Author | Ernest Vincent Wright |
---|---|
Language | English |
Genre | Novel, lipogram omitting the letter E |
Publisher | Wetzel Publishing Co. |
Publication date | 1939 |
Publication place | United States |
Media type | Print (hardcover) |
Pages | 260 pp |
OCLC | 57759048 |
Gadsby is a 1939 novel by Ernest Vincent Wright, written without words that contain the letter E, the most common letter in English. A work that deliberately avoids certain letters is known as a lipogram. The plot revolves around the dying fictional city of Branton Hills, which is revitalized as a result of the efforts of protagonist John Gadsby and a youth organizer.
Though vanity published and little noticed in its time, the book has since become a favorite of fans of constrained writing and is a sought-after rarity among some book collectors. The first edition carries on title page and cover the subtitle A Story of Over 50,000 Words Without Using the Letter "E" (with the variant 50,000 Word Novel Without the Letter "E" on the dust jacket), sometimes dropped from late reprints.
In the introduction to the book (which, not being part of the story, does contain the letter 'e') Wright says his primary difficulty was avoiding the "-ed" suffix for past tense verbs. He made extensive use of verbs that do not take the -ed suffix and constructions with "do" and "did" (for instance "did walk" instead of "walked"). Scarcity of word options also drastically limited discussion involving quantity –Wright could not write about any number between six and thirty –pronouns, and many common words. [1]
An article in the linguistic periodical Word Ways said that 250 of the 500 most commonly used words in English were still available to Wright despite the omission of words with e. [2]
Wright uses abbreviations on occasion, but only if the full form is similarly lipogrammatic, e.g. "Dr." (Doctor) and "P.S." (postscript) would be allowed but not "Mr." (Mister).
Wright also turns famous sayings into lipograms. Instead of William Congreve's original line, "Musick has charms to soothe a savage breast", Wright writes that music "hath charms to calm a wild bosom." John Keats' "a thing of beauty is a joy forever" becomes "a charming thing is a joy always". [3] In other respects, Wright does not avoid topics which would otherwise require the letter "e"; for example, a detailed description of a horse-drawn fire engine is made without using the words "horse", "fire", or "engine".
John Gadsby, 50, is alarmed by the decline of his hometown, Branton Hills, and rallies the city's youth to form an "Organization of Youth" to build civic spirit and improve living standards. Despite some opposition, Gadsby and his youthful army transform Branton Hills from a stagnant town into a bustling, thriving city. Towards the book's conclusion, members of Gadsby's organization receive diplomas honoring of their work. Gadsby becomes mayor and helps grow Branton Hills' population from 2,000 to 60,000.
The story starts around 1906 and continues through World War I, Prohibition, and President Warren G. Harding's administration. Gadsby is divided into two parts: the first, about a quarter of the book's total length, is strictly a history of the city of Branton Hills and John Gadsby's place in it, while the second part of the book fleshes out its main characters.
The novel is written from the point of view of an anonymous narrator, who continually complains about his poor writing skills and often uses circumlocution. "Now, naturally, in writing such a story as this, with its conditions as laid down in its Introduction, it is not surprising that an occasional 'rough spot' in composition is found", the narrator says. "So I trust that a critical public will hold constantly in mind that I am voluntarily avoiding words containing that symbol which is, by far, of most common inclusion in writing our Anglo-Saxon as it is, today". [4]
The book's opening two paragraphs are: [5]
If Youth, throughout all history, had had a champion to stand up for it; to show a doubting world that a child can think; and, possibly, do it practically; you wouldn't constantly run across folks today who claim that "a child don't know anything." A child's brain starts functioning at birth; and has, amongst its many infant convolutions, thousands of dormant atoms, into which God has put a mystic possibility for noticing an adult's act, and figuring out its purport.
Up to about its primary school days a child thinks, naturally, only of play. But many a form of play contains disciplinary factors. "You can't do this," or "that puts you out," shows a child that it must think, practically, or fail. Now, if, throughout childhood, a brain has no opposition, it is plain that it will attain a position of "status quo," as with our ordinary animals. Man knows not why a cow, dog or lion was not born with a brain on a par with ours; why such animals cannot add, subtract, or obtain from books and schooling, that paramount position which Man holds today.
