Intimacy Calling is an album by jazz trumpeter Wynton Marsalis that was released in 1990. The album reached peak positions of number 112 on the Billboard 200 and number 1 on the Billboard Top Jazz Albums chart.

<i>Fushitsusha</i> (1989 album) 1989 live album by Fushitsusha

Fushitsusha is the debut live album of the Japanese band Fushitsusha, released in 1989 through P.S.F. Records.

<i>2 Days in April</i> 2000 live album by Fred Anderson

2 Days in April is a double album by a free jazz quartet consisting of saxophonists Fred Anderson and Kidd Jordan, bassist William Parker and drummer Hamid Drake, documenting two 1999 concerts at the University of Massachusetts at Amherst and the Massachusetts Institute of Technology at Cambridge. It was released on Eremite, a label founded by producer Michael Ehlers. Anderson and Jordan first meeting was at a mid-80s AACM concert in Chicago, but this is their first recording together.

<span class="mw-page-title-main">Sumac (band)</span> American/Canadian post-metal band

Sumac is an American/Canadian post-metal supergroup that formed in 2014. It features the Vancouver, British Columbia-based Nick Yacyshyn (Baptists), Seattle, Washington-based Brian Cook and Vashon, Washington-based Aaron Turner. Sumac released its debut album The Deal through Profound Lore Records in 2015.

<i>American Dollar Bill – Keep Facing Sideways, Youre Too Hideous to Look at Face On</i> 2018 studio album (collaboration) by Keiji Haino & Sumac

American Dollar Bill – Keep Facing Sideways, You're Too Hideous to Look at Face On is a collaborative album between Japanese free improvisation/noise music artist Keiji Haino and American post-metal band Sumac. Serving as Haino's 86th and Sumac's third studio album, American Dollar Bill was released on February 23, 2018 through Thrill Jockey.

<i>Alabama Feeling</i> 1978 live album by Arthur Doyle

Alabama Feeling is an album by American jazz saxophonist Arthur Doyle, recorded in 1977 at The Brook, a loft near Union Square in New York City, which Doyle had rented. It was produced by Doyle's Dra Records, and initially released in 1978 on Charles Tyler's Ak-Ba label in a limited LP pressing of 1000. It was transferred to CD format in 1998 by Wharton Tiers and reissued on Dra Records, and was also reissued in Germany in 2009 on the Rank And File label. His first recording as leader, it features Doyle on "tenor voice-o-phone", "bass voice-o-net", and flute, along with trombonist Charles Stephens, electric bassist Richard Williams, and drummers Bruce Moore and Rashied Sinan.

<i>Live at the Berkeley Community Theater 1972</i> 2019 live album by Alice Coltrane

Live at the Berkeley Community Theater 1972 is a live album by Alice Coltrane. It was recorded at the Berkeley Community Theater in Berkeley, California, in July 1972, and was released as a double album in 2019 by the German label BCT. On the album, Coltrane appears on harp, piano and organ, and is joined by bassist Charlie Haden, sarod player Aashish Khan, tabla player Pranesh Khan, drummer Ben Riley, and a tamboura player listed simply as Bobby W. The recording features three compositions associated with John Coltrane plus a version of Alice Coltrane's "Journey in Satchidananda".

References

  1. 1 2 3 Fushitsusha, John. "Fushitsusha: Live II". AllMusic. Retrieved November 14, 2022.
  2. "Fushitsusha: 不失者". ArtistInfo. Retrieved November 14, 2022.
  3. Dale, Jon (October 16, 2014). "A Guide to Keiji Haino". Red Bull Music Academy. Retrieved November 14, 2022.
  4. Freeman, Phil (December 16, 2010). "Seijaku". Burning Ambulance. Retrieved November 14, 2022.
  5. Kendrick, Monica (June 5, 1997). "Visions of Volume". Chicago Reader. Retrieved November 14, 2022.