Getting Married (Swedish : Giftas) is a collection of short stories by the Swedish writer August Strindberg. [1] The first volume was first published on 27 September 1884 and contained twelve stories depicting "twenty marriages of every variety," some of which present women in an egalitarian light. [2] The volume also contained a long preface, in which, in addition to his support for women's rights, Strindberg offered criticisms of the campaign (such as its class bias), as well as of Henrik Ibsen's 1879 play A Doll's House (the collection contains a story entitled "A Doll's House"). [3] Strindberg finished a second volume of stories, dealing in part with "all the less common forms of 'marriage'" such as "pederasty and lesbianism," in the summer of 1885. [4] After a delay caused by the unwillingness of printers and distributors to handle such a controversial volume, it was published in October 1886. [5] While the first two stories are as sympathetic to women as some of those in the first volume, many border on misogyny. [6] Its preface blamed women for religious persecution, war, and all of history's other misfortunes. [7] Both volumes were written at a time when Strindberg was still married to Siri von Essen, though the publication of the second volume had a disastrous effect on their marriage. [8]
One week after the publication of the first volume of Getting Married, Strindberg was prosecuted for "blasphemy against God or mockery of God's word or sacrament," the maximum penalty for which was two years penal labour. [9] In "The Reward of Virtue" story, he criticised "the impudent deception practised with Högstedt's Piccadon ... and Lettström's wafers ... which the parson passed off as the body and blood of Jesus of Nazareth, the rabble-rouser who was executed over 1,800 years ago." [10] Two groups "led by influential members of the upper classes, supported by the right-wing press" probably instigated the prosecution; at the time, most people in Stockholm thought that Queen Sophia was behind it. [11] Strindberg returned to Sweden to face the charges, arriving on 20 October 1884 to a rapturous welcome. [12] At a special performance of his Lucky Peter's Journey at the New Theatre that evening, he was crowned with a laurel wreath. [13] He was acquitted of the charges on 17 November the same year. [14]
A Doll's House is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Danish Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town c. 1879.
Johan August Strindberg was a Swedish playwright, novelist, poet, essayist, and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout his life, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and historical plays to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially novelist and playwright, but in other countries he is known mostly as a playwright.
This article contains information about the literary events and publications of 1884.
Benjamin Franklin Wedekind was a German playwright. His work, which often criticizes bourgeois attitudes, is considered to anticipate expressionism and was influential in the development of epic theatre.
A Dream Play, sometimes staged in English as The Dream Play, is a fantasy play in 14 scenes written in 1901 by the Swedish playwright August Strindberg. It was published in Swedish in 1902 and first performed in Stockholm on 17 April 1907. It remains one of Strindberg's most admired and influential dramas, seen as an important precursor to both dramatic Expressionism and Surrealism.
Miss Julie is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve and the following morning, which is Midsummer and the Feast Day of St. John the Baptist. The setting is an estate of a count in Sweden. Miss Julie is drawn to a senior servant, a valet named Jean, who is well-traveled and well-read. The action takes place in the kitchen of Miss Julie's father's manor, where Jean's fiancée, a servant named Christine, cooks and sometimes sleeps while Jean and Miss Julie talk.
The Red Room is a Swedish novel by August Strindberg that was first published in 1879. A satire of Stockholm society, it has frequently been described as the first modern Swedish novel. In this novel, Strindberg reflects his own experiences of living in poverty while writing this novel during February to November 1879. While receiving mixed reviews in Sweden, it was acclaimed in Denmark, where Strindberg was hailed as a genius. As a result of The Red Room, Strindberg became famous throughout Scandinavia. Edvard Brandes wrote that it "makes the reader want to join the fight against hypocrisy and reaction."
Sigrid "Siri" Sofia Matilda Elisabet von Essen was a Swedish-speaking Finnish noblewoman and actress. Her acting career spanned about 15 years, during which time she appeared in a number of plays that the Swedish dramatist and writer August Strindberg wrote specifically for her.
The Dance of Death refers to two plays, The Dance of Death I, and The Dance of Death II, both written by August Strindberg in 1900. Part one was written in September, and then, after receiving a response to the play, part two was written in November. The two plays have much in common, and each is a full evening in the theatre. If they are joined together as one theatre-going experience, a couple of unexplained discrepancies between the two plays present difficulties. For example, in part one the Captain is desperately poor, and in part two he is well-to-do.
Swedish realism is the period in Swedish literature that encompassed the last two decades of the 19th century. It is generally considered to have ended in the 1910s but the exact year is a matter of debate.
The Swedish Theatre in Stockholm was, at the beginning of the 20th century, Sweden's largest dramatic theatre. It was located on Blasieholmen in central Stockholm. During its years in use, from 1875 to 1925, it was often considered as Sweden's foremost national theatre.
Master Olof is a historical drama in five acts by the Swedish playwright August Strindberg. The story is about the reformer Olaus Petri's struggle against the Roman Catholic Church in the 16th century. First written in 1872, Strindberg rewrote it many times in both prose and verse.
The Father is a naturalistic tragedy by Swedish playwright August Strindberg, written in 1887. It is about the struggle between parents over the future of their child; resulting in the mother, using her cunning manipulative skills, subduing and finally destroying the father.
Michael Leverson Meyer was an English translator, biographer, journalist and dramatist who specialised in Scandinavian literature.
This is a list of August Strindberg's written works.
To Damascus, also known as The Road to Damascus, is a trilogy of plays by the Swedish playwright August Strindberg. The first two parts were published in 1898, with the third following in 1904. It has been described as "Strindberg's most complex play" and as "his greatest play," due to its "synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form."
Creditors is a naturalistic tragicomedy by the Swedish playwright August Strindberg. It was written in Swedish during August and September 1888 in Denmark. It was first published in Danish in February 1889 and appeared in Swedish in 1890. It premiered at the Dagmar Theatre in Copenhagen in March 1889. It is seen as one of Strindberg's most powerful plays. Strindberg himself, writing in 1892, described it as his "most mature work."
The Outlaw is an 1871 one-act play by Swedish playwright August Strindberg written when he was a 22-year-old struggling University student who had yet to become a successful author. The story is based on old Viking sagas for which to prepare Strindberg taught himself Icelandic to read the old sagas. Soon after the premier at the Royal Theater, the King of Sweden, Charles XV, summoned Strindberg to his palace to tell him how much he enjoyed it and to offer help with the young writer's tuition. It was a seminal moment in Strindberg's career, allowing him to continue his studies and gaining him confidence and reputation as a writer.
Getting Married is a 1955 Swedish drama film directed by Anders Henrikson and starring Anita Björk, Elsa Carlsson and Edvin Adolphson. It was shot at the Sundbyberg Studios of Europa Film in Stockholm. The film's sets were designed by the art director Arne Åkermark. It is based on the short story collection Getting Married by August Strindberg. It is also known by the alternative title Of Love and Lust, the name under which it was given on its 1959 United States release alongside A Doll's House.
Getting Married is a 1926 Swedish silent drama film directed by Olof Molander and starring Olof Winnerstrand, Tora Teje and Hilda Borgström. It is based on the short story collection Getting Married by August Strindberg, specifically the story A Doll's House which he had written is response to Henrik Ibsen's 1879 play A Doll's House.