Wright appears to have worked on the manuscript for several years. Though its official publication date is 1939, references in newspaper humor columns are made to his manuscript of a book without an "e" years earlier. Prior to publication he occasionally referred to his manuscript as Champion of Youth. In October 1930, while Wright was living near Tampa, Florida, he wrote a letter to The Evening Independent newspaper, boasted that he had written a fine lipogrammatic work, and suggested the paper hold a lipogram competition, with $250 for the winner. The paper turned him down. [6]
Wright struggled to find a publisher for the book, and eventually used Wetzel Publishing Co., a self-publishing press. A 2007 post on the Bookride blog about rare books says a warehouse holding copies of Gadsby burned shortly after the book was printed, destroying "most copies of the ill fated novel". The blog post says the book was never reviewed "and only kept alive by the efforts of a few avant garde French intellos and assorted connoisseurs of the odd, weird and zany". The book's scarcity and oddness has seen original copies priced at $4,000 [7] to $7,500 [8] by book dealers. Wright died the same year of publication, 1939.
In 1937, Wright said writing the book was a challenge and the author of an article on his efforts in The Oshkosh Daily recommended composing lipograms for insomnia sufferers. [9] Wright said in his introduction to Gadsby that "this story was written, not through any attempt to attain literary merit, but due to a somewhat balky nature, caused by hearing it so constantly claimed that 'it can't be done'". He said he tied down the "e" key on his typewriter while completing the final manuscript. "This was done so that none of that vowel might slip in, accidentally; and many did try to do so!" [10] And in fact, the 1939 printing by the Wetzel Publishing Co. contains four such slips, the word "the" on pages 51, 103 and 124, and the word "officers" on page 213. [11] [12] [13] [14] [ non-primary source needed ]
In her 1943 novel The Fountainhead , Ayn Rand satirically imagines a "Council of American Writers", who include "...a youth who had written a thousand-page novel without a single letter o..." [15]
La Disparition ( A Void ) is a 1969 lipogrammatic French novel partly inspired by Gadsby [16] that likewise omits the letter "e" and is 50,000 words long. [7] [ better source needed ] Its author, Georges Perec, was introduced to Wright's book by a friend of his in Oulipo, a multinational constrained-writing group. [17] Perec was aware from Wright's lack of success that publication of such a work "was taking a risk" of finishing up "with nothing [but] a Gadsby". [18] As a nod to Wright, La Disparition contains a character named "Lord Gadsby V. Wright", [19] a tutor to protagonist Anton Voyl; in addition, a composition attributed to Voyl in La Disparition is actually a quotation from Gadsby. [3]
Douglas Hofstadter's 1997 book Le Ton beau de Marot quotes parts of Gadsby for illustration. [20]
An article in the Oshkosh Daily in 1937 wrote (lipogrammatically) that the manuscript was "amazingly smooth. No halting parts. A continuity of plot and almost classic clarity obtains". [9] The Village Voice wrote a humor column about Gadsby. Author Ed Park jokingly aped Wright's style: "Lipogram aficionados—folks who lash words and (alas!) brains so as to omit particular symbols—did in fact gasp, saying, 'Hold that ringing communication tool for a bit! What about J. Gadsby?'". [3] David Crystal, host of BBC Radio 4's linguistics program English Now, called it "probably the most ambitious work ever attempted in this genre". [21] Trevor Kitson, writing in New Zealand's Manawatu Standard in 2006, said he was prompted to write a short lipogram after seeing Wright's book. The attempt gave him an appreciation for how difficult Wright's task was, but he was less impressed with the result. "It seems extraordinarily twee (not that it uses that word, of course) and mostly about all-American kids going to church and getting married" he wrote. [22]
Douglas Richard Hofstadter is an American cognitive and computer scientist whose research includes concepts such as the sense of self in relation to the external world, consciousness, analogy-making, strange loops, artificial intelligence, and discovery in mathematics and physics. His 1979 book Gödel, Escher, Bach: An Eternal Golden Braid won the Pulitzer Prize for general nonfiction, and a National Book Award for Science. His 2007 book I Am a Strange Loop won the Los Angeles Times Book Prize for Science and Technology.
Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields.
Georges Perec was a French novelist, filmmaker, documentalist, and essayist. He was a member of the Oulipo group. His father died as a soldier early in the Second World War and his mother was killed in the Holocaust. Many of his works deal with absence, loss, and identity, often through word play.
Gödel, Escher, Bach: an Eternal Golden Braid, also known as GEB, is a 1979 book by Douglas Hofstadter.
A lipogram is a kind of constrained writing or word game consisting of writing paragraphs or longer works in which a particular letter or group of letters is avoided. Extended Ancient Greek texts avoiding the letter sigma are the earliest examples of lipograms.
Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.
