George Wilkins (died 1618) [1] was an English dramatist and pamphleteer best known for his possible collaboration with William Shakespeare on the play Pericles, Prince of Tyre . By profession he was an inn-keeper, but he was also apparently involved in criminal activities.
Wilkins was an inn-keeper in Cow-Cross, London, an area that was "notorious as a haunt of whores and thieves". [2] Most biographical information about him derives from his regular appearance in criminal court records for thievery and acts of violence. Many of the charges against him involved violence against women, including kicking a pregnant woman in the belly, and knocking down and stomping another woman. The latter appears in other records as a known "bawd", or keeper of prostitutes. These facts have led to the suggestion that his inn functioned as a brothel and that Wilkins was a procurer, or pimp. [2] [3]
Wilkins was associated with the King's Men, and their chief playwright William Shakespeare, during the latter's last working years as a dramatist. Shakespeare and Wilkins were both witnesses in the case of Bellott v Mountjoy in 1612; in his deposition he described himself as a "victualler."
He is first heard of as the author of a pamphlet on the Three Miseries of Barbary , which dates from 1606. [4] He then collaborated in 1607 with William Rowley and John Day in The Travels of the Three English Brothers , a dramatisation of the real-life adventures of the Sherley brothers. [5]
In the same year Wilkins wrote The Miseries of Enforced Marriage . This play is based on the real life story of Walter Calverley, a Yorkshireman whose identity is thinly disguised under the name of "Scarborough." This man had killed his two children and had attempted to murder his wife. The play avoided a tragic ending, at least in the printed version of 1607, which ends in comedy. The story stopped short before the catastrophe perhaps because of objections raised by Mrs. Calverley's family, the Cobhams. [5] Walter Calverley's crimes are dealt with in a short play, A Yorkshire Tragedy , of uncertain authorship.
A number of studies have attributed to Wilkins a share in Shakespeare's Pericles, Prince of Tyre (which does not appear in Shakespeare's First Folio , but was published only in a textually corrupt quarto). This may have been collaboration, or perhaps Wilkins was the original author of Pericles and Shakespeare remodelled it, or vice versa. However it may be, Wilkins published in 1608 a novel entitled The Painful Adventures of Pericles, Prynce of Tyre, described as "the true history of Pericles as it was lately presented by ... John Gower" (who serves as narrator in the play). This follows the play very closely. [5] The editors of the 1986 Oxford Edition of Shakespeare make the assumption that Wilkins was the co-author of Pericles and draw heavily upon The Painful Adventures in their controversial reconstructed text of the play. Wilkins is thought to have contributed most of the first two acts of the play, while Shakespeare wrote the last three.
In his 2022 book Aemilia Lanyer as Shakespeare’s Co-Author, Mark Bradbeer suggests that George Wilkins might have been a pseudonym for the poet Emilia Lanier. [6] [7]
This article includes a list of general references, but it lacks sufficient corresponding inline citations .(November 2022) |
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
This article contains information about the literary events and publications of 1607.
William Rowley was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of St James's, Clerkenwell in north London.
Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. It was published in 1609 as a quarto, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's Confessio Amantis. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's Cambridge edition of the play, but modern editors generally agree that Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of Pericles, were written by a collaborator, who may well have been the victualler, panderer, dramatist and pamphleteer George Wilkins. Wilkins published The Painful Adventures of Pericles Prince of Tyre which is the prose version of the story, and drew from Lawrence Twines' The Pattern of Painful Adventures. Pericles was one of the seventeen plays that were in print during Shakespeare's life, and was reprinted 5 times between 1609 and 1635.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608. The play was originally assigned to William Shakespeare, though the modern critical consensus rejects this attribution, favouring Thomas Middleton.
Edward Blount (1562–1632) was a London publisher of the Elizabethan, Jacobean, and Caroline eras, noted for his publication, in conjunction with William and Isaac Jaggard, of the First Folio of Shakespeare's plays in 1623.
Emilia Lanier was the first woman in England to assert herself as a professional poet, through her volume Salve Deus Rex Judaeorum. Attempts have been made to equate her with Shakespeare's "Dark Lady".
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare. Some editions include several works that were not completely of Shakespeare's authorship, such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were likely written by George Wilkins; or Edward III, whose authorship is disputed.
Apollonius of Tyre is the hero of a short ancient novel, popular in the Middle Ages. Existing in numerous forms in many languages, all are thought to derive from an ancient Greek version now lost.
Like most playwrights of his period, William Shakespeare did not always write alone. A number of his surviving plays are collaborative, or were revised by others after their original composition, although the exact number is open to debate. Some of the following attributions, such as The Two Noble Kinsmen, have well-attested contemporary documentation; others, such as Titus Andronicus, are dependent on linguistic analysis by modern scholars; recent work on computer analysis of textual style has given reason to believe that parts of some of the plays ascribed to Shakespeare are actually by other writers.
False Folio is the term that Shakespeare scholars and bibliographers have applied to William Jaggard's printing of ten Shakespearean and pseudo-Shakespearean plays together in 1619, the first attempt to collect Shakespeare's work in a single volume. Publisher and bookseller Thomas Pavier is also implicated with 'printed for T.P.' appearing on the title pages.
Valentine Simmes was an Elizabethan era and Jacobean era printer; he did business in London, "on Adling Hill near Bainard's Castle at the sign of the White Swan." Simmes has a reputation as one of the better printers of his generation, and was responsible for several quartos of Shakespeare's plays. [See: Early texts of Shakespeare's works.]
George Eld was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.
Nathaniel Butter was a London publisher of the early 17th century. As the publisher of the first edition of Shakespeare's King Lear in 1608, he has also been regarded as one of the first publishers of a newspaper in English.
The Travels of the Three English Brothers is an early Jacobean era stage play, an adventure drama written in 1607 by John Day, William Rowley, and George Wilkins. The drama was based on the true-life experiences of the three Shirley brothers, Sir Anthony Shirley, Sir Thomas Shirley, and Robert Shirley. The play illustrates the trend toward extreme topicality in some works of English Renaissance drama.
The Pattern of Painful Adventures (1576) is a prose novel. A later edition, printed in 1607 by Valentine Simmes and published by Nathaniel Butter, was a source for William Shakespeare's play Pericles, Prince of Tyre. There was at least one intermediate edition, around 1595.
The Pattern of Painful Adventures is a 90-minute 2008 radio play by Stephen Wakelam on the circumstances surrounding the writing of the play Pericles, Prince of Tyre by William Shakespeare and the sickness of his brother Edmund's child, introduced by a flashback by his daughter Susannah, playwright John Marston and William's secretary Robinson. It links the play to the marriage of Susannah and the birth of her daughter and to the similar themes of daughters, forests, storms, shipwrecks and lost infants from As You Like It, The Winter's Tale, and The Tempest. It is named after The Pattern of Painful Adventures, a main source for Pericles. It was first broadcast on BBC Radio 3 at 8pm on 23 November 2008, directed and produced by Jeremy Mortimer, and was followed in the same slot on 30 November by a repeat of a 2005 radio production of Pericles, with Tom Mannion as Pericles and Benjamin Zephaniah as Gower.
The Miseries of Enforced Marriage is a play written by George Wilkins which was published in London in 1607.
The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier is the actual author of at least part of the plays and poems traditionally attributed to William Shakespeare. As is the case with the dozens of other candidates suggested to be the author of Shakespeare's works, this idea is not accepted by the large majority of Shakespeare scholars.