Ghetto Blaster | |
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Publisher(s) |
|
Designer(s) | Tony Gibson Mark Harrison [2] |
Platform(s) | Commodore 64 [1] |
Release | |
Genre(s) | Action [1] |
Mode(s) | Single-player |
"Ghetto Blaster" is a computer game that was released for the Commodore 64 in 1985. It was developed by two former employees of Taskset, a software house, Tony Gibson and Mark Harrison. [3] [4]
Rockin' Rodney is the player character and protagonist of the game, [5] and has been employed as a courier for the fictional record company Interdisc. The player must find and collect batteries for their ghetto blaster and afterwards locate ten cassette tape demos of dance music. When this is done, the player must get people to dance to the tape demos by listening to them on their boombox. The main aim of the game is to deliver the tapes to Interdisc [6] by navigating through a maze of streets, alleyways, and cul-de-sacs, which are laid out and populated by various characters.
The street names are named after famous songs (e.g. "Blackberry Way", "Desolation Row"). A map is provided in the cassette inlay, [6] and some of the characters reference others.
Zzap!64 praised the game's music and gameplay, but criticized its repetitive nature and lack of a real scoring system, which removes any potential replay value. [6]
A boombox is a transistorized portable music player featuring one or two cassette tape players/recorders and AM/FM radio, generally with a carrying handle. Beginning in the mid 1990s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. A boombox is a device typically capable of receiving radio stations and playing recorded music. Many models are also capable of recording onto cassette tapes from radio and other sources. In the 1990s, some boomboxes were available with MiniDisc recorders and players. Designed for portability, boomboxes can be powered by batteries as well as by line current. The boombox was introduced to the American market during the late 1970s. The desire for louder and heavier bass led to bigger and heavier boxes; by the 1980s, some boomboxes had reached the size of a suitcase. Some larger boomboxes even contained vertically mounted record turntables. Most boomboxes were battery-operated, leading to extremely heavy, bulky boxes.
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