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GTG | |
Address | 520 8th Avenue #304 |
---|---|
Location | Midtown Manhattan, New York City, New York, United States |
Type | Non-profit Theatre Company |
Opened | 2006 |
Website | |
gingoldgroup |
Gingold Theatrical Group, often abbreviated as GTG, is a New York-based non-profit theatre company. It was founded in 2006 by American actor and director David Staller. Its mission is to present works that carry the humanitarian values of writer and critic George Bernard Shaw. It presents several series, including the annual festival Shaw New York, and the monthly series of staged readings, Project Shaw. Through this series, GTG became the first theatre group to present all 65 of George Bernard Shaw's plays.
Gingold Theatrical Group is a Manhattan-based theatre company under the Artistic Direction of David Staller, who founded the group in 2006. Staller believed that the English playwright and critic, George Bernard Shaw, created work that made the strongest statements on human rights. He named the group after his friend Hermione Gingold, together with whom he read Shaw's plays. [1] Stephen Brown-Fried serves as the group's Associate Director, and Alyce Stark is the group's general manager.[ citation needed ]
Staller began the group's work with staged readings of plays either by Shaw, his contemporaries, or those inspired by him. [2] The series, Project Shaw, presents 11 staged readings a year. Each of these staged readings are either plays by or inspired by George Bernard Shaw. [3] In 2009, Gingold Theatrical Group became the first theatre group to have produced all 65 of George Bernard Shaw's plays through Project Shaw. [4] Initially held at New York's Players' Club, the performances were moved to a larger venue at New York's Symphony Space in 2014. [5]
On January 19, 2015, Project Shaw held its 100th performance. [6] As of July 2017, 124 Project Shaw had presented 124 concert productions. [4]
In 2012, the group began to hold an annual festival called Shaw New York. Here, they produce a fully staged production, together with symposiums, concerts, and staged readings. [2] They began the annual festival with their production of Shaw's Man and Superman , which was a New York Times Critics' Pick. The play was co-produced by The Irish Repertory Theatre and was extended past its initial limited engagement.[ citation needed ] Since then, GTG has presented Shaw's You Never Can Tell and Major Barbara in a co-production with The Pearl Theatre, and Shaw's Widowers' Houses with The Actors Company Theatre.[ citation needed ]
GTG currently holds two programs which focus on the development of new works. The first program, Press Cuttings, was inspired by Shaw's career. Prior to becoming a playwright, Shaw was an art critic. The program's focus is to develop the works of art critics looking to follow in Shaw's footsteps. This program led to the development of David Cote's play Otherland.[ when? ][ where? ][ citation needed ]
In 2017, GTG announced another program, Speakers' Corner, in which a group of writers of diverse backgrounds develops new work inspired by narratives of George Bernard Shaw.[ citation needed ]
In New York Magazine , Jesse Green stated that "Gingold Theatrical Group provides an invaluable – and unique – service to New Yorkers. Not only does it keep topnotch productions of great works of art before the public on a regular basis as no other theater company can, but it also does something less obvious. It keeps the tradition of intelligent argument, embodied in Shaw's plays but otherwise much lacking from public discourse, alive for those who need it most: the thinking people of a great city." [7]
In a 2012 review of Man and Superman, Andy Webster of The New York Times said that Staller's "fluency is apparent. … In its intellectual energy and exhilarating vivacity, this production honors Shaw’s life force as well." [8]
Michael Musto stated, "David Staller's Project Shaw is an invaluable testament to the beauty of Shaw's work... Anyone who cares about theater and history treasures this project."[ citation needed ]
George Bernard Shaw, known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
Charles Laughton was an English stage and film actor. Laughton was trained in London at the Royal Academy of Dramatic Art and first appeared professionally on the stage in 1926. In 1927, he was cast in a play with his future wife Elsa Lanchester, with whom he lived and worked until his death.
Man and Superman is a four-act drama written by George Bernard Shaw in 1903. The series was written in response to a call for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 23 May 1905, but it omitted the third act. A part of the act, Don Juan in Hell, was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.