Oulipo is a loose gathering of (mainly) French-speaking writers and mathematicians who seek to create works using constrained writing techniques. It was founded in 1960 by Raymond Queneau and François Le Lionnais. Other notable members have included novelists Georges Perec and Italo Calvino, poets Oskar Pastior and Jean Lescure, and poet/mathematician Jacques Roubaud.
Life: A User's Manual is Georges Perec's most famous novel, published in 1978, first translated into English by David Bellos in 1987. Its title page describes it as "novels", in the plural, the reasons for which become apparent on reading. Some critics have cited the work as an example of postmodern fiction, but Perec preferred to avoid labels and his only long-term affiliation with any movement was with the Oulipo or OUvroir de LIttérature POtentielle.
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most novelettes and short stories. The English word novella derives from the Italian novella meaning a short story related to true facts.
In cryptanalysis, frequency analysis is the study of the frequency of letters or groups of letters in a ciphertext. The method is used as an aid to breaking classical ciphers.
An ambigram is a calligraphic composition of glyphs that can yield different meanings depending on the orientation of observation. Most ambigrams are visual palindromes that rely on some kind of symmetry, and they can often be interpreted as visual puns. The term was coined by Douglas Hofstadter in 1983–1984.
Ernest Vincent Wright was an American writer known for his book Gadsby, a 50,000-word novel which, except for four instances, did not use the letter E.
Alphabetical Africa is a constrained writing experiment by Walter Abish. It is written in the form of a novel. Writing in Esquire, Harold Bloom put it on a list of 20th century novels that will endure.
A Void, translated from the original French La Disparition, is a 300-page French lipogrammatic novel, written in 1969 by Georges Perec, entirely without using the letter e, following Oulipo constraints. Perec would go on to write with the inverse constraint in Les Revenentes, with only the vowel “e” present in the work. Ian Monk would later translate Les Revenentes into English under the title The Exeter Text.
Gilbert Adair was a Scottish novelist, poet, film critic, and journalist. He was critically most famous for the "fiendish" translation of Georges Perec's postmodern novel A Void, in which the letter e is not used, but was more widely known for the films adapted from his novels, including Love and Death on Long Island (1997) and The Dreamers (2003).
Letter frequency is the number of times letters of the alphabet appear on average in written language. Letter frequency analysis dates back to the Arab mathematician Al-Kindi, who formally developed the method to break ciphers. Letter frequency analysis gained importance in Europe with the development of movable type in 1450 AD, where one must estimate the amount of type required for each letterform. Linguists use letter frequency analysis as a rudimentary technique for language identification, where it is particularly effective as an indication of whether an unknown writing system is alphabetic, syllabic, or ideographic.
Nick Montfort is a poet and professor of digital media at MIT, where he directs a lab called The Trope Tank. He also holds a part-time position at the University of Bergen where he leads a node on computational narrative systems at the Center for Digital Narrative. Among his publications are seven books of computer-generated literature and six books from the MIT Press, several of which are collaborations. His work also includes digital projects, many of them in the form of short programs. He lives in New York City.
Logology is the field of recreational linguistics, an activity that encompasses a wide variety of word games and wordplay. The term is analogous to the term "recreational mathematics".
Word Ways: The Journal of Recreational Linguistics is a quarterly magazine on recreational linguistics, logology and word play. It was established by Dmitri Borgmann in 1968 at the behest of Martin Gardner. Howard Bergerson took over as editor-in-chief for 1969, but stepped down when Greenwood Periodicals dropped the publication. A. Ross Eckler Jr., a statistician at Bell Labs, became editor until 2006, when he was succeeded by Jeremiah Farrell.
Combinatory literature is a type of fiction writing in which the author relies and draws on concepts outside of general writing practices and applies them to the creative process. This method of writing challenges conventional structuralist processes and approaches. To do this, the author investigates alternate disciplines outside the common channels of creative writing and literature, notably mathematics, science and other humanities. The author then applies constraints or influences from the new concepts to their writing process. This inspires creativity in literature regarding form, structure, language and narrative plot, among other things. The emergence of combinatory literature is largely the result of philosophers and intellectuals who have been concerned with the interrelated nature of disciplines and the way these combine to affect brain function. Notable proponents of combinatory literature include T. S. Eliot, Georges Perec and Italo Calvino, whilst modern writers like George Saunders have credited having a multiple disciplinary background as influential on their work.
The history of the lipogram dates back to the ancient Greeks. Its many more recent practitioners include Mallarme, Rimbaud, Thomas Hood and an American, Ernest Vincent Wright, who omitted the letter "e" from his novel Gadsby, published in 1939. Indeed, Wright may have served as a model for Perec, for he is referred to a number of times in A Void as "The Boss" to highlight his significance..