Lady Godiva, in Old English Godgifu, was a late Anglo-Saxon noblewoman who is relatively well documented as the wife of Leofric, Earl of Mercia, and a patron of various churches and monasteries.
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly in London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.
William Etty was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London.
Allen Jones is a British pop artist best known for his paintings, sculptures, and lithography. He was awarded the Prix des Jeunes Artistes at the 1963 Paris Biennale. He is a Senior Academician at the Royal Academy of Arts. In 2017 he returned to his home town to receive the award Honorary Doctor of Arts from Southampton Solent University
William Beechey was a British portraitist during the golden age of British painting.
Frank Cadogan Cowper was an English painter and illustrator of portraits, historical and literary scenes, also described as "The Last Pre-Raphaelite".
Ernest Crofts was a British painter of historical and military scenes.
Charles West Cope was an English, Victorian era painter of genre and history scenes, and an etcher. He was responsible for painting several frescos in the House of Lords in London.
Events from the year 1833 in art.
Edmund Blair Leighton was an English painter of historical genre scenes, specialising in Regency and medieval subjects. His art is associated with the pre-Raphaelite movement of the mid-to-late nineteenth and early twentieth centuries.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for female artists.
Philip Reinagle was an English painter of animals, landscapes, and botanical scenes. The son of a Hungarian musician living in Edinburgh, Reinagle came to London in 1763 and after serving an apprenticeship, later became a member of the Royal Academy.
George Jones was a British painter, and Keeper of the Royal Academy, most famous for his paintings of military subjects.
The Royal Glasgow Institute of the Fine Arts (RGI) is an independent organisation in Glasgow, founded in 1861, which promotes contemporary art and artists in Scotland. The institute organizes the largest and most prestigious annual art exhibition in Scotland - open to all artists.
Thomas Uwins was a British portrait, subject, genre and landscape painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery.
George Patten was a British portraitist.
Preparing for a Fancy Dress Ball, also known as The Misses Williams-Wynn, is a 173 by 150 cm oil on canvas by English artist William Etty, first exhibited in 1835 and currently in the York Art Gallery. Although Etty was then known almost exclusively for history paintings featuring nude figures, he was commissioned in 1833 by Welsh Conservative politician Charles Watkin Williams-Wynn to paint a portrait of two of his daughters. Preparing for a Fancy Dress Ball shows Williams-Wynn's daughters, Charlotte and Mary, in lavish Italian-style costume: Charlotte, the eldest, is shown standing, helping the seated Mary decorate her hair with a ribbon and a rose. Etty put a good deal of effort into the piece and took much longer than usual to finish it.
The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.
Britomart Redeems Faire Amoret is an oil painting on canvas by English artist William Etty, first exhibited in 1833 and now in Tate Britain. Intended to illustrate the virtues of honour and chastity, it depicts a scene from Edmund Spenser's The Faerie Queene in which the female warrior Britomart slays the evil magician Busirane and frees his captive, the beautiful Amoret. In Spenser's original poem Amoret has been tortured and mutilated by the time of her rescue, but Etty disliked the depiction of violence and portrayed her as unharmed.
