Graham Henderson is a cultural entrepreneur based in London. He is best known for developing the arts organisation Poet in the City. In 2014 he launched a second arts organisation, the Rimbaud and Verlaine Foundation, committed to cross-arts commissioning and to championing a new funding model for the arts. Henderson has also been involved in many other arts-related initiatives including the development of a public art consultancy, the creation of an international arts network [1] and a campaign to create a new investment fund for the arts. [2]
Henderson was born in Somerset in 1964, was educated at Taunton School in Taunton and Millfield School in Street, Somerset, and spent a year in Ontario, Canada before doing a history degree at Corpus Christi College, Cambridge between 1983 and 1986.
Graham Henderson’s career has spanned both the City of London and the arts. A qualified solicitor, he previously worked as a commercial litigation lawyer at one of the largest law firms based in the City of London, Clifford Chance. [3] He took a sabbatical break from legal practice in 2000–01 to become a consultant in the specialist travel business in which he created and marketed specialist dance and music activity holidays for both Dance Holidays Ltd and WOMAD. In 2003 he produced Coach of Black Water, an exhibition of Cuban art photographs, which took place at the Menier Gallery in Southwark, the first sponsored exhibition to take place at this venue. In 2004 he launched The Company of Adventurers Ltd in an attempt to raise funding for independent arts and cultural documentary films. [4] And in 2005 he was responsible for arranging the translation and publication of Kindred Spirits, a collected edition of poems by the Cuban poet Regino E Boti, known as "the poet of Guantanamo", which was published by Mango Publications. [4] [5]
In 2002, Graham Henderson was the solicitor in charge of the high-profile case concerning ownership of the manuscript of the famous poetry collection Poet in New York by the Spanish poet Federico García Lorca, [6] [7] assassinated by Franco's militia at the start of the Spanish Civil War in 1936. [6] This case resulted in a 10-day trial at the High Court in London, presided over by Judge Peter Smith. [6] The case was a success for Henderson and his law firm, Morgan Cole, who were acting under a conditional fee agreement. [6] Henderson was keen to celebrate the life and work of the poet and organised a special event in the Great Room at Christie’s on the eve of the auction of the manuscript. [7] The event was attended by, amongst others, the ambassadors of all the main countries associated with the manuscript, Spain, Cuba and Mexico. In order that the event should be bipartisan in nature, he invited Poet in the City, a project founded in 1998 by City of London lawyers, to present the event on his behalf. The success of the event led Rosamund McCarthy, its founder and first chair, [8] [9] to invite Henderson to run Poet in the City.
Initially Henderson continued to run Poet in the City as a project of the Poetry Society, to which it was affiliated. [9] However, he became increasingly interested in the opportunities it presented to reach out to new audiences for poetry and to access new sources of funding to support poetry education. Establishing Poet in the City as a separate charity in 2006, [10] [11] he obtained substantial sponsorships for it, including sponsorships from leading brands such as Lloyds TSB, HSBC, Pfizer, Linklaters and Lloyd's of London. He also achieved its selection as a National Portfolio Organisation by Arts Council England in 2010. [12] Between 2006 and 2014, Henderson led on programming over 50 high-profile poetry events every year in London and South East England, together with a wide range of other poetry-related projects and activities, including short films, national poetry tours and public art commissions. After organising Poet in the City's successful transition to a new chief executive in April 2014, [13] he remained as a trustee of the charity, and as its public art consultant, until April 2016.
