Giuliano l'Apostata

Last updated

Giuliano l'Apostata
Directed by Ugo Falena
Written by Luigi Mancinelli
Ugo Falena
Starring Guido Graziosi
Ileana Leonidoff
CinematographyTullio Chiarini
Music byLuigi Mancinelli
Production
company
Bernini Film
Distributed byCito-cinema
Release date
  • September 1919 (1919-09)
Running time
102 minutes
CountryItaly
LanguageItalian

Giuliano l'Apostata is a 1919 Italian historical drama film directed by Ugo Falena, starring Guido Graziosi and Ileana Leonidoff. Set in the 4th century, it is a biographical film about the Roman Emperor Julian, known as Julian the Apostate for his rejection of Christianity.

Contents

Although Julian's paganism is shown to fail and Christianity to succeed, the portrayal of him is sympathetic. This plays into contemporary Italian discussions about church and state, caused by the gradual abolition of the papal Non Expedit , which previously had prevented Catholics from participating in Italian parliamentary elections.

Giuliano l'Apostata follows conventions for Italian peplum films which had been made fashionable by Cabiria from 1914. It is a melodrama with original music by Luigi Mancinelli and set design and costumes by Duilio Cambellotti. The film did not become popular and has received little attention over the years.

Plot

Fearing a conspiracy, Constantius, the emperor of the Roman Empire, orders the execution of his uncle and the uncle's family, although the six-year-old boy Julian is spared. Julian is raised in Nicomedia; during the day he is taught Christianity by the Arian bishop Eusebius, but at night the old tutor Mardonius informs him about Homer and paganism. Attracted to paganism, Julian is initiated into theurgy by the neoplatonic philosopher Maximus of Ephesus.

Marion May as Taianus, Silvia Malinverni as Helena and Rina Calabria as Isa May+malinv+calabria.jpg
Marion May as Taianus, Silvia Malinverni as Helena and Rina Calabria as Isa

Constantius summons the grown-up Julian to Milan where he is given the title of caesar , at the time signifying a subordinate to the emperor. In Milan, Julian falls in love with and seduces the empress Eusebia. At the same time, Constantius' younger sister Helena falls in love with Julian, and Helena's slave Taianus, who secretly loves Helena, becomes jealous of Julian. Constantius wants to strengthen the family bond and arranges so that Julian is married to Helena. As a wedding gift, Eusebia gives Helena her slave Isa.

Julian settles in Gaul where he successfully fights back rebelling Gaulish tribes. Constantius becomes jealous of his cousin's success and orders him to send his best troops to Byzantium, but the soldiers rebel and proclaim Julian their emperor. Soon thereafter, Helena falls dead, having been poisoned by Isa on order from Eusebia. Julian decides to seek revenge and claim the throne in Byzantium.

Before he can suppress Julian's rebellion, Constantius becomes fatally ill, and Eusebia persuades him to make Julian his successor. After Julian enters Byzantium, he is unconvinced by Eusebia's claim that she acted out of love, and Eusebia ends up committing suicide. As emperor, Julian tries to restore the ancient Greek religion, but reality does not live up to his visions; instead, what he seeks is suggested to exist in a Christian hymn. Julian is derided by the Christian population, and the temple of Apollo is burned down. Disillusioned, he embarks on a campaign in Persia. There, his army suffers from an ambush and Julian is hit by an arrow. The person who shot the arrow was not a Persian, but Taianus. Collapsing, Julian utters his last words: "You have won, Galilean!" [1]

Cast

Guido Graziosi as Julian Graziosi-guido.jpg
Guido Graziosi as Julian

Cast adapted from Cinematografo. [2]

Themes

Giuliano l'Apostata belongs to a trend of Italian monumental drama films from the 1910s. These films are usually set in ancient Rome, medieval Europe or during the Napoleonic Wars, and aim to express high religious and national ideals. [3] In Giuliano l'Apostata, this is done in the form of a melodrama, with a narrative built around sentimental situations that are highlighted by music. [4]

The sympathetic portrayal of Julian plays in with contemporary Italian politics. The Italian unification had resulted in severe tension between the Italian state and the Catholic Church, leading Pope Pius IX to issue the Non Expedit , which prohibited Catholics from participating in Italian parliamentary elections. As the Italian socialist movement became more prominent, however, Catholics were gradually allowed to engage in elections to work as a counterweight, and In 1919 the Catholic Italian People's Party was founded. With these developments came an interest in Julian among intellectuals, who treated him as a symbol for the confrontation between church and state. It is unlikely that the filmmakers intended Giuliano l'Apostata as a political manifesto, but the sympathetic portrayal aligns with the views of Gaetano Negri, a moderate right-wing representative, who presented Julian's religion as a "Christianised Paganism"; a pagan denomination that was based on the examples of the Christian church. [5]

Production

Luigi Mancinelli and Duilio Cambellotti at the set of the film Mancinelli+gambellotti.jpg
Luigi Mancinelli and Duilio Cambellotti at the set of the film

