Douglas Richard Hofstadter is an American cognitive and computer scientist whose research includes concepts such as the sense of self in relation to the external world, consciousness, analogy-making, strange loops, artificial intelligence, and discovery in mathematics and physics. His 1979 book Gödel, Escher, Bach: An Eternal Golden Braid won the Pulitzer Prize for general nonfiction, and a National Book Award for Science. His 2007 book I Am a Strange Loop won the Los Angeles Times Book Prize for Science and Technology.
Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields.
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.
Georges Perec was a French novelist, filmmaker, documentalist, and essayist. He was a member of the Oulipo group. His father died as a soldier early in the Second World War and his mother was killed in the Holocaust. Many of his works deal with absence, loss, and identity, often through word play.
A lipogram is a kind of constrained writing or word game consisting of writing paragraphs or longer works in which a particular letter or group of letters is avoided. Extended Ancient Greek texts avoiding the letter sigma are the earliest examples of lipograms.
Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.
Oulipo is a loose gathering of (mainly) French-speaking writers and mathematicians who seek to create works using constrained writing techniques. It was founded in 1960 by Raymond Queneau and François Le Lionnais. Other notable members have included novelists Georges Perec and Italo Calvino, poets Oskar Pastior and Jean Lescure, and poet/mathematician Jacques Roubaud.
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech.
An ambigram is a calligraphic composition of glyphs that can yield different meanings depending on the orientation of observation. Most ambigrams are visual palindromes that rely on some kind of symmetry, and they can often be interpreted as visual puns. The term was coined by Douglas Hofstadter in 1983–1984.
Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers. Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines. Although there is no single set of guidelines, the "standard" format describes formatting that is considered to be generally acceptable.
Ernest Vincent Wright was an American writer known for his book Gadsby, a 50,000-word novel which, except for four instances, did not use the letter E.
A Void, translated from the original French La Disparition, is a 300-page French lipogrammatic novel, written in 1969 by Georges Perec, entirely without using the letter e, following Oulipo constraints. Perec would go on to write with the inverse constraint in Les Revenentes, with only the vowel “e” present in the work. Ian Monk would later translate Les Revenentes into English under the title The Exeter Text.
The history of books became an acknowledged academic discipline in the 1980s. Contributions to the field have come from textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. It aims to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words. Analysis of each component part of the book can reveal its purpose, where and how it was kept, who read it, ideological and religious beliefs of the period, and whether readers interacted with the text within. Even a lack of such evidence can leave valuable clues about the nature of a particular book.
In a written or published work, an initial is a letter at the beginning of a word, a chapter, or a paragraph that is larger than the rest of the text. The word is ultimately derived from the Latin initiālis, which means of the beginning. An initial is often several lines in height, and, in older books or manuscripts, may take the form of an inhabited or historiated initial. Certain important initials, such as the Beatus initial, or B, of Beatus vir... at the opening of Psalm 1 at the start of a vulgate Latin. These specific initials in an illuminated manuscript were also called initia.
Letter frequency is the number of times letters of the alphabet appear on average in written language. Letter frequency analysis dates back to the Arab mathematician Al-Kindi, who formally developed the method to break ciphers. Letter frequency analysis gained importance in Europe with the development of movable type in 1450 AD, where one must estimate the amount of type required for each letterform. Linguists use letter frequency analysis as a rudimentary technique for language identification, where it is particularly effective as an indication of whether an unknown writing system is alphabetic, syllabic, or ideographic.
The type–token distinction is the difference between a class (type) of objects and the individual instances (tokens) of that class. Since each type may be instantiated by multiple tokens, there are generally more tokens than types of an object. For example, the sentence "A rose is a rose is a rose" contains three word types: three word tokens of the type a, two word tokens of the type is, and three word tokens of the type rose. The distinction is important in disciplines such as logic, linguistics, metalogic, typography, and computer programming.
Logology is the field of recreational linguistics, an activity that encompasses a wide variety of word games and wordplay. The term is analogous to the term "recreational mathematics".
Word Ways: The Journal of Recreational Linguistics is a quarterly magazine on recreational linguistics, logology and word play. It was established by Dmitri Borgmann in 1968 at the behest of Martin Gardner. Howard Bergerson took over as editor-in-chief for 1969, but stepped down when Greenwood Periodicals dropped the publication. A. Ross Eckler Jr., a statistician at Bell Labs, became editor until 2006, when he was succeeded by Jeremiah Farrell.
Comics has developed specialized terminology. Several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics.
Language on Vacation: An Olio of Orthographical Oddities is a 1965 book written by Dmitri Borgmann.