Widowers' Houses (1892) was the first play by George Bernard Shaw to be staged. It premièred on 9 December 1892 at the Royalty Theatre, under the auspices of the Independent Theatre Society — a subscription club, formed to escape the Lord Chamberlain's Office censorship.
Hermione Ferdinanda Gingold was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s.
Heartbreak House: A Fantasia in the Russian Manner on English Themes is a play written by George Bernard Shaw, first published in 1919 and first played at the Garrick Theatre in November 1920. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation". The "Russian manner" of the subtitle refers to the style of Anton Chekhov, which Shaw adapts.
Disney Theatrical Productions Limited (DTP), also known as Disney on Broadway, is the flagship stageplay and musical production company of the Disney Theatrical Group, a subsidiary of The Walt Disney Studios, a major business unit of The Walt Disney Company.
Theater in Chicago describes not only theater performed in Chicago, Illinois, but also to the movement in Chicago that saw a number of small, meagerly funded companies grow to institutions of national and international significance. Chicago had long been a popular destination for touring productions, as well as original productions that transfer to Broadway and other cities. According to Variety editor Gordon Cox, beside New York City, Chicago has one of the most lively theater scenes in the United States. As many as 100 shows could be seen any given night from 200 companies as of 2018, some with national reputations and many in creative "storefront" theaters, demonstrating a vibrant theater scene "from the ground up". According to American Theatre magazine, Chicago's theater is "justly legendary".
Chay Yew is a playwright and stage director who was born in Singapore. In July 2011, he became Artistic Director of Victory Gardens Theater, Chicago.
Ken Davenport is a two-time Tony Award-winning Broadway and Off-Broadway theatre producer, blogger, and writer.
The Merle Reskin Theatre is a performing arts venue located in the Loop community area of Chicago, Illinois. Originally named the Blackstone Theatre and now named after Merle Reskin, it was founded in 1910. The Merle Reskin Theatre is now part of DePaul University, and is also used for events and performances of other groups. It serves as the home of the Chicago Playworks for Families and Young Audiences series produced by The Theatre School of DePaul.
The Irish Repertory Theatre is an Off Broadway theatre founded in 1988.
Frederick Kerr was an English actor who appeared on stage in both London and New York and in British and American films; he also worked as a major theatrical manager in London.
John Peter Wearing is an Anglo-American theatre historian and professor, who has written numerous books and articles about nineteenth and twentieth-century drama and theatre, including The Shakespeare Diaries: A Fictional Autobiography, published in 2007. He has also written and edited well-received books on George Bernard Shaw, Arthur Wing Pinero, extensive reference series on the London theatre from 1890 to 1959, and theatrical biographies, among other subjects. As a professor of English literature, Wearing has specialised in Shakespeare and modern drama.
The People's Theatre is an amateur theatre in Newcastle upon Tyne, England. Originally located in the city centre, the People's Theatre moved to its current site, adjacent to the Coast Road in Heaton, in 1962. It mounts some thirteen productions a year including a full-scale family pantomime.
Birmingham Repertory Theatre, commonly called Birmingham Rep or just The Rep, is a producing theatre based on Centenary Square in Birmingham, England. It is the longest-established of Britain's building-based theatre companies and one of its most consistently innovative.
Louis James Calvert was a British stage and early film actor of the late 19th and early 20th centuries and an actor-manager. He is perhaps best remembered today for having created roles in plays by George Bernard Shaw and for appearing in King John (1899), the earliest known example of any film based on Shakespeare,
Why She Would Not: A Little Comedy (1950) is the last play written by George Bernard Shaw, comprising five short scenes. The play may or may not have been completed at his death. It was published six years later.
David Staller is an American theatre director and actor. He is the founding artistic director of the Off-Broadway theatre company, Gingold Theatrical Group.
Stephen Brown-Fried is an American Stage Director. He is primarily known for his work on New York and Regional Stages. He currently serves as the chair of the New School of Drama's Directing program. Additionally, he is a lecturer at the Yale School of Drama. He is the Associate Director at the Off-Broadway Non-Profit Gingold Theatrical Group.