| George Lewis & Turk Murphy at Newport | ||||
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| Live album by | ||||
| Released | 1957 | |||
| Recorded | July 4 & 6, 1957 | |||
| Venue | Newport Jazz Festival, RI | |||
| Genre | Jazz | |||
| Label | Verve MGV 8232 | |||
| Producer | Norman Granz | |||
| George Lewis chronology | ||||
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| Turk Murphy chronology | ||||
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| Review scores | |
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| Source | Rating |
| AllMusic |   [1] |
George Lewis & Turk Murphy at Newport is a live album by George Lewis' Sextet and Turk Murphy's Septet recorded at the Newport Jazz Festival in 1957 and released on the Verve label. [2]
Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. According to critic Scott Yanow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
"Diminuendo and Crescendo in Blue" is a jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra with Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarinet), Johnny Hodges, Otto Hardwick, Laurence Brown, Joe Nanton (trombone), Harry Carney, Sonny Greer (drums), Wellmann Braud (bass), Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves's tenor saxophone solo.
Victor Dickenson was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
Joseph Robichaux was an American jazz pianist. He was the nephew of John Robichaux.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Basic Miles: The Classic Performances of Miles Davis is a compilation album by American jazz musician Miles Davis, released in 1973 by Columbia Records and recorded from 1955 through 1962.
Dinah Sings Bessie Smith is the ninth studio album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1999 as The Bessie Smith Songbook. The album arrangements are headed by Robare Edmondson and Ernie Wilkins, and the songs are associated with American blues singer Bessie Smith. AllMusic details the album in its review as saying: "It was only natural that the "Queen of the Blues" should record songs associated with the "Empress of the Blues." The performances by the septet/octet do not sound like the 1920s and the purposely ricky-tick drumming is insulting, but Dinah Washington sounds quite at home on this music".
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation." These recordings were added to the National Recording Registry in 2002, the first year of the institution's existence.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Gerry Mulligan '63 is an album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in late 1962 which were released on the Verve label.
The Teddy Wilson Trio & Gerry Mulligan Quartet with Bob Brookmeyer at Newport is a live album by Teddy Wilson's Trio and Gerry Mulligan's Quartet recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
Eddie Costa, Mat Mathews & Don Elliott at Newport is a live album featuring performances by Eddie Costa's Trio/Quintet, Mat Mathews' Quartet and Don Elliott's Quartet recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
The Ruby Braff Octet with Pee Wee Russell & Bobby Henderson at Newport is a live album by Ruby Braff's Octet with Pee Wee Russell and solo pianist Bobby Henderson recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
Newport Jazz Festival All Stars is a live album by an all star group assembled by pianist/promoter George Wein that featured trumpeter Buck Clayton, saxophonist Bud Freeman, trombonist Vic Dickenson and clarinetist Pee Wee Russell which was recorded in Boston in 1959 in preparation for the Newport Jazz Festival and released on the Atlantic label in 1960.
Creole Cookin', is an album by cornetist Bobby Hackett which was released on the Verve label in 1967.
Mis'ry and the Blues is an album by trombonist/vocalist Jack Teagarden recorded in Chicago in 1961 and released by the Verve label.