"Get Me to the World on Time" | ||||
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Single by The Electric Prunes | ||||
from the album The Electric Prunes | ||||
B-side | "Are You Lovin' Me More (But Enjoying It Less)" | |||
Released | March 1967 | |||
Recorded | American Recording Company, Power House, Los Angeles, California, 1966 | |||
Genre | ||||
Length | 2:30 | |||
Label | Reprise | |||
Songwriter(s) | Annette Tucker, Jill Jones | |||
Producer(s) | Dave Hassinger | |||
The Electric Prunes singles chronology | ||||
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"Get Me to the World on Time" is a song written by Annette Tucker and Jill Jones for the American garage rock band, The Electric Prunes. The song was released in March 1967 following the success of the band's previous single, "I Had Too Much to Dream (Last Night)". Although the follow-up did not have the same success, "Get Me to the World on Time" still charted at number 27 on the Billboard Hot 100. The single also fared slightly better in the UK, where it reached number 42. [2]
The song was recorded at American Recording Company with multiple sound effects, and recording techniques which were highly complex. Similar to "I Had Too Much to Dream (Last Night)", the composition begins in low-range tones until the sudden shift. Singer James Lowe explained that the opening to the track is actually "[producer] Dave Hassinger groaning through a mike, into the tremolo of a Fender amp. It creates pulse-like overtones that sound like strings". [3] Vocals by Lowe were initially soft until climbing to higher notes alongside the instrumentals. The instrumentals featured a Bo Diddley-styled riff (added by the band [4] ) played in the percussion, and given a psychedelic effect with a fuzz-distorted guitar. [5] [ failed verification ] The band added in the rhythm while recording it in studio, one of the few times the group's input was accepted. They had sought to expand the track by including more electronic instrumentals and effects, but it was not allowed. The ending of the song, deemed the "spaceship", by playing the high E note on guitar until it reached the last fret, and an oscillator matched the peak. [3]
Tucker and Jones wrote the song specifically for the Electric Prunes, deliberately including highly sexual (for the time) lyrics ("one kiss from you and my whole body starts to actin' strange, you shake up all my hormones, you put me through a change" etc.). [4] The title refers to the song "Get Me to the Church on Time" from the 1956 musical My Fair Lady. [4]
The track was released in March 1967, a few weeks after its inclusion on their debut album, [6] and reached Top 40 success in the United States. It was the band's last single to chart in the Top 40. Despite the band's difficulty in mimicking the studio version at live performances, the song was a favorite among their fans. To compensate for the lack of sound effects, the band normally expanded the composition beyond its regular track length. [7] [8]
There have been several notable remakes by other artists including: [8]
John Benson Sebastian (born March 17, 1944) is an American singer, songwriter and musician who founded the rock band the Lovin' Spoonful in 1964 with Zal Yanovsky. During his time in the Lovin Spoonful, John would write and sing some of the bands biggest hits such as "Do You Believe in Magic", "Did You Ever Have to Make Up Your Mind", and "Daydream". Sebastian would leave the Spoonful in 1968 after the album Everything Playing. After leaving the Spoonful, Sebastian would focus on a solo career, releasing his first solo album in 1970 titled John B. Sebastian. Sebastian would continue on recording solo albums.
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
The Lovin' Spoonful is an American folk-rock band formed in Greenwich Village, New York City, in 1964. The band was among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "Do You Believe in Magic", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number-two hits "Daydream" and "Did You Ever Have to Make Up Your Mind?" and the chart-topping "Summer in the City".
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
Mass in F Minor is the third studio album by American rock band The Electric Prunes, released in 1968. It consists of a musical setting of the mass sung in Latin and Greek and arranged in the psychedelic style of the band, and was written and arranged by David Axelrod.
The West Coast Pop Art Experimental Band (WCPAEB) was an American psychedelic rock band formed in Los Angeles, California, in 1965. The group created music that possessed an eerie, and at times sinister atmosphere, and contained material that was bluntly political, childlike, and bizarre. Representing different musical backgrounds among band members, the group, at times, resembled a traditional Byrds-esque folk rock ensemble, but the WCPAEB also, within the same body of work, recorded avant-garde music marked by multi-layered vocal harmonies.
