Constrained writing

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Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern. [1]

Contents

Constraints are very common in poetry, which often requires the writer to use a particular verse form.

Description

Constraints on writing are common and can serve a variety of purposes. For example, a text may place restrictions on its vocabulary, e.g. Basic English, copula-free text, defining vocabulary for dictionaries, and other limited vocabularies for teaching English as a second language or to children.

In poetry, formal constraints abound in both mainstream and experimental work. Familiar elements of poetry like rhyme and meter are often applied as constraints. Well-established verse forms like the sonnet, sestina, villanelle, limerick, and haiku are variously constrained by meter, rhyme, repetition, length, and other characteristics.

Outside of established traditions, particularly in the avant-garde, writers have produced a variety of work under more severe constraints; this is often what the term "constrained writing" is specifically applied to. For example:

The Oulipo group is a gathering of writers who use such techniques. The Outrapo group uses theatrical constraints. [3]

There are a number of constrained writing forms that are restricted by length, including:

Examples

See also

Related Research Articles

A rhyme is a repetition of similar sounds in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word rhyme has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme.

Georges Perec was a French novelist, filmmaker, documentalist, and essayist. He was a member of the Oulipo group. His father died as a soldier early in the Second World War and his mother was killed in the Holocaust. Many of his works deal with absence, loss, and identity, often through word play.

A lipogram is a kind of constrained writing or word game consisting of writing paragraphs or longer works in which a particular letter or group of letters is avoided. Extended Ancient Greek texts avoiding the letter sigma are the earliest examples of lipograms.

Oulipo is a loose gathering of (mainly) French-speaking writers and mathematicians who seek to create works using constrained writing techniques. It was founded in 1960 by Raymond Queneau and François Le Lionnais. Other notable members have included novelists Georges Perec and Italo Calvino, poets Oskar Pastior and Jean Lescure, and poet/mathematician Jacques Roubaud.

<span class="mw-page-title-main">Homophone</span> Word that has identical pronunciation as another word, but differs in meaning

A homophone is a word that is pronounced the same as another word but differs in meaning. The two words may be spelled the same, for example rose (flower) and rose, or spelled differently, as in rain, reign, and rein. The term homophone sometimes applies to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as a counterpart. Any unit with this property is said to be homophonous.

<span class="mw-page-title-main">Acrostic</span> Text formed from parts of another text

An acrostic is a poem or other word composition in which the first letter of each new line spells out a word, message or the alphabet. The term comes from the French acrostiche from post-classical Latin acrostichis, from Koine Greek ἀκροστιχίς, from Ancient Greek ἄκρος "highest, topmost" and στίχος "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval. When the last letter of each new line forms a word it is called a telestich; the combination of an acrostic and a telestich in the same composition is called a double acrostic.

<span class="mw-page-title-main">Alliterative verse</span> Form of verse

In prosody, alliterative verse is a form of verse that uses alliteration as the principle ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, and the Alliterative Morte Arthur all use alliterative verse.

<i>A Void</i> Novel by Georges Perec

A Void, translated from the original French La Disparition, is a 300-page French lipogrammatic novel, written in 1969 by Georges Perec, entirely without using the letter e, following Oulipo constraints.

A univocalic is a type of antilipogrammatic constrained writing that uses only consonants and a single vowel, in English "A", "E", "I", "O", or "U", and no others.

<span class="mw-page-title-main">Anagrammatic poetry</span> Form of poetry

Anagrammatic poetry is poetry with the constrained form that either each line or each verse is an anagram of all other lines or verses in the poem.

<span class="mw-page-title-main">Glossary of literary terms</span> Terms and concepts used in language, literature, and literary analysis

This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

<span class="mw-page-title-main">Experimental literature</span> Genre of literature

Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also incorporate art or photography. Furthermore, while experimental literature was traditionally handwritten, the digital age has seen an exponential use of writing experimental works with word processors.

Word chain, also known as grab on behind, last and first, alpha and omega, and the name game, is a word game in which players come up with words that begin with the letter or letters that the previous word ended with. A category of words is usually chosen, there is a time limit such as five seconds, and words may not be repeated in the same game. The version of the game in which cities are used is called geography, and a generalized version with place names is called Atlas.

<i>Eunoia</i> (book) Book by Christian Bök

Eunoia (2001) is an anthology of univocalics by Canadian poet Christian Bök. Each chapter is written using words limited to consonants and a single vowel, producing sentences like: "Hassan can, at a handclap, call a vassal at hand and ask that all staff plan a bacchanal". The author believes "his book proves that each vowel has its own personality, and demonstrates the flexibility of the English language." The work was inspired by the Oulipo group, which seeks to create works using constrained writing techniques.

A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line.

Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines", and "five syllables each line for eight lines." More recently there have been new poetry and free poetry.

Conceptual writing is a style of writing which relies on processes and experiments. This can include texts which may be reduced to a set of procedures, a generative instruction or constraint, or a "concept" which precedes and is considered more important than the resulting text(s). As a category, it is closely related to conceptual art.

Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.

<span class="mw-page-title-main">Combinatory literature</span> Type of fiction writing

Combinatory literature is a type of fiction writing in which the author relies and draws on concepts outside of general writing practices and applies them to the creative process. This method of writing challenges conventional structuralist processes and approaches. To do this, the author investigates alternate disciplines outside the common channels of creative writing and literature, notably mathematics, science and other humanities. The author then applies constraints or influences from the new concepts to their writing process. This inspires creativity in literature regarding form, structure, language and narrative plot, among other things. The emergence of combinatory literature is largely the result of philosophers and intellectuals who have been concerned with the interrelated nature of disciplines and the way these combine to affect brain function. Notable proponents of combinatory literature include T. S. Eliot, Georges Perec and Italo Calvino, whilst modern writers like George Saunders have credited having a multiple disciplinary background as influential on their work.

References

  1. Andrews, Dale (2013-02-26). "Constrained Writing". Washington: SleuthSayers.
  2. Bilingual Homophonous Poetry – Italo-Hebraic Bilingual Homophonous Poem by linguist Ghil'ad Zuckermann, in which the Hebrew poem sounds identical to the Italian one, both making full sense – see Zuckermann, Ghil'ad (2006), "Shir Du-Leshoni" (Bilingual Poem), Ho!, Literary Magazine 3, pp. 256–257.
  3. Lundin, Leigh (2009-06-07). "L'Oulipo". Constrained Writing. Orlando: Criminal Brief. Retrieved 28 February 2013.
  4. A New Novel, No Verbs, in France, No Less by Scott McLemee, The Chronicle of Higher Education, June 2, 2004.
  5. Urban Legends Reference Pages: Language (Green Eggs and Ham), Snopes, Accessed on 26 November 2006.
  6. Gorm, son of Hardecnut by Peter Vorobieff Archived 2015-02-15 at the Wayback Machine , Accessed on 16 April 2013.
  7. http://www.muppetlabs.com/~breadbox/txt/al.html