In 2007, Henderson became involved in the campaign to save the Regency property at 8 Royal College Street that had been occupied by the French poets Arthur Rimbaud and Paul Verlaine in 1873. Henderson persuaded the owner, Michael Corby, to leave the property as a legacy gift in his will. The Rimbaud and Verlaine Foundation was created to take advantage of this gift, and with the long-term goal of establishing a European-style "poetry house" [14] at the property, providing a cultural and educational resource for the residents of the London Borough of Camden. Incubated inside of Poet in the City, the Foundation was launched as a separate organisation and as a registered charity in 2014. However, rather than just be a small house museum the Foundation decided to use the poets as an inspiration for a wider mission to champion the arts, create new sources of earned income, and provide platforms for talented up-and-coming artists across many different art forms. Becoming Chief Executive of the new Foundation in April 2014, [15] Henderson delivered a programme of over 30 cross-arts events and original arts commissions during 2014–17 that featured opera, classical and rock music, theatre, film, sculpture and other art forms, as well as poetry and literature. Henderson has also been responsible for developing a new business model for the arts centred on the development of new sources of earned income, and for devising a new form of investment bond suitable as a means of attracting investment to arts organisation. [11]
As part of his role in championing the idea of the "poetry house" as a new and streamlined business model for the arts, Henderson created an international collaboration, bringing together seven "poetry houses" in six different European countries. [1] Kindred Spirits seeks to promote international cultural exchange and to develop new business and funding models for the arts, as well as being an arts network and a vehicle for celebrating a shared European culture. [1]
Henderson has long championed the arts as an important source of social capital, and as a fundamental building block of a healthy civil society. [16] This has directly informed his work, both in promoting a new approach to public art and in seeking an innovative new funding model for arts organisations. [17]
As public art consultant for Poet in the City, between 2014 and 2016, Graham Henderson created important new sources of income for the arts. [18] In 2015, working in partnership with Richmond upon Thames Council and the architectural design practice Feilden Clegg Bradley Studios, [19] he conceived, designed, built and installed Pope's Urn , a contemporary piece of public art, inspired by the poetry of Alexander Pope. [20] Enjoying a central position on the Twickenham riverside, the sculpture was commissioned to celebrate the 2015 Rugby World Cup, and was opened in a ceremony in September 2015. [21] This work provided an important source of earned income for Poet in the City in 2015. Associated with this work, Henderson has also been involved in high-level advocacy for innovative approaches to public art, including an active role in the 2014 Farrell Review of Architecture and the Built Environment, writing the official essay in support of its findings, [22] and continues to work with BEAM in promoting new approaches to the commissioning of public art. [23] [24] [25]
As an elected member of the Culture Forum in 2010, [26] Henderson played an important part in developing innovative ideas for the funding of the arts, [11] [26] [27] including an influential paper which led directly to the establishment in 2014 of an Arts Impact Fund. However, Graham Henderson parted company with the Fund over the insistence on the part of some its funders that investment in arts organisations should also achieve so-called "social outcomes". [2] [11] He continues to campaign for the original funds that he proposed in 2010, a limited profit fund designed to help arts organisations to make money from their existing assets and intellectual property rights. [2] Henderson argues that investment which allows arts organisations to develop their sources of earned income will release a great deal of entrepreneurial activity in the arts, particularly amongst small-medium enterprise arts organisations, and will lead to a much more resilient funding basis for the arts sector as a whole. [2] [11]
Graham Henderson was an active board member of the journal Modern Poetry in Translation from 2008 to 2018. [28]
In 2015 Henderson was selected, [29] along with 17 other leaders from the arts, cultural and museums sectors, to be part of a new residential programme, Oxford Cultural Leaders, delivered by Oxford University Museums in partnership with the Saïd Business School. [30] The programme, held for the first time in 2015, [31] brings together leaders to experiment and take risks, to explore new business models and ways of working and to develop innovative organisational cultures. Henderson now runs the alumni network for all those who have passed through the programme, encouraging them to continue to meet and to collaborate.
Henderson has been interested for many years in the ideas of the Czech philosopher Jan Patočka (1907–1977). [32] In particular, Patočka's ideas for "putting soul in the city", [16] and of recapturing the relationship between the arts and social capital building (and between culture and political engagement) characteristic of the ancient Athenians, have been much used by Henderson in his own championship of the arts. As of 2018 he is involved in a project, working in partnership with the Jan Patočka Archive in Prague and with the phenomenologist Erin Plunkett, to publish, for the first time, an English-language edition of the philosopher’s selected works. [33]
Graham Henderson lives in Twickenham, in the London Borough of Richmond upon Thames. [34]
Twickenham is a suburban district in London, England. It is situated on the River Thames 9.9 miles (15.9 km) southwest of Charing Cross. Historically part of Middlesex, it has formed part of the London Borough of Richmond upon Thames since 1965, and the borough council's administrative headquarters are located in the area.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
Jean Nicolas Arthur Rimbaud was a French poet known for his transgressive and surreal themes and for his influence on modern literature and arts, prefiguring surrealism.
Paul-Marie Verlaine was a French poet associated with the Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
John Lawrence Ashbery was an American poet and art critic.
Total Eclipse is a 1995 erotic historical drama film directed by Agnieszka Holland, based on a 1967 play by Christopher Hampton, who also wrote the screenplay. Based on letters and poems, it presents a historically accurate account of the relationship between 19th-century French poets Arthur Rimbaud and Paul Verlaine. Warner Bros. has included the film in the catalogue of Warner Archive Collection.
