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The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Crucifix was an American hardcore punk band from the San Francisco Bay Area, active from 1980 to 1984. They were among the most popular acts of the San Francisco punk scene of the early 1980s. Fronted by Cambodian-born singer Sothira Pheng, Crucifix were distinct among American underground bands for their strong D-beat musical characteristics and anarchist lyrical content and graphic design. The band's debut 1983 full-length album Dehumanization on Crass Records‘ offshoot Corpus Christi Records, is considered by many critics and fans to be a cornerstone of political punk music. After their breakup, Crucifix’s members went on to form the bands Loudspeaker and Proudflesh.
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
The Bouncing Souls are an American punk rock band from New Brunswick, New Jersey, formed in 1989. By the time of their acknowledgment by the national punk rock scene, they had reignited a "pogo" element to New Jersey punk rock by playing fast light-hearted songs, a model followed by various other local bands.
The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Rich Kids on LSD (RKL) is a Californian hardcore punk band formed in 1982 in Montecito, California, a suburb of Santa Barbara. They were associated with the "Nardcore" scene that evolved out of nearby Oxnard. Their music expanded over the years from West Coast hardcore to a mix of hardcore with rock and metal elements. This style, along with touring, made them very popular on the European scene, especially among skaters in the 1980s and 1990s. Guitarist Chris Rest was the band's only consistent member.
The Queers are an American punk rock band, formed in 1981 by Portsmouth, New Hampshire native Joseph “Joe” P. King along with Scott Gildersleeve, and John “Jack” Hayes. With the addition of Keith Hages joining on bass in 1983 the band started playing their first public performances. The revised line-up played a total of six live shows between 1983 and 1984. This earliest era of The Queers formation initially broke up in late 1984; however, Joe Queer re-formed the band with an all-new line-up in 1986. In 1990, after several more band line-up changes the band signed with Shakin' Street Records to release their debut album, Grow Up. The album earned the band notability within New England, but with the release of their next album, 1993's Love Songs for the Retarded, on Lookout! Records, their following grew.
The port city of Olympia, Washington, has been a center of post-hardcore, anti-folk, and other youth-oriented musical genres since the late 1970s. Before this period, Olympia's The Fleetwoods had several Billboard chart successes between 1959 and 1963. Olympia saw a rise in feminism in the music industry, where artists commonly addressed rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment in their songs. It was a center for the riot grrrl movement of the early 1990s, which featured Bikini Kill and Bratmobile.
Sister George were an English band from London, recognised as being significant in the 1990s queercore scene, who formed in 1993.
The Mr. T Experience is an American punk rock band formed in 1985 in Berkeley, California, United States. They have released eleven full-length albums along with numerous EPs and singles and have toured internationally. Their music is best classified as pop punk and is intentionally playful, comical, and satirical, often dealing with issues of love and relationships. The band's name is taken from actor and television personality Mr. T.
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands, have proven influential across the spectrum of punk rock, as well as rock music more generally. The term melodic punk is often used to describe both melodic hardcore and skate punk bands.
The Effigies were an American punk band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes with frontman John Kezdy the only constant, before disbanding in 1990. The band released 5 albums and several EPs, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were on the Fever Records and Roadkill Records labels. They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue, Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
Donna Dresch is an American punk rock musician, perhaps best known as founder, guitarist and bass guitarist of Team Dresch.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
In Spain, the punk rock scene emerged in 1978, when the country had transitioned from the Francoist State to democracy, After Francisco Franco's death in 1975, the country went through a “volatile political period”, in which the country had to try to relearn democratic values and install a constitution. When punk emerged, it “did not appropriate socialism as its goal”; instead, it embraced “nihilism”, and focused on keeping the memories of past abuses alive, and accusing all of Spanish society of collaborating with the "fascist regime".
Marc Belke is a Canadian musician and former radio personality. He played guitar in the punk and alternative rock bands SNFU and The Wheat Chiefs, and sang lead vocals in the latter. He was later an on-air personality with Rogers based in Victoria, British Columbia.
Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.
Trans Day of Revenge is the second and final extended play of Olympia, Washington-based punk group G.L.O.S.S.. The album, produced by Joey Seward, was released a day after the 2016 Orlando nightclub shooting, by the Total Negativity, Nervous Nelly, PANSY TWIST distro and Sabatoge labels. The album was noted by many music journalists as "necessary" and "essential" due to its message; the political views expressed are against pacifism, with regard to issues such as state violence, transphobia and respectability politics.
References
- 1 2 "Olympia D.I.Y. band G.L.O.S.S. turns down deal with iconic punk label Epitaph". FACT Magazine: Music News, New Music. 12 September 2016. Retrieved 2016-12-01.
- 1 2 3 "Queer Hardcore Punks G.L.O.S.S. Talk Origins, Empowerment, & Their First Big Tour | Bitch Media". Bitch Media.
- 1 2 3 "MAXIMUM ROCKNROLL » Goodbye from G.L.O.S.S." www.maximumrocknroll.com. 25 September 2016. Retrieved 2017-03-11.
- ↑ "G.L.O.S.S.: Trans Day of Revenge Album Review | Pitchfork". pitchfork.com. Retrieved 2016-12-16.
- ↑ "Hardcore Band G.L.O.S.S. Frontwoman Talks Punk Rock Feminism: BUST Interview". bust.com. 27 July 2016. Retrieved 2016-12-01.
- ↑ "10 Great Modern Punk Bands". Rolling Stone. Retrieved 2016-12-01.
- ↑ "DEMO, by G.L.O.S.S." G.L.O.S.S. Retrieved 2016-12-02.
- ↑ "TRANS DAY OF REVENGE, by G.L.O.S.S." G.L.O.S.S. Retrieved 2016-12-02.