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Betty Balfour was an English screen actress, popular during the silent era, and known as the "British Mary Pickford" and "Britain's Queen of Happiness". She was best known to audiences for her Squibs series of films.
Nothing Else Matters is a 1920 British film, written by Hugh E. Wright, and directed by George Pearson. This was the screen debut of Mabel Poulton and Betty Balfour who went on to become leading British stars of the 1920s.
Don't Ever Leave Me is a 1949 British comedy film directed by Arthur Crabtree and starring Petula Clark, Jimmy Hanley, Hugh Sinclair, Edward Rigby, and Anthony Newley. Produced by Betty Box during her stint at Gainsborough Pictures, it was written by Robert Westerby.
My Old Dutch is a 1934 British drama film directed by Sinclair Hill and starring Betty Balfour, Gordon Harker, Michael Hogan and Florrie Forde. The film portrays the lives of Londoners during the First World War. The film was made at Islington Studios by Gainsborough Pictures. The film's sets were designed by Peter Proud. Bryan Edgar Wallace contributed to the screenplay, adapted from the stage play written by Arthur Shirley and also based on Albert Chevalier's famous song.
Squibs is a 1935 British musical romantic comedy film directed by Henry Edwards and starring Betty Balfour, Gordon Harker and Stanley Holloway.
The Sea Urchin is a 1926 British drama film directed by Graham Cutts and starring Betty Balfour, George Hackathorne and W. Cronin Wilson. It was made at Gainsborough Studios with Michael Balcon as producer.
Tom Coventry was a British actor.
Claude Duval is a 1924 British silent adventure film directed by George A. Cooper and starring Nigel Barrie, Fay Compton and Hugh Miller. It is based on the historical story of Claude Duval.
Squibs is a 1921 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves. It was followed by three sequels starting with Squibs Wins the Calcutta Sweep and a 1935 remake.
Squibs Wins the Calcutta Sweep is a 1922 British silent comedy film directed by George Pearson and starring Betty Balfour, Fred Groves and Hugh E. Wright. It was the sequel to the 1921 film Squibs.
Paddy the Next Best Thing is a 1923 British silent romance film directed by Graham Cutts and starring Mae Marsh, Darby Foster and Lilian Douglas. It was based on the 1908 novel of the same title by Gertrude Page and a 1920 stage adaptation, which was later adapted into a 1933 American film. It was made at the Gainsborough Studios in Islington. American star Mae Marsh had been brought over from Hollywood to star in the company's previous film Flames of Passion and stayed on to make this film.
Blinkeyes is a 1926 British silent drama film directed by George Pearson and starring Betty Balfour, Tom Douglas, and Frank Stanmore.
On the Air is a 1934 British musical film directed by Herbert Smith and starring Davy Burnaby, Reginald Purdell and Betty Astell. It was made by British Lion at Beaconsfield Studios. It was one of a number of revue films made by the company during the decade.
Raise the Roof is a 1930 British musical film directed by Walter Summers and starring Betty Balfour, Maurice Evans, and Jack Raine. It was made at Elstree Studios.
Wee MacGregor's Sweetheart is a 1922 British silent romance film directed by George Pearson and starring Betty Balfour, Donald Macardle and Nora Swinburne.
Squibs M.P. is a 1923 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves.
Squibs' Honeymoon is a 1923 British silent comedy film directed by George Pearson and starring Betty Balfour, Hugh E. Wright and Fred Groves. It was the last of the silent film series featuring the character, although Balfour returned to play her in the 1935 sound film Squibs. Both Pearson and Balfour were particular favourites of the British film critic, and later leading screenwriter, Roger Burford. In his first article for the magazine Close Up Burford would write "Not long ago a film of the Squibbs series was reported to be on at a small cinema in a slum district. It was a rare chance, and we went at once. We were not disappointed: the film was English, with proper tang; the tang of Fielding or Sterne.' Burford's comments help place the Squibbs films perfectly in British culture between the wars. They were very much working-class comedy, drawing on a vernacular, performative tradition, but at the same time their "Englishness" is characteristic of the kinds of satirical comedies found in the novels of Henry Fielding and Laurence Sterne. That earthy satire, based on everyday life, made these comedies unpalatable to middle class audiences but the Squibbs films were amongst the most interesting, and well shot, films in Britain in the 1920s.
A Sporting Double is a 1922 British silent drama film directed by Arthur Rooke and starring John Stuart, Lilian Douglas and Douglas Munro. The film is set in the horse racing world. It was re-released in 1926 by Butcher's Film Service.
The Sporting Instinct is a 1922 British silent drama film directed by Arthur Rooke and starring Lilian Douglas, Joseph R. Tozer and Mickey Brantford.
A Bachelor's Baby is a 1922 British silent comedy film directed by Arthur Rooke and starring Constance Worth, Malcolm Tod and Tom Reynolds.
References
- ↑ Low p.409
