Granny square

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A granny square worked in two colors and seven rounds. Cotton, four-millimetre (0.16 in) crochet hook. Granny square.jpg
A granny square worked in two colors and seven rounds. Cotton, four-millimetre (0.16 in) crochet hook.


A granny square is a piece of square fabric produced in crochet by working in rounds from the center outward. Granny squares are traditionally handmade as crochet and cannot be manufactured by machine. They resemble coarse lace. Although there is no theoretical limit to the maximum size of a granny square, crocheters usually create multiple small squares (called "motifs") and assemble the pieces to make clothing, purses, Afghan blankets, and other household textiles.

Contents

Granny square apparel is a cyclical fashion that peaked in the 1970s. As Stitch 'n Bitch series author Debbie Stoller describes:

If you grew up in the seventies, as I did, you might fear the granny square--if only because, for a while, clothing was made of nothing else. Granny square vests, granny square shorts, granny square hats. Heck, I bet there was some kid out there who was forced to go to school wearing granny square underwear. [1]

Although particular color and pattern schemes for granny squares change with time, this class of motif is a staple among crocheters. Multicolor granny squares are an effective way to use up small amounts of yarn left over from other projects and basic granny square motifs do not require advanced skills to execute. [2]

History

Granny Square design by Mrs. Phelps in April 4, 1885 issue of Prairie Farmer Magazine Granny Square example from 1885 issue of Prairie Farmer Magazine.jpg
Granny Square design by Mrs. Phelps in April 4, 1885 issue of Prairie Farmer Magazine

The earliest known example of a traditional granny square, designed by a Mrs. Phelps, was published in the April 5, 1885 edition of Prairie Farmer. [3] She wrote:

I have been trying a new crocheted pattern for an Afghan, which is on the principle of the crazy work so popular now. It is made in strips of the desired length, and with two of the blocks, which I have brought, forming the width (fig. 2). The long strips are crocheted together with a double chain stitch which is twisted, and of any two desirable colors. The small blocks can be sewn or drawn together, so as to make a perfect square, this joining being done on the wrong side. The idea is to have the blocks appear as one straight strip. Use Germantown wool, the colors of the block being bright and varied to one’s taste, but the outer edge of each is black.

The "crazy work" she refers to is crazy quilting, which was a popular trend at the time. During this era, it was traditional for women to use black ribbon on the borders between crazy quilt squares [4] - much like the black borders of a traditional granny square. [5]

The granny square motif reappeared in the 1930s, and the pattern was featured in publications such as Fleisher's Afghans. [6]

Construction

An Afghan blanket of granny squares during piecework assembly Piece work.jpg
An Afghan blanket of granny squares during piecework assembly
A scarf made from granny stitch hexagons in mixed color cotton yarn bordered with ecru Grannysquarescarf.jpg
A scarf made from granny stitch hexagons in mixed color cotton yarn bordered with ecru
Blanket made of granny stitch hexagons. Blanket of natural dyed yarn.jpg
Blanket made of granny stitch hexagons.

According to Edie Eckman in The Crochet Answer Book,

The familiar granny square is a special form of square motif. Although there are many variations on the granny square, the traditional one is a double-crocheted square made with a series of chains and double-crocheted blocks--a kind of filet crochet in the round. [7]

Any granny square begins with a small loop of chain stitches. Basic granny squares alternate sets of double stitches and chain stitches. Variant patterns use different stitch types or produce other geometric shapes such as hexagons. In order to achieve a distinct angle at the corners the designer uses extra chain stitches. [8] Subsequent rounds are added by wrapping multiple stitches around the existing chain stitches. Hundreds of variant motifs are in use and entire books have been devoted to granny square designs. [9]

Related Research Articles

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

<span class="mw-page-title-main">Quilting</span> Process of sewing layers of fabric together to make a padded material

Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.

<span class="mw-page-title-main">Tatting</span> Craft of making lace with loops and knots using a small shuttle

Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings and necklaces, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.

<span class="mw-page-title-main">Patchwork</span> Form of needlework that involves sewing together pieces of fabric into a larger design

Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.