Illuminations is an incomplete suite of prose poems by the French poet Arthur Rimbaud, first published partially in La Vogue, a Paris literary review, in May–June 1886. The texts were reprinted in book form in October 1886 by Les publications de La Vogue under the title Les Illuminations proposed by the poet Paul Verlaine, Rimbaud's former lover. In his preface, Verlaine explained that the title was based on the English word illuminations, in the sense of coloured plates, and a sub-title that Rimbaud had already given the work. Verlaine dated its composition between 1873 and 1875.
A poète maudit is a poet living a life outside or against society. Abuse of drugs and alcohol, insanity, crime, violence, and in general any societal sin, often resulting in an early death, are typical elements of the biography of a poète maudit.
Le Bateau ivre is a 100-line verse-poem written in 1871 by Arthur Rimbaud. The poem describes the drifting and sinking of a boat lost at sea in a fragmented first-person narrative saturated with vivid imagery and symbolism. It is considered a masterpiece of French Symbolism.
Germain Marie Bernard Nouveau was a French poet associated with the symbolist movement.
Jean-Louis Forain was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph. Compared to many of his Impressionist colleagues, he was more successful during his lifetime, but his reputation is now much less exalted.
A Season in Hell is an extended poem in prose written and published in 1873 by French writer Arthur Rimbaud. It is the only work that was published by Rimbaud himself. The book had a considerable influence on later artists and poets, including the Surrealists.
Royal College Street is a major thoroughfare in London, England, within the St Pancras and Somers Town ward in the Borough of Camden. The street, which is one-way, is home to the London headquarters of Parcelforce and the London campus of the Royal Veterinary College, a constituent college of the University of London.
Karl Kirchwey is an American poet, essayist, translator, critic, teacher, arts administrator, and literary curator. His career has taken place both inside and outside of academia. He is Professor of English and Creative Writing at Boston University, where he teaches in the MFA Program in Creative Writing and in the MFA degree program in Literary Translation. His published work includes seven books of poems, two poetry anthologies, and a translation of French poet Paul Verlaine’s first book of poems.
Poet in the City is a London-based arts organisation founded in 1998 as a project of the Poetry Society; it became an independent charity in 2006.
Ernest Delahaye (1853–1930) was a French writer and essayist. He maintained a long and close friendship with Arthur Rimbaud whom he first met in April 1865 when they attended school together in Charleville in the Ardennes region of France. He and Rimbaud had a shared interest in poetry, and he would help Rimbaud by making fair copies of his drafts for distribution to Rimbaud's literary friends. He was one of the few (seven) recipients of the privately printed A Season in Hell, though Rimbaud later asked for it back to give it to someone else. According to Rimbaud biographer, Charles Nicholl, Rimbaud's "[last] strictly dateable poem" was contained in a letter to Delahaye of 14 October 1875. Through Rimbaud, Delahaye also met poet Paul Verlaine and became friendly with him. Verlaine wrote a poem - Sonnet Boiteux - which is dedicated to him. Delahaye mixed his civil service career, working at the Education Ministry, with writing biographical material on both Rimbaud and Verlaine, contributing first-hand accounts of the poets' lives and families.
The Rimbaud and Verlaine Foundation is a registered charity in the United Kingdom. It was set up in 2011 to take advantage of the gift, in a legacy, of the property at 8 Royal College Street in the London Borough of Camden, the house occupied by the French poets Arthur Rimbaud and Paul Verlaine when they lived in London in 1873. In 2014 it was launched as a new arts organisation and a registered charity.
Paterne Berrichon, the pseudonym of Pierre-Eugène Dufour was a French poet, painter, sculptor and designer. He is best known as husband of Isabelle Rimbaud, and the brother-in-law and publisher of Arthur Rimbaud.
Pope's Urn, on Champion's Wharf at Twickenham riverside in the London Borough of Richmond upon Thames, is a contemporary piece of public art inspired by the poetry of 18th-century Twickenham resident Alexander Pope, who is buried in the parish church that overlooks the wharf. It consists of a stylised urn on a pedestal, both made in corten steel and standing just over eight-foot high, surrounded by wooden benches inscribed with aphorisms written by Pope. It was commissioned to celebrate the 2015 Rugby World Cup, for which Twickenham Stadium was one of the venues, and was opened in a ceremony on 21 September 2015.
The Sekyra Foundation is a private foundation created in 2018 by Czech entrepreneur Luděk Sekyra in support of moral universalism, liberal values, and civil society. Among many other projects the Foundation has a long-term cooperation with the University of Oxford which has also named the oldest statutory professorship in philosophy at Oxford after the foundations founder Luděk Sekyra.