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Graham Crabb | |
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| Birth name | Graham Charles Crabb |
| Also known as | Crabbi |
| Born | 10 October 1964 Streetly, Warwickshire, England |
| Genres | Rock |
| Occupation(s) | Songwriter, drummer, singer |
| Instrument(s) |
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| Years active | 1986–present |
| Website | crabbi |
Graham Crabb (born Graham Charles Crabb, 10 October 1964, Streetly, Warwickshire, England), also known as Crabbi, is an English musician, best known for performing in the industrial/dance rock band Pop Will Eat Itself (PWEI). [1]
Crabb is a founder member of Pop Will Eat Itself. He, and Clint Mansell were the main songwriters. Drummer until the release of Box Frenzy in 1987, after which he became vocalist and co-frontman with Mansell. He worked with PWEI until 1995, and then formed Golden Claw Musics.
Golden Claw Musics was the main musical project of Crabb after he left Pop Will Eat Itself in 1995. In 1993, he remixed Pop Will Eat Itself's "Get the Girl, Kill the Baddies" as a B-side called "Part Man Part Machine", prompting him to release more of his ambient material. A remix of Pop Will Eat Itself's song "Cape Connection" was released on the limited 2CD edition of the album, Two Fingers, My Friends!. Crabb released the album All Blue Review, as well as an accompanying single for "Digging the Dancing Weed", with Eno engineer Marcus Dravs on Infectious Records in July 1994. Despite Crabb leaving PWEI to focus on Golden Claw Musics, they have not released any more material to date.
After the Golden Claw Musics project, Crabb disappeared from the music industry, although he made appearances on former PWEI members' albums. In 2005, PWEI played a few reformation shows in the UK, which led to formation of Vileevils with Fuzz Townshend and Adam Mole. Vile Evils disbanded in February 2010 after releasing four singles on US label dPulse.
Crabb has recently remixed KMFDM, Revolting Cocks (2009), and US Grammy winner Kevin Max (2010).
Crabb recently put together a new version of Pop Will Eat Itself to celebrate the band's 25th year in 2011. In July 2011, a new line-up of PWEI was announced, featuring Crabb as the only original member. In October 2011, the album New Noise Designed by a Sadist was released on Cooking Vinyl, to be followed by a UK tour.
In June 2013 it was announced Crabb had joined the industrial collective Primitive Race. The group have since released an EP and an album, both with prominent input from Crabb.
In late 2014, Crabb began work on a new solo project known as Je Suis Crabbi. The first release under the name was the EP crabbi.net/ep1 in May 2015, available exclusively through the official Pop Will Eat Itself store.
Clinton Darryl Mansell is an English musician, singer, and composer. He served as the lead vocalist of alt-rock band Pop Will Eat Itself. After the band's dissolution, Mansell moved to the United States and embarked on a career as a film score composer.
Grebo was a short-lived subgenre of alternative rock that incorporated influences from punk rock, electronic dance music, hip hop and psychedelia. The scene occupied the period in the late 1980s and early 1990s in the United Kingdom before the popularisation of Britpop and grunge. The genre and its attributes were largely absorbed into industrial rock, which would emerge after the sub-genre's demise in the late 1980s, which then led to the development of industrial metal in the 1990s.
Pop Will Eat Itself are an English alternative rock band formed in 1986 in Stourbridge in the West Midlands of England with members from Birmingham, Coventry and the Black Country. Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest-charting single was the 1993 top-ten hit "Get the Girl! Kill the Baddies!". After initially disbanding in 1996, and having a brief reformation in 2005, they issued their first release in more than five years in 2010.
This Is the Day...This Is the Hour...This Is This! is the second studio album by English rock band Pop Will Eat Itself, released on 1 May 1989 by RCA Records. The album builds upon the band's 1987 debut Box Frenzy in its extensive usage of sampling, combining influences from punk rock, hip hop, heavy metal, and disco music, with samples and lyrics that reference, among many subjects, pop culture and otaku culture. Particularly influential on the album's musical style were hip hop group Public Enemy, while the album's own subtle post-punk touches would later be credited as influential. Some critics regard the album as a sound collage. The album artwork, designed by The Designer's Republic, touches upon nuclear warfare themes.
Dos Dedos Mis Amigos is the fifth studio album by English industrial rock band Pop Will Eat Itself. It was released on 19 September 1994 in the United Kingdom by Infectious Records and in the United States by Nothing and Interscope Records. The album is somewhat different from the band's other albums, as it had more of an industrial influence and fewer samples were used. The cover art was created by longtime collaborators The Designers Republic. The album was the last before the band disbanded in 1996, until the reformed band released New Noise Designed by a Sadist in 2011, with a different line-up.