<span class="mw-page-title-main">Filet crochet</span>

Filet crochet is a type of crocheted fabric that imitates Filet lace. This type of crocheted lace is gridlike because it uses only two crochet stitches: the chain stitch and the double crochet stitch. Old filet patterns used a treble or triple stitch vertically but chained two between the vertical stitches. This was to prevent distortion of some patterns. Chain stitches use less yarn than double crochet stitches, which results in a visual difference in appearance between the two kinds of stitch. Filet crochet forms patterns by filling in parts of a mostly chain stitch mesh with double crochet stitches. Filet crochet is usually constructed from monotone crochet thread made of Mercerised cotton in white or ecru, and worked in rows. Filet crochet is often used for decorative applications, such as window curtains, tablecloths, and place settings, such as coasters and placemats, but can also be used to create clothing, including yokes, as well as accessories and small bags.

<span class="mw-page-title-main">Quilt</span> Bedcover made of multiple layers of fabric sewn together, usually stitched in decorative patterns

A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design.

<span class="mw-page-title-main">Broomstick lace</span>

Broomstick lace, also known as jiffy lace and peacock eye crochet, is a historic crochet technique from the 19th century made using a crochet hook and another long slender item such as a knitting needle. Traditionally a broomstick was used, hence the name, but the modern variant is a lightweight plastic knitting needle or smooth wooden craft dowel. A larger knitting needle or dowel will result in a lacier effect, while a smaller will provide a more closely woven effect. The technique is used to make clothing, blankets, and other crocheted items. In most crochet techniques, each stitch is finished before beginning the next. Broomstick lace is different; like in knitting and Tunisian crochet, many stitches are left open for broomstick lace.

<span class="mw-page-title-main">Bargello (needlework)</span> Embroidery worked with vertical stitches offset to form a zigzag or similar geometric design

Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern.

<span class="mw-page-title-main">Afghan (blanket)</span> Type of blanket

An afghan is a blanket or shawl, usually knitted or crocheted. It is sometimes also called a "throw" of indeterminate size. Afghans are often used as bedspreads, or as a decoration on the back of couches or chairs.

<span class="mw-page-title-main">Blocking (textile arts)</span>

In knitting, crochet and other handmade textile arts, blocking is a final stage of handmade textile production that adjusts the shape and size of the finished piece. Not all pieces need blocking; however, blocking is standard for lace work and is not uncommon in sweaters, socks, and other solid projects. Through heat and moisture, blocking sets the stitches and standardizes the final dimensions, and may enhance the drape. Hand manufacture places natural stresses on fabrics that may result in deviations from its intended shape and size. Blocking is only effective on natural fibres but a technique called killing may be used on synthetic fibres to achieve an effect similar to blocking.

<span class="mw-page-title-main">Stitch 'n Bitch</span> Name for some social knitting groups

Stitch 'n Bitch is a name that has been used to refer to social knitting groups since at least World War II. Before the slang term "Stitch 'n Bitch" was used, groups of women in the 1940s would join to knit and talk in organized Stitch and Bitch clubs. The term was further used in the 1980s as part of the book Social History of American Knitting by Anne Macdonald. It is partly due to the book's success that the modern day Stitch 'n Bitch knitting groups have emerged in cities around the world. The groups, mainly women, meet to knit, stitch and talk. Typically, attendees knit, though others crochet, and still others engage in cross-stitching, embroidery, and other needlecraft. Nowadays, the groups have been analyzed by scholars as expressions of resistance to major political, social and technological change in Western societies. However, political discussion is not unusual at these events, and at least some participants are proponents of progressive, liberal, and/or leftist social and political change. Furthermore, the term Stitch 'n Bitch is now used by women from across the globe to connect with others in the virtual space seeing as the term has re-emerged in a world where the public sphere is the cyberspace.

