Gerold Huber | |
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Born | 1969 (age 50–51) Straubing, Germany |
Education | Musikhochschule München |
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Gerold Huber (born 1969) is a German classical pianist, best known as the regular duo partner of baritone Christian Gerhaher and accompanist of other singers.
Born in Straubing, Huber studied on a scholarship at the Hochschule für Musik und Theater München , piano with Friedemann Berger and Lied accompaniment ("Liedgestaltung") with Helmut Deutsch. Together with the singer Christian Gerhaher he attended a master class with Dietrich Fischer-Dieskau in Berlin.
Huber forms a duo with Christian Gerhaher and has also accompanied singers such as Ruth Ziesak, Franz-Josef Selig, Bernarda Fink, Cornelia Kallisch and Diana Damrau. He is the pianist of the "Liedertafel" founded in 2002 of James Taylor, Christian Elsner, Michael Volle and Franz-Josef Selig and has appeared with the Artemis Quartet.
At the Rheingau Musik Festival 2010 he accompanied Christian Gerhaher in a Gustav Mahler program of Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) and from Das Lied von der Erde the movements Der Einsame im Herbst (The lonely one in Autumn) and Der Abschied (The Farewell).
The Grammy Award for Best Classical Vocal Solo has been awarded since 1959. There have been several minor changes to the name of the award over this time:
Dietrich Fischer-Dieskau was a German lyric baritone and conductor of classical music, one of the most famous Lieder performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly "Winterreise" of which his recordings with accompanist Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release.
Winterreise is a song cycle for voice and piano by Franz Schubert, a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two great song cycles on Müller's poems, the earlier being Die schöne Müllerin.
Ian Charles Bostridge CBE is an English tenor, well known for his performances as an opera and lieder singer.
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The lied is a term in the German vernacular to describe setting poetry to classical music to create a piece of polyphonic music. The term is used for songs from the late fourteenth or early fifteenth centuries or even to refer to Minnesang from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf or Richard Strauss. Among English speakers, however, "lied" is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages. The poems that have been made into lieder often center on pastoral themes or themes of romantic love.
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"Das Wandern ist des Müllers Lust" is the first line of a poem by Wilhelm Müller, written in 1821 with the title "Wanderschaft" as part of a collection, Die schöne Müllerin. While wandern means hiking now, it referred to the required journeyman years of craftsmen when written, in this case of a miller.