The Looks or the Lifestyle? is the fourth studio album by English alternative rock band Pop Will Eat Itself, released on 7 September 1992 by RCA Records.
Vileevils was an electronic dance duo, formed when the 2005 reunion of Pop Will Eat Itself (PWEI) failed to become a full-time project. Singer Clint Mansell and guitarist Richard March were too busy with side projects to dedicate themselves to writing and performing new material, and so the remaining three members of the band decided to form the spin-off band Vileevils, utilising the Sonic Noise Byte material that PWEI had written following the reunion.
Box Frenzy is the debut studio album by English rock band Pop Will Eat Itself. It was released on 26 October 1987 in the United Kingdom by Chapter 22 Records and in the United States by Rough Trade Records.
Cure for Sanity is the third studio album by English rock band Pop Will Eat Itself, released on 22 October 1990 by RCA Records. Upon its release, the album entered the UK Albums Chart and stayed there for two weeks, peaking at number 33, and re-entered the chart when it was re-released in July 1991, staying there for one week at number 58. In Australia, the album peaked at number 51 and spent six weeks on the ARIA top 100 albums chart.
"There Is No Love Between Us Anymore" is a song by Pop Will Eat Itself released on 7" and 12" vinyl in 1988, as the second single from the 1987 album Box Frenzy. An eight-track CD version featuring a small collection of non-album tracks was released in 1991. It is a mainly instrumental track, and the only lyrics that are not sampled are the title of the song. It samples the songs "When I Fall in Love" by Nat King Cole and "You've Lost That Loving Feeling" by the Righteous Brothers. A sample of Joanna Lumley saying "he loves me, he loves me not" from The New Avengers is prominent throughout the song, and the line would be revisited in Pop Will Eat Itself's 1989 song "Wise Up! Sucker."
"Can U Dig It?" is a single by British band Pop Will Eat Itself, released in 1989 from the band's second album This Is the Day...This Is the Hour...This Is This! and it peaked at #38 in the UK Charts.
"Wise Up! Sucker" is a single by Pop Will Eat Itself released in 1989 from the album This Is the Day...This Is the Hour...This Is This! The single peaked on the UK Singles Chart at #41.
New Noise Designed by a Sadist is the sixth studio album by English industrial rock band Pop Will Eat Itself, released on 3 October 2011 by Cooking Vinyl. It was the band's first original studio album in over seventeen years, after Dos Dedos Mis Amigos (1994).
Ian Garfield Hoxley, known by his stage name Mary Byker is an English singer, record producer and DJ known for his work as the lead singer of Gaye Bykers on Acid, Pop Will Eat Itself, Pigface and Apollo 440.
A Lick of the Old Cassette Box aka The Lost Album is an album by the British industrial rock/alternative dance band Pop Will Eat Itself originally recorded in 1995 and 1996, but not released until September 2013. It was originally intended to become the band's sixth album back in 1996, and their second album on Nothing Records, but did not get released due to the band breaking up that year.
Primitive Race is an international industrial supergroup created by Chris Kniker and featuring Raymond Watts, Dave Ogilvie, Mark Gemini Thwaite, Erie Loch, Chuck Mosley, Graham Crabb and Kourtney Klein.
Anti-Nasty League is the seventh studio album by English industrial rock band Pop Will Eat Itself, released on 25 April 2015 by Rumjoint Records.
Now for a Feast! is a compilation album by English rock band Pop Will Eat Itself, released in November 1988 by Chapter 22 Records. It compiles their work before 1988, and has been re-released several times by different labels, each with a different selection of bonus tracks. The Cherry Red version, released as a 25th anniversary edition, contained almost every song released by the band while Graham Crabb was drumming, as well as several unreleased demos and versions, one live song, and three very rare demos recorded by Wild And Wandering, the previous incarnation of the band before their name was changed to Pop Will Eat Itself in 1986. The album is largely devoid of the grebo and electronic influences of later albums.
The Poppies Say GRRrrr! is the first release by British grebo band Pop Will Eat Itself. It was originally released on 7" vinyl in a brown paper bag, of which only 500 copies were produced for sale at a concert, however, it was later repressed onto a 7" vinyl with an orange printed sleeve.
Very Metal Noise Pollution is an EP released by British Grebo band Pop Will Eat Itself between their albums This Is the Day...This Is the Hour...This Is This! and Cure for Sanity. It was released in a very large range of different CD, vinyl, and cassette formats all containing the identical track listing. The EP reached 45 on the Official UK Charts.
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