Giancarlo del Monaco | |
---|---|
Born | |
Citizenship |
|
Occupation | Opera director |
Years active | 1965–present |
Website | www |
Giancarlo del Monaco (born 27 December 1943), Italian stage director, general manager for several opera companies and festivals.
Del Monaco was born in Venice to operatic tenor, Mario Del Monaco and operatic soprano, Rina Fedora Filipini. Being born into musical family, Del Monaco was exposed to music and the operatic world from an early age. [2] [3] [4]
In 1965, at age 22, he made his debut as a stage director in a production of Samson et Dalila in Syracuse, Sicily, which was starred by his father. In 1970 to 1973, he worked as the personal assistant to Rudolf Gamsjäger, the General Manager of Vienna State Opera. After that, he worked as an assistant to opera directors, Wieland Wagner, Günther Rennert and Walter Felsenstein until 1976 before taking the position of principal stage director in Ulm, Germany. [5]
Del Monaco has staged more than 100 operas in his operatic repertoire, among them are La fanciulla del West , Stiffelio , Madama Butterfly , Simon Boccanegra , La forza del destino , Rigoletto , Turandot , Las Golondrinas, Il barbiere di Siviglia , Don Carlos , Norma , Pagliacci , Cavalleria rusticana , La traviata , Tosca , Otello and Abai .
He also has served as the General Manager for several opera companies and festivals: the Montepulciano Festival in 1975, Staatstheater Kassel from 1980 to 1982, the Macerata Festival from 1986 to 1988 and Theater der Bundesstadt in Bonn from 1992 to 1997. In the 1992-93 season, he made his debut as a director at the Metropolitan Opera. He served as the General Director of Opéra de Nice from 1997 to 2001, and as the Artistic Director of the Tenerife Opera Festival from 2009 to 2011. [6]
With his great career as General director, Giancarlo del Monaco becomes one of the most important stage directors of his generation.
He has directed opera productions in many noted opera houses and music venues in various locations, including Barcelona, Beijing, Berlin, Bologna, Bregenzer Festspiele, Buenos Aires, Catania, Hamburg, Los Angeles, Madrid, Munich, Milan, Montpellier, Naples, New York City, Chorégies d'Orange, Paris, Rome, Savonlinna, Stuttgart, Tel Aviv, Venice, Washington, Vienna and Zurich. [7]
Del Monaco is fluent in 5 languages. [5]
Del Monaco has four daughters: Stella, Fedora, Alessandra and Laura.
In December 2024, Vladimir Putin granted Del Monaco Russian citizenship. [8]
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as "the Met", the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018.
Luciano Pavarotti was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for his tone, and gaining the nickname "King of the High Cs".
José Plácido Domingo Embil is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, including Simon Boccanegra. As of 2020, he has performed 151 different roles.
Josep Maria Carreras Coll, better known as José Carreras, is a Catalan operatic tenor from Spain who is particularly known for his performances in the operas of Donizetti, Verdi and Puccini.
Mario Del Monaco was an Italian operatic tenor.
Franco Corelli was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Dubbed the "prince of tenors", audiences were enchanted by his handsome features and charismatic stage presence. He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America.
Renata Tebaldi was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "la voce d'angelo", and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
Tito Gobbi was an Italian operatic baritone with an international reputation.
Mario Lanza was an American tenor and actor. He was a Hollywood film star popular in the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. Prior to that, the adult Lanza sang only two performances of an opera. The following year (1948) he sang the role of Pinkerton in Puccini's Madama Butterfly in New Orleans.
Andrei Sergeyevich KonchalovskyOZO is a Russian filmmaker. He has worked in Soviet, Hollywood, and contemporary Russian cinema. He is a laureate of the Order "For Merit to the Fatherland", a National Order of the Legion of Honour, an Officer of the Order of Arts and Letters, a Cavalier of the Order of Merit of the Italian Republic and a People's Artist of the RSFSR. He is the son of writer Sergey Mikhalkov, and the brother of filmmaker Nikita Mikhalkov.
Richard Tucker was an American operatic tenor and cantor. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States.
Fedora is an opera in three acts by Umberto Giordano to an Italian libretto by Arturo Colautti, based on the 1882 play Fédora by Victorien Sardou. Along with Andrea Chénier and Siberia, it is one of the most notable works of Giordano.
Pier Miranda Ferraro was an Italian operatic tenor who had an active international opera career from 1951 through 1981. He particularly excelled in the dramatic Italian repertoire with his signature role being the title role in Giuseppe Verdi's opera Otello. Other important roles in his performance repertoire included Radames in Verdi's Aida, Alvaro in La Forza del Destino, and des Grieux in Giacomo Puccini's Manon Lescaut. He also found success in the German repertoire portraying Wagnerian heroes. Although he was a gifted singer and had a highly impressive list of performance credits, he never achieved the international recognition enjoyed by his most important contemporaries, such as Franco Corelli or Mario Del Monaco. After retiring from the opera stage in 1981 he took up a second highly successful career as a voice teacher.
Mario Martone is an Italian film director and screenwriter. He has directed more than 30 films since 1985. His films have been shown in prestigious international film festivals over the world. His L'amore molesto (1995) was selected competed for the Palme d'Or in the 1995 Cannes Film Festival. Two of his films Noi credevamo (2010) and Leopardi (2014) have been selected to compete for the Golden Lion at the 67th Venice International Film Festival and 71st Venice International Film Festivall.
Giancarlo Monsalve Leyton is a Chilean spinto tenor. He is the Cultural Ambassador of his home town Valparaíso, a UNESCO World Heritage site. He is known for his portrayal as Don José in Carmen, Cavaradossi in Tosca, Turiddu in Cavalleria rusticana, the title role in Don Carlos, Riccardo in Un ballo in maschera, Prince Calaf in Turandot and Don Alvaro in La forza del destino
Luciano Lamonarca is an Italian opera singer, crossover artist, keynote speaker, philanthropist, and event producer. He has performed under the patronage and auspices of the United Nations, UNESCO, the European Union, the Presidency of the Italian Republic, and the Italian Ministry of Foreign Affairs. Venues in which he has performed include the United Nations General Assembly, Lincoln Center, Carnegie Hall, Madison Square Garden, Liechtenstein Museum in Vienna, and Teatro Politeama in Palermo. Having performed in more than 200 benefit events from 2008 to 2018, his involvement in numerous charitable causes, and his commitment to making art with a purpose have earned Luciano Lamonarca the sobriquet "The Goodwill Tenor."
Gegham Grigorian (also written Grigoryan, Armenian: Գեղամ Գրիգորյան; Russian: Гегам Григорян; 29 January 1951 – 23 March 2016) was an Armenian operatic tenor.
Stefano La Colla is an Italian tenor who has given recitals and performed in opera internationally.
Dragana Radakovic is an operatic soprano, conductor and academic. With a flexible voice, she is able to sing bel canto as well as dramatic soprano roles. She has appeared at major opera houses in title and leading roles, including Bellini's Norma, Verdi's Aida, and Puccini's Turandot.
The Teatro Mario Del Monaco is an opera house and theatre in Treviso, Italy. It was previously known as the Teatro Onigo from 1692 to 1846, the Teatro Sociale from 1847 to 1930, and the Teatro Comunale from 1931 to 2011. In 2011, it was renamed in honour of the Italian tenor Mario Del Monaco who lived in Treviso from 1975 until his death in 1982. It is located in the historic centre of the city on the Corso del Popolo and since 2019 has been run by the Teatro Stabile del Veneto which also runs the Teatro Goldoni in Venice and the Teatro Verdi in Padua.