Giuliano l'Apostata was produced by Bernini Film and directed by the company's general manager, Ugo Falena. Falena was best known for his film adaptations of theatrical works, especially operas. Like many of his other works, Giuliano l'Apostata is connected to the musical world, and it was written in close collaboration with the composer Luigi Mancinelli. [6] The screenplay took some inspiration from the 1901 book Julian the Apostate (Italian : L'imperatore Giuliano l'Apostata: studio storico) by Negri. [7] The screenwriters used artistic license in various ways; for example, the real Eusebia died before Constantius, who remarried after her death. [8] The reliance on an original musical score and the handling of credits and captions follow the model for large-scale peplum films that had been established with Giovanni Pastrone's and Gabriele D'Annunzio's Cabiria from 1914. [9] Going further than Ildebrando Pizzetti's musical score for Cabiria, Mancinelli's composition for Giuliano l'Apostata includes some instances where captions from the film are sung by a soprano or a choir. [10]

The sets and costumes were created by Duilio Cambellotti, who was Italy's most famous Art Nouveau artist and first had collaborated with Falena in 1906. Some of the inspiration for his designs came from ancient mosaics in Ravenna. [11] Some of the image compositions and actor postures were inspired by 19th-century representations of the ancient world by painters such as Lawrence Alma-Tadema, John William Godward and Dante Gabriel Rossetti. [12]

Reception

Angelo Piccioli of the magazine Apollon complimented Falena for his sensitivity, ability to make the main character come alive, and for the visual richness of the film, but criticised the early and late parts of the film for lacking in dramatic exposition. [13] The film did not become popular in Italy and was not distributed abroad. It has received little attention from audiences and scholars over time. The Cineteca Nazionale made a restoration in 1990. [14]

See also

Related Research Articles

Ammianus Marcellinus, occasionally anglicised as Ammian, was a Roman soldier and historian who wrote the penultimate major historical account surviving from antiquity. His work, known as the Res gestae, chronicled in Latin the history of Rome from the accession of the Emperor Nerva in 96 to the death of Valens at the Battle of Adrianople in 378, although only the sections covering the period 353 to 378 survive.

<span class="mw-page-title-main">Constantius II</span> Roman emperor from 337 to 361

Constantius II was Roman emperor from 337 to 361. His reign saw constant warfare on the borders against the Sasanian Empire and Germanic peoples, while internally the Roman Empire went through repeated civil wars, court intrigues, and usurpations. His religious policies inflamed domestic conflicts that would continue after his death.

<span class="mw-page-title-main">Julian (emperor)</span> Roman emperor from 361 to 363

Julian was Roman emperor from 361 to 363, as well as a notable philosopher and author in Greek. His rejection of Christianity, and his promotion of Neoplatonic Hellenism in its place, caused him to be remembered as Julian the Apostate in Christian tradition.

The 360s decade ran from January 1, 360, to December 31, 369.

<span class="mw-page-title-main">Maciste</span>

Maciste is one of the oldest recurring characters of cinema, created by Gabriele d'Annunzio and Giovanni Pastrone. He is featured throughout the history of the cinema of Italy from the 1910s to the mid-1960s.

<span class="mw-page-title-main">Sword-and-sandal</span> Genre of largely Italian-made historical or biblical epics

Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.

<span class="mw-page-title-main">Bartolomeo Pagano</span> Italian actor

Bartolomeo Pagano was an Italian motion picture actor.

<span class="mw-page-title-main">Fausta</span> Roman empress and second wife of Constantine I

Flavia Maxima Fausta Augusta was a Roman empress. She was the daughter of Maximian and second wife of Constantine the Great, who had her executed and excluded from all official accounts for unknown reasons. Historians Zosimus and Zonaras reported that she was executed for adultery with her stepson, Crispus.

<span class="mw-page-title-main">Flavia gens</span> Roman families

The gens Flavia was a plebeian family at ancient Rome. Its members are first mentioned during the last three centuries of the Republic. The first of the Flavii to achieve prominence was Marcus Flavius, tribune of the plebs in 327 and 323 BC; however, no Flavius attained the consulship until Gaius Flavius Fimbria in 104 BC. The gens became illustrious during the first century AD, when the family of the Flavii Sabini claimed the imperial dignity.

<i>Emperor and Galilean</i> 1896 play by Henrik Ibsen

Emperor and Galilean is a play written by Henrik Ibsen. Although it is one of the writer's lesser known plays, on several occasions Henrik Ibsen called Emperor and Galilean his major work. Emperor and Galilean is written in two complementary parts with five acts in each part and is Ibsen's longest play.

The Avalon Series is a series of fantasy novels written by Marion Zimmer Bradley and Diana L. Paxson. Paxson took over sole authorship after Bradley's death in 1999. The series focuses on the legendary island of Avalon and the various women who have shaped its history and that of Britain.

<span class="mw-page-title-main">Pordenone Silent Film Festival</span>

Le Giornate del cinema muto is an annual festival of silent film held in October in Pordenone, northern Italy. It is the first, largest and most important international festival dedicated to silent film and also is present in the list of the top 50 unmissable film festivals in the world according to Variety. The Pordenone Silent Film Festival is a non-profit association, whose president is Livio Jacob. The director from 1997 until 2015 was David Robinson. In 2016, Jay Weissberg became director. Other members of the festival board are Paolo Cherchi Usai, Lorenzo Codelli, Piero Colussi, Luciano De Giusti, Carlo Montanaro, Piera Patat.

