Vivien Leigh, styled as Lady Olivier after 1947, was a British actress. After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937). She then won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963).
Victor Lonzo Fleming was an American film director, cinematographer, and producer. His most popular films were Gone with the Wind, for which he won an Academy Award for Best Director, and The Wizard of Oz. Fleming has those same two films listed in the top 10 of the American Film Institute's 2007 AFI's 100 Years...100 Movies list.
Caesar and Cleopatra is a 1945 British Technicolor film directed by Gabriel Pascal and starring Vivien Leigh and Claude Rains. Some scenes were directed by Brian Desmond Hurst, who took no formal credit. The picture was adapted from the play Caesar and Cleopatra (1901) by George Bernard Shaw, produced by Independent Producers and Pascal Film Productions and distributed by Eagle-Lion Distributors.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois (Leigh), who, after encountering a series of personal losses, seeks refuge with her sister (Hunter) and brother-in-law (Brando) in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
The Angry Silence is a 1960 black-and-white British drama film directed by Guy Green and starring Richard Attenborough, Pier Angeli, Michael Craig and Bernard Lee.
A Yank at Oxford is a 1938 comedy-drama film directed by Jack Conway and starring Robert Taylor, Lionel Barrymore, Maureen O'Sullivan, Vivien Leigh and Edmund Gwenn. The screenplay was written by John Monk Saunders and Leon Gordon. The film was produced by MGM-British at Denham Studios.
The Deep Blue Sea is a 1955 British drama film directed by Anatole Litvak, starring Vivien Leigh and Kenneth More, and produced by London Films and released by Twentieth Century Fox. The picture was based on the 1952 play of the same name by Terence Rattigan.
21 Days is a 1940 British drama film based on the short 1919 play The First and the Last by John Galsworthy. It was directed by Basil Dean and stars Vivien Leigh, Laurence Olivier and Leslie Banks. The film was renamed 21 Days Together for the American market.
Subterfuge is a 1968 British Eurospy espionage film directed by Peter Graham Scott and starring Gene Barry, Joan Collins and Richard Todd.
Frail Women is a 1932 British drama film directed by Maurice Elvey and starring Mary Newcomb, Owen Nares, Frank Pettingell and Herbert Lomas. In the years after World War I a Colonel marries his war-time mistress.
The Scotland Yard Mystery is a 1934 British crime film directed by Thomas Bentley and starring Sir Gerald du Maurier, George Curzon, Grete Natzler, Belle Chrystall and Wally Patch. The screenplay concerns a criminal doctor who operates a racket claiming life insurance by injecting victims with a life suspending serum turning them into living dead. The film is based on a play by Wallace Geoffrey. It was made by one of the biggest British companies of the era, British International Pictures, at their Welwyn Studios.
The Marked One is a 1963 British second feature crime film directed by Francis Searle and starring William Lucas, Zena Walker and Patrick Jordan. It was written by Paul Erickson. An ex-con's daughter is kidnapped by a blackmailer.
The Village Squire is a 1935 British comedy film directed by Reginald Denham and starring David Horne, Leslie Perrins, Moira Lynd and Vivien Leigh. It is based on Arthur Jarvis Black's play. The screenplay concerns a village's amateur production of MacBeth that is aided by the arrival of a Hollywood star. This provokes the fierce resistance of the village squire who hates films. The film was a quota quickie, produced at Elstree Studios for Paramount to help them meet their yearly quota set down by the British government.
Full Speed Ahead is a 1936 British drama film directed by Lawrence Huntington and starring Paul Neville, Moira Lynd and Richard Norris. The film was made at Wembley Studios as a quota quickie for distribution by the Hollywood company Paramount Pictures. It is also known by the alternative title Full Steam Ahead.
Take a Chance is a 1937 British comedy sports film directed by Sinclair Hill and starring Claude Hulbert, Binnie Hale, and Henry Kendall. It depicts farcical events in the horse racing world.
Frederick Walter James Peisley was a British stage, film and television actor and theatre director whose career spanned five decades. He is known for The Secret of the Loch (1934), Gentlemen's Agreement (1935) and Murder at the Cabaret (1936). His later career was mostly in television.
Things Are Looking Up is a 1935 British musical comedy film directed by Albert de Courville, produced by Michael Balcon for Gaumont British and starring Cicely Courtneidge, Max Miller and William Gargan. It was made at Islington Studios by British Gaumont, an affiliate of Gainsborough Pictures. The film's sets were designed by Alex Vetchinsky. The film was distributed by Gaumont British Distributors.
Simply Terrific is a 1938 British comedy film directed by Roy William Neill and starring Claude Hulbert, Reginald Purdell and Patricia Medina. It was made at Teddington Studios by the British subsidiary of Warner Bros.
My Heart Is Calling is a 1935 British musical film directed by Carmine Gallone and starring Jan Kiepura, Mártha Eggerth and Sonnie Hale. It is the English-language version of the German film My Heart Calls You and the French film Mon cœur t'appelle. It was made at Beaconsfield Studios.
Cock o' the North is a 1935 British comedy drama film directed by Oswald Mitchell and Challis Sanderson and starring George Carney, Marie Lohr and Eve Lister. It was shot at the Cricklewood Studios in London. It was produced for release by Butcher's Film Service. Like many of Butcher's films during the decade, it shares its name with a traditional piece of music. In this case the title refers to the railway engine Cock o' the North.