<span class="mw-page-title-main">Sew Fast Sew Easy</span> American corporation based in New York City

Sew Fast Sew Easy was a corporation based in the Garment District in New York City, that is best known for sewing classes, sewing patterns and sewing books. It was founded in 1991 by Elissa K. Meyrich, a designer in New York City's garment district for over 26 years, an instructor at Parsons School of Design, and an author and contributing writer to sewing publications. Sew Fast Sew Easy classes were part of a resurgence in traditional home economics enabled by networked technologies including Internet chat groups and digitally-adjustable patterns. The company created NYC's first Stitch and Bitch group in 1997. The company started an Internet guestbook, the Stitch and Bitch Cafe, in 1998.

Knitting clubs are a feature of the 21st-century revival of hand knitting which began in America and has spread to most of Europe. Despite the name, knitting clubs are not limited to knitting; both crochet-centered and knit-centered clubs are collectively called "knitting clubs." While knitting has never gone away completely, this latest reincarnation is less about the make-do and mend of the 1940s and 1950s, and more about making a statement about individuality and developing a sense of community.

<span class="mw-page-title-main">Dye lot</span>

A dye lot is a record taken during the dyeing of yarn to identify yarn that received its coloration in the same vat at the same time. Yarn manufacturers assign each lot a unique identification number and stamp it on the label before shipping. Slight differences in temperature, dyeing time, and other factors can result in different shades of the same color between different dye lots of otherwise identical production. Although the component elements of a dye lot number are of interest only for internal business recordkeeping, retail yarn consumers have an interest in ensuring that they purchase a given color of yarn from identical dye lots.

<span class="mw-page-title-main">Stitch marker (crochet)</span> Mnemonic device used to distinguish important locations on a crochet work in progress

In crochet, a stitch marker is a mnemonic device used to distinguish important locations on a work in progress. Crochet patterns have a mathematical basis, so stitch markers serve as a visual reference that takes the place of continuous stitch counting and reduces a crocheter's error rate.

<span class="mw-page-title-main">Hook gauge</span>

A hook gauge or needle gauge is a measuring device used by crocheters and knitters to test the sizes of particular crochet hooks and knitting needles. Hook gauges are usually made of plastic or aluminum and have sizing holes from 2mm to 11mm diameter. A hook gauge also functions as a ruler to test the size of a test swatch of handmade fabric.

<span class="mw-page-title-main">Shisha (embroidery)</span> Type of embroidery

Shisheh or abhla bharat embroidery, or mirror-work, is a type of embroidery which attaches small pieces of mirrors or reflective metal to fabric. Mirror embroidery is common throughout Asia, and today can be found in the traditional embroidery of the Indian subcontinent, Afghanistan, China, and Indonesia.

<span class="mw-page-title-main">Shell stitch</span>

A shell stitch is a crochet motif often used as a border around other patterns or in staggered rows to create a distinctive fabric pattern. Shell stitches take the shape of arcs and semicircles, hence the name. Shell stitches are often used as edging for crocheted items such as Afghan blankets and sweaters.

<span class="mw-page-title-main">Motif (textile arts)</span> Recurring component of a larger design

In the textile arts, a motif is a smaller element in a much larger work. In knitting and crochet, motifs are made one at a time and joined together to create larger works such as afghan blankets or shawls. An example of a motif is the granny square. Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting.

References

  1. Stoller, Debbie. Stitch 'N Bitch Crochet: The Happy Hooker New York: Workman Publishing, 2006, p. 66.
  2. Stoller, p. 67.
  3. "Prairie Farmer". Illinois Digital Newspaper Collections. Retrieved 28 February 2022.
  4. "Dorcas Magazine". Google Books. Retrieved 28 February 2022.
  5. "Crochet classic granny square". KnitPro. Retrieved 15 Dec 2023.
  6. Ohrenstein, Dora. "Granny-A-Go-Go: History of Crochet Granny Squares". Interweave. Golden Peak. Retrieved 28 February 2022.
  7. Eckman, Edie. The Crochet Answer Book, North Adams, Massachesetts: Storey Publishing, 2005, p. 147.
  8. Stoller, pp. 66–67.
  9. Eckman, pp. 97, 158.

Further reading

Commons-logo.svg Media related to Granny squares at Wikimedia Commons