<span class="mw-page-title-main">Philadelphion</span> Public square in Constantinople

The Philadelphion was a public square located in Constantinople.

Helena was a Roman Empress by marriage to Julian, Roman emperor in 360–363. She was briefly his Empress consort when Julian was proclaimed Augustus by his troops in 360. She died prior to the resolution of his conflict with Constantius II.

<span class="mw-page-title-main">Salutius</span> Roman official and Neoplatonist author

Saturninius Secundus Salutius was a Roman official and Neoplatonist author. A native of Gaul, he had a successful career as a provincial governor and officer at the imperial court, becoming a close friend and adviser of the Emperor Julian. Salutius was well versed in Greek philosophy and rhetoric, and had a reputation for competence and incorruptibility in office. He authored a Neoplatonic religious treatise titled On the Gods and the Cosmos, in support of Julian's pagan reaction against Christianity.

<span class="mw-page-title-main">Luigi Mancinelli</span> Italian composer

Luigi Mancinelli was an Italian conductor, cellist and composer. His early career was in Italy, where he established a reputation in Perugia and then Bologna. After 1886 he worked mostly in other countries, as principal conductor at the Royal Opera House, Covent Garden in London and at the "Old Metropolitan" Opera House in New York, and in other appointments in Madrid, Rio de Janeiro and Buenos Aires.

<i>Constantine and the Cross</i> 1961 film

Constantine and the Cross is a 1961 historical drama film about the early career of the emperor Constantine, who first legalized and then adopted Christianity in the early 4th century. The fictionalised film only stretches as far into his life as the Battle of the Milvian Bridge in AD 312.

<span class="mw-page-title-main">Pina Menichelli</span>

Giuseppa Iolanda Menichelli, known professionally as Pina Menichelli, was an Italian actress. After a career in theatre and a series of small film roles, Menichelli was launched as a film star when Giovanni Pastrone gave her the lead role in The Fire (1916). Over the next nine years, Menichelli made a series of films, often trading on her image as a diva and on her passionate, decadent eroticism. Menichelli became a global star, and one of the most appreciated actresses in Italian cinema, before her retirement in 1924, aged 34.

<span class="mw-page-title-main">Persecution of pagans in the late Roman Empire</span> Late Roman Empire persecution of pagans

Persecution of pagans in the late Roman Empire began during the reign of Constantine the Great in the military colony of Aelia Capitolina (Jerusalem), when he destroyed a pagan temple for the purpose of constructing a Christian church. Rome had periodically confiscated church properties, and Constantine was vigorous in reclaiming them whenever these issues were brought to his attention. Christian historians alleged that Hadrian had constructed a temple to Aphrodite on the site of the crucifixion of Jesus on Golgotha hill in order to suppress Christian veneration there. Constantine used that to justify the temple's destruction, saying he was simply reclaiming the property. Using the vocabulary of reclamation, Constantine acquired several more sites of Christian significance in the Holy Land.

Flavius Hypatius was a Roman Senator, who was the brother-in-law of the Roman emperor Constantius II.

References

Citations

  1. Pucci 2013, pp. 251–253.
  2. Cinematografo.
  3. Cherchi Usai 1996, p. 127.
  4. Cherchi Usai 1996, p. 151.
  5. Pucci 2013, pp. 259–261.
  6. Pucci 2013, pp. 247–248.
  7. Pucci 2013, p. 260.
  8. Pucci 2013, p. 252.
  9. Pucci 2013, p. 248.
  10. Pucci 2013, p. 250.
  11. Pucci 2013, pp. 253–254.
  12. Pucci 2013, pp. 255–256.
  13. Piccioli 1920, quoted in Cinematografo
  14. Pucci 2013, p. 247.

Sources

Cherchi Usai, Paolo (1996). "Italy: Spectacle and Melodrama". In Nowell-Smith, Geoffrey (ed.). The Oxford History of World Cinema. Oxford and New York: Oxford University Press. pp. 123–130. ISBN   0-19-811257-2.
Cinematografo. "Giuliano l'Apostata" (in Italian). Fondazione Ente dello Spettacolo. Retrieved 29 September 2020.
Piccioli, Angelo (30 June 1920). "[Review of Giuliano l'Apostata]". Apollon (in Italian).
Pucci, Giuseppe (2013). "Peplum, melodrama and musicality: Giuliano l'Apostata (1919)". In Michelakis, Pantelis; Wyke, Maria (eds.). The Ancient World in Silent Cinema. Cambridge: Cambridge University Press. pp. 247–261. doi:10.1017/CBO9781139060073.016. ISBN   978-1-107-01610-1.

Further reading

Negri, Gaetano (1905) [1901]. Julian the Apostate. Translated by duchessa Litta-Visconti-Arese. London: T. Fisher Unwin.