Jean Robert Planquette was a French composer of songs and operettas.
The Opera Comique was a 19th-century theatre constructed in Westminster, London, located between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway.
More than 1,500 African American officeholders served during the Reconstruction era (1865–1877) and in the years after Reconstruction before white supremacy, disenfranchisement, and the Democratic Party fully reasserted control in Southern states. Historian Canter Brown Jr. noted that in some states, such as Florida, the highest number of African Americans were elected or appointed to offices after the end of Reconstruction in 1877. The following is a partial list of notable African American officeholders from the end of the Civil War until before 1900. Dates listed are the year that a term states or the range of years served if multiple terms.
The Boston Museum (1841–1903), also called the Boston Museum and Gallery of Fine Arts, was a theatre, wax museum, natural history museum, zoo, and art museum in 19th-century Boston, Massachusetts. Moses Kimball established the enterprise in 1841.
The Studio Building (1861–1906) on Tremont Street in Boston, Massachusetts, housed artists' studios, theater companies and other businesses in the 19th century. It "held the true Bohemia of Boston, where artists and literati delighted to gather." Among the tenants were portraitist E.T. Billings, architect George Snell, sculptor Martin Milmore, artists William Morris Hunt, William Rimmer, Edward Mitchell Bannister, Phoebe Jenks; gallerist Seth Morton Vose, and many others.
Beethoven Hall (1874–78) was an auditorium in Boston, Massachusetts, that hosted musical performances and other entertainments in the 1870s. It sat on Washington Street, near Boylston Street, in today's Boston Theater District/Chinatown neighborhood. The architect was William Washburn, who had also designed the first National Theatre and the second Tremont Temple.
The Park Theatre (est.1879) was a playhouse in Boston, Massachusetts, in the late 19th and early 20th centuries. It later became the State cinema. Located on Washington Street, near Boylston Street, the building existed until 1990.
The Columbia Theatre or Loew's New Columbia Theatre in Boston, Massachusetts, was a playhouse and cinema located in the South End at No. 978 Washington Street. Charles Frohman, Isaac Baker Rich and William Harris oversaw the theatre until 1895. Owners included J.J. Grace of New York and Loews. Staff included Harry Farren, Saul Hamilburg and Philip Shea. The Columbia existed until its demolition in 1957.
The Bowdoin Square Theatre (est.1892) in Boston, Massachusetts, was a playhouse and cinema. It was located on Bowdoin Square in the West End, in a building designed by architect C.H. Blackall. Personnel included Charles F. Atkinson and William Harris. Audience members included future magician Julius Linsky and future actor Joseph Sicari
The Tremont Theatre was a playhouse in Boston, Massachusetts, in the late 19th and early 20th centuries. Henry E. Abbey and John B. Schoeffel established the enterprise and oversaw construction of its building at no.176 Tremont Street in the Boston Theater District area. Managers included Abbey, Schoeffel and Grau, Klaw & Erlanger, Thos. B. Lothan and Albert M. Sheehan.
The Grand Opera House (est.1888) of Boston, Massachusetts, was a theatre in the South End. Architect George Snell designed the 2,600-seat building on Washington Street. Managers and proprietors included Proctor & Mansfield, A.H. Dexter, George W. Magee, and Stair & Wilbur. Performances included Glyn's Three Weeks.
The Church of the Messiah at 728–30 Broadway, near Waverly Place in Greenwich Village, Manhattan, New York City, was dedicated in 1839 and operated as a church until 1864. In January 1865 it was sold to department store magnate Alexander Turney Stewart and converted into a theater, which subsequently operated under a series of names, including Globe Theatre, and ending with New Theatre Comique. It burned down in 1884.
Jennie Lee was a Victorian Era English stage actress, singer and dancer whose career was largely entwined with the title role in Jo, a melodrama her husband, John Pringle Burnett, wove around a relatively minor character from the Charles Dickens novel, Bleak House. She made her stage debut in London at an early age and found success in New York and San Francisco not long afterwards. Lee may have first starred in Jo around 1874 during her tenure at San Francisco's California Theatre, but her real success came with the play's London debut on 22 February 1876 at the Globe Theatre in Newcastle Street. Jo ran for many months at the Globe and other London venues before embarking for several seasons on tours of the British Isles, a return to North America, tours of Australia and New Zealand and later revivals in Britain. Reduced circumstances over her final years forced Lee to seek assistance from an actor's pension fund subsidised in part by proceeds from Royal Command Performances.
Henri Marie Gabriel Blondeau was a French playwright, librettist and chansonnier, famous for his song Frou-frou.
Eugène Baudouin was a French painter and printmaker.
