Gary Thomasson | |
---|---|
Outfielder / First baseman | |
Born: San Diego, California, U.S. | July 29, 1951|
Batted: Left Threw: Left | |
MLB debut | |
September 5, 1972, for the San Francisco Giants | |
Last MLB appearance | |
October 6, 1980, for the Los Angeles Dodgers | |
MLB statistics | |
Batting average | .249 |
Home runs | 61 |
Runs batted in | 294 |
Stats at Baseball Reference | |
Teams | |
Career highlights and awards | |
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Gary Leah Thomasson (born July 29,1951) is an American former professional baseball player. He played as an outfielder and first baseman in Major League Baseball (MLB) between 1972 and 1980,most prominently as a member of the San Francisco Giants with whom he played for seven seasons. He also played for the Los Angeles Dodgers,New York Yankees,Seattle Mariners,Montreal Expos,and the Cincinnati Reds. [1] After his Major League Baseball career,he played for the Yomiuri Giants of Japanese Nippon Pro Baseball from 1981 to 1982. Thomasson was a member of the Yankees' 1978 World Series winning team over the Dodgers.
Thomasson attended Oceanside High School in Oceanside,California and was drafted by the San Francisco Giants in the 7th round of the 1969 Major League Baseball Draft. [2] He made his Major League debut on September 5,1972,at the age of 21,pinch-hitting for pitcher Frank Reberger in a 4–3 Giants' win over the San Diego Padres. [3] In 1973,his first full Major League season,Thomasson hit .285 in 112 games.
Thomasson was traded along with Gary Alexander,Dave Heaverlo,John Henry Johnson,Phil Huffman,Alan Wirth and $300,000 from the Giants to the Athletics for Vida Blue on March 15,1978. [4] Mario Guerrero was sent to the Athletics just over three weeks later on April 7 to complete the transaction.
Thomasson spent only a few months and 47 games with Oakland before being traded to the New York Yankees for Dell Alston,Mickey Klutts,and $50,000,on June 15,1978. Eight months later he was on the move again,dealt to the Los Angeles Dodgers for catcher Brad Gulden on February 15,1979.
Purchased from the Dodgers by the Yomiuri Giants of Japanese Nippon Pro Baseball on December 22,1980,Thomasson spent his final two professional seasons (1981–82) in Japan. Signed with great fanfare to the biggest contract ever given to a player in the Nippon league, [5] Thomasson was a disappointment in his two years in Japan,coming close to setting the league strikeout record before a knee injury ended his career.[ citation needed ]
Tokyo writer and conceptual artist Genpei Akasegawa published a book containing photographs of found objects which he termed "Hyperart Thomasson". [6] The book enjoyed a cult following among late-1980s Japanese youth. [7]
Genpei Akasegawa was a pseudonym of Japanese artist Katsuhiko Akasegawa,born March 27,1937 –October 26,2014 in Yokohama. He used another pseudonym,Katsuhiko Otsuji,for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center,Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. He has had retrospective exhibitions at the Hiroshima City Museum of Contemporary Art,Chiba City Museum,and Oita City Museum. His work is in the permanent collection at Museum of Modern Art in New York. Artist Nam June Paik has described Akasegawa as “one of those unexportable geniuses of Japan.”
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Thomasson or Hyperart Thomasson is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s. It refers to a useless relic or structure that has been preserved as part of a building or the built environment,which has become a piece of art in itself. These objects,although having the appearance of pieces of conceptual art,were not created to be viewed as such. Akasegawa deemed them even more art-like than art itself,and named them "hyperart". In recent years there has been a resurgence of interest in Thomasson,especially since the publication of Akasegawa's work on the subject in English in 2010.