Giuseppe Gerola

Last updated
Giuseppe Gerola Gerola.jpg
Giuseppe Gerola

Giuseppe Gerola (2 April 1877 - 21 September 1938) was an Italian historian known for his involvement in monument restoration projects, his studies on Venetian Crete and his investigation of political, cultural and artistic topics related to medieval Trentino.

Contents

Childhood

Gerola was born in Arsiero to Domenico Gerola and Augusta Cofler. His family were unificationists originating from Rovereto. He spent his childhood in Lagarina Valley and completed his high school education in Desenzano.

Education

During 1894-95, Gerola attended the Faculty of Arts in Padua and then moved to the Institute for Historical Studies of Florence where he graduated in 1898. His teachers included the palaeographer Cesare Paoli and the diplomat and historian Paul Scheffer-Boichorst (de) whose lectures he attended during a short stay at Berlin between 1898-99. He also spent some time in Freiburg, here he met the medievalist Heinrich Finke (de) and started developing his interest in art history and architecture.

Gerola was an energetic man with good organizational skills. Both of these virtues were put into good use during his endeavors in the study of paintings, sculpture, architecture or the management of restoration projects.

Career

In 1899, at the suggestion of Federico Halbherr, the Venetian Institute of science, literature and the arts commissioned Gerola to carry out a field study in Crete with the aim to detect traces of the Venetian domination on the island which lasted from 1204 to 1669. During the two and a half years (early 1900 - July 1902) he stayed in Crete, Gerola collected a vast body of material, which he then edited over a period of almost thirty years (between 1905 and 1932). The result of this work was published in four monumental volumes, [1] which earned him the 1933 Mussolini award conferred by the Royal Academy of Italy. These volumes are an invaluable source of information, saving from oblivion dozens of monuments that have been seriously damaged or even destroyed completely in recent years.

After returning to Italy, Gerola was appointed as the director of the Museum of Bassano del Grappa (1903–06) and then the Museum of Verona (1907–10). In 1909, he was promoted to Superintendent of the Monuments of Romagna based in Ravenna, a position he held until 1920. Gerola returned to Greece in 1912 for a field study in the Dodecanese islands (then under Italian control) and Rhodes in particular. [2] In March 1920, he was appointed director of the regional office for the Monuments, Fine Arts and Antiques in Trento.

Gerola died in Trento in 1938.

See also

Related Research Articles

<span class="mw-page-title-main">Paul Bigot</span> French architect

Paul Bigot was a French architect.

<span class="mw-page-title-main">Angiolo Mazzoni</span>

Angiolo Mazzoni was a state architect and engineer of the Italian Fascist government of the 1920s and 1930s.

<span class="mw-page-title-main">Alessandro Vittoria</span> Italian sculptor (1525–1608)

Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy, producing works such as Annunciation.

<span class="mw-page-title-main">Camillo Boito</span> Italian architect and engineer, and a noted art critic, art historian and novelist

Camillo Boito was an Italian architect and engineer, and a noted art critic, art historian and novelist.

<span class="mw-page-title-main">K. A. C. Creswell</span> English architectural historian

Sir Keppel Archibald Cameron Creswell was an English architectural historian who wrote some of the seminal works on Islamic architecture in Egypt.

<span class="mw-page-title-main">Rationalism (architecture)</span> 20th-century Italian architectural style

In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work De architectura that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason.

<span class="mw-page-title-main">Giuseppe Alberti</span> Italian painter (1664–1716)

Giuseppe Alberti was an Italian painter of the Baroque period. He was born at Cavalese, in what was then Austrian Tyrol. After having studied medicine at Padua he decided to become a painter and architect. He worked under Pietro Liberi in Venice, then in Rome, and finally settled at Trieste. Alberti died at Cavalese.

<span class="mw-page-title-main">Marcello Piacentini</span> Italian urban theorist

Marcello Piacentini was an Italian urban theorist and one of the main proponents of Italian Fascist architecture.

<span class="mw-page-title-main">Luca Beltrami</span> Italian architect and architectural historian

Luca Beltrami was an Italian architect and architectural historian, known particularly for restoration projects.

<span class="mw-page-title-main">Ateneo Veneto</span>

The Ateneo Veneto di Scienze, Lettere ed Arti is an institution for the promulgation of science, literature, art and culture in all forms, in the exclusive interest of promoting social solidarity, located in Venice, northern Italy. The Ateneo Veneto is made up of 300 members resident in the city and in the province of Venice, elected by the Assembly, which is also responsible for appointing the Chairman and the Academic Council. Honorary, Non-Resident and Foreign Members, elected by the Assembly also participate in the life of the Ateneo.

<span class="mw-page-title-main">Cesare Brandi</span>

Cesare Brandi was an art critic and historian, specialist in conservation-restoration theory.

<span class="mw-page-title-main">Manfredo Manfredi</span> Italian architect (1859–1927)

Manfredo Manfredi was an Italian architect.

<span class="mw-page-title-main">Photographic archive Gerola</span>

Photographic archive Gerola is preserved by the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan in Venice.

Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.

<span class="mw-page-title-main">Brenno Del Giudice</span> Italian architect and rower

Brenno Del Giudice was an Italian rower who became a prominent architect.

<span class="mw-page-title-main">Armando Brasini</span>

Armando Brasini was a prominent Italian architect and urban designer of the early twentieth century and exemplar of Fascist architecture. His work is notable for its eclectic and visionary style inspired by Ancient Roman architecture, Italian Baroque architecture and Giovanni Battista Piranesi.

<span class="mw-page-title-main">Roberto Cessi</span> Italian historian and politician

Roberto Cessi was an Italian historian and politician, specializing in Venetian history.

<span class="mw-page-title-main">Neilos</span>

Neilos, also known as Neilos Kokolitza was a Greek painter, monk, and archbishop. He was the Archbishop of Kea and Thira. He was a prominent member of the Cretan School. His contemporaries at the time were Ieremias Palladas, and Theocharis Silvestros. He influenced the works of countless Greek and Italian artists. He is one of few Greek painters who had a high rank within the church. Another hi ranking Greek painter was Archpresbyter Andreas Karantinos. Several of his works have survived and they can be found in the museum of Gonia Monastery. His most popular work is The Story of Joseph.

<span class="mw-page-title-main">Saint Mark's Basilica, Heraklion</span> Historical church in Heraklion, Greece

The Basilica of Saint Mark, also known as Hagios Marcos, is a former Roman Catholic church in the center of the city of Heraklion, Crete, in the Eleftherios Venizelos square. It was built during the Venetian rule of the island, in 1239, primarily used by the local lords and officials of the island. After the Ottoman conquest of Crete in 1669, it was converted into a mosque with the name Defterdar Ahmet Pasha Mosque, and remained so until 1915. The building was restored after 1956 and ever since functions as a public art gallery. It is one of the few Roman Catholic churches still standing in Cretan cities and towns. Architecturally-wise it is a three-aisled basilica church with an elevated central nave. It has a portico in its entrance in the western façade.

References

  1. Gerola, Giuseppe: Monumenti Veneti nell'Isola di Creta: R. Istituto Veneto di scienze, lettere ed arti, 1905-1932.
  2. "Giuseppe Gerola: αρχαιολογικές διαδρομές από το Αιγαίο στη Ραβέννα". Archived from the original on 2014-10-20. Retrieved 2014-10-18.