Easy Rider is the soundtrack to the cult classic 1969 film Easy Rider. The songs that make up the soundtrack were carefully selected to form a "musical commentary" within the film. The album of the soundtrack was released by ABC-Dunhill Records in August 1969. It peaked at #6 on the Billboard album charts in September of that year, and was certified gold in January 1970.
David Axelrod was an American composer, arranger, and producer. After starting out as a staff producer for record companies specializing in jazz, Axelrod became known by the mid-1960s in soul and jazz circles for his recording skills. In 1968, Axelrod embarked on a solo career and released several albums during the 1970s that showcased his characteristic sound, which combined heavily microphoned drums and baroque orchestration, and avant garde themes ranging from the environment to heightened mental awareness.
Underground is the second studio album by the American garage rock band, The Electric Prunes, and was released in 1967 on Reprise Records. It would be the final album of any materialized input by band members until the 1969 "New Improved" Electric Prunes were formed. The album was a moderate chart hit, but, without a hit-ready single, the band could not repeat their past success.
Annette May Tucker is an American songwriter, who found success in the 1960s as co-writer of songs for The Electric Prunes, The Brogues, The Knickerbockers, Nancy and Frank Sinatra and others.
The Electric Prunes, sometimes referred to as I Had Too Much to Dream (Last Night), is the 1967 debut album by the American garage rock band, the Electric Prunes, released on Reprise Records. The first track, "I Had Too Much to Dream (Last Night)", was a hit and became the band's signature tune. The album also contains another notable psychedelic rock composition, "Get Me to the World on Time". The album was listed in the book 1001 Albums You Must Hear Before You Die.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
"I Had Too Much to Dream (Last Night)" is a song written by Annette Tucker and Nancie Mantz which was recorded in late 1966 by the American garage rock band the Electric Prunes. Released as the band's second single in November of that year, it reached number 49 in the UK and peaked at number 11 on the Billboard Hot 100 the week ending February 11, 1967. It was also the lead track of the band' 1967s debut album, and became more widely known as the opening track on the 1972 Nuggets compilation of 1960s garage rock and psychedelic rock.
The Lovin' Spoonful Anthology is a compilation album by the folk rock group the Lovin' Spoonful, released in 1990.
If I Were a Carpenter is an album by American singer Bobby Darin, released in 1966. It was a significant change in direction for Darin considering his previous album was a collection of show tunes.
John B. Sebastian is the debut album by American singer-songwriter John Sebastian, previously best known as the co-founder and primary singer-songwriter of the 1960s folk-rock band the Lovin' Spoonful. The album, released in January 1970, includes several songs that would become staples of Sebastian's live performances during the early and mid-1970s. Most notably, the album included "She's a Lady", Sebastian's first solo single, and an alternate version of "I Had a Dream" which was used to open the soundtrack album of the 1970 documentary film Woodstock. John B. Sebastian also featured support performances by David Crosby, Stephen Stills and Graham Nash several months before that trio agreed to work together as a performing unit.
Triangle is the fourth studio album by American rock band the Beau Brummels. Produced by Lenny Waronker and released in July 1967, it was the band's first album to include songs that vocalist Sal Valentino and guitarist Ron Elliott composed together. The band incorporated fantasy elements and surreal characters into the album's song titles and lyrics, and worked with a variety of session musicians to create Triangle's psychedelic musical style. The Beau Brummels were reduced to a trio—Valentino, Elliott, and Ron Meagher—at the time Triangle was recorded, as former group members Don Irving (guitars) and John Petersen (drums) left the band following the release of the group's previous album, Beau Brummels '66.
The Youngbloods is the debut self-titled studio album by the American rock band the Youngbloods, released in 1967. It was also reissued in 1971 under the title Get Together after the popular single from the album. The album peaked at number 131 on the Billboard 200 although two years later the single "Get Together" reached number five and sold more than a million copies.
Thaddeus James Lowe is an American musician and record producer, best known as the lead singer of 1960s psychedelic rock band The Electric Prunes and as an audio engineer and producer with Todd Rundgren and the band Sparks.
Satisfied with You is the ninth album released in the US by the British band the Dave Clark Five. It was released on 15 August 1966 and contained three hit songs, "Look Before You Leap", "Please Tell Me Why" and "Satisfied with You". The LP hit the Billboard Top 200 and the Cashbox Top 100.