Stitch marker (crochet)

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Crochet stitch markers. Crochetstitchmarkers.jpg
Crochet stitch markers.

In crochet, a stitch marker is a mnemonic device used to distinguish important locations on a work in progress. Crochet patterns have a mathematical basis, so stitch markers serve as a visual reference that takes the place of continuous stitch counting and reduces a crocheter's error rate.

Contents

Common uses for stitch markers include noting the first stitch on a crochet round, marking increase or decrease points, or identifying key locations in a complex repetitive stitch pattern. [1] Beginning crocheters may use stitch markers to identify a turning chain. [2] Stitch markers can also designate attachment points for components of a multi-part project, such as a sleeve on a sweater. [3]

Crochet often employs complex lacy patterns where stitch markers are helpful. Crochet also has less inherent stretch than knitting, so crocheted garments require greater contour adjustments at the pattern and construction level.

Difference from knitting stitch markers

A demonstration of the mathematical basis of crochet: a scarf in the shape of a Mobius strip. Moebiusstripscarf.jpg
A demonstration of the mathematical basis of crochet: a scarf in the shape of a Möbius strip.

Unlike knitting stitch markers, which are closed bands, crochet markers have open slots so that they can be removed and rehung on new rows as a craft item grows. In order to distinguish from other types of stitch markers, the markers designed for crochet use are also known as split stitch markers. [4]

Specific advice from crochet expert Edie Eckman includes:

Avoid the round markers meant only for knitting; you need a type that can be opened so you can hang it on a stitch. [5]

Among the differences between crochet and knitting is that crocheters seldom work with more than one stitch at a time, while knitters routinely carry dozens of stitches on their knitting needles. For these reasons these two textile arts require different kinds of stitch markers.

Notes

  1. Eckman, pp. 21-22, 154.
  2. Eckman, p.90.
  3. Stoller, P. 23.
  4. Stoller, p. 23.
  5. Eckman, p. 22.

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Nålebinding Single-needle textile netting technique that predates knitting and crochet

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Entrelac

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Blocking (textile arts)

In knitting, crochet and other textile arts, blocking is a final stage of handmade textile production that adjusts the shape of the finished piece. Not all pieces need blocking; however, blocking is standard for lace work and is not uncommon in sweaters, socks, and other solid projects. Through heat and moisture, blocking sets the stitches and standardizes the final dimensions, and may enhance the drape. Hand manufacture places natural stresses on fabrics that may result in deviations from its intended shape and size. Blocking is only effective on natural fibres but a technique called killing may be used on synthetic fibres to achieve an effect similar to blocking.

Stitch n Bitch

Stitch 'n Bitch is a name that has been used to refer to social knitting groups since at least World War II. Before the slang term "Stitch 'n Bitch" was used, groups of women in the 1940s would join to knit and talk in organized Stitch and Bitch clubs. The term was further used in the 1980s as part of the book Social History of American Knitting by Anne Macdonald. It is partly due to the book's success that the modern day Stitch 'n Bitch knitting groups have emerged in cities around the world. The groups, mainly women, meet to knit, stitch and talk. Typically, attendees knit, though others crochet, and still others engage in cross-stitching, embroidery, and other needlecraft. Nowadays, the groups have been analyzed by scholars as expressions of resistance to major political, social and technological change in Western societies. However, political discussion is not unusual at these events, and at least some participants are proponents of progressive, liberal, and/or leftist social and political change. Furthermore, the term Stitch 'n Bitch is now used by women from across the globe to connect with others in the virtual space seeing as the term has re-emerged in a world where the public sphere is the cyberspace.

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Sew Fast Sew Easy was a corporation based in the Garment District in New York City, that is best known for sewing classes, sewing patterns and sewing books. It was founded in 1991 by Elissa K. Meyrich, a designer in New York City's garment district for over 26 years, an instructor at Parsons School of Design, and an author and contributing writer to sewing publications. Sew Fast Sew Easy classes were part of a resurgence in traditional home economics enabled by networked technologies including Internet chat groups and digitally-adjustable patterns. The company created NYC's first Stitch and Bitch group in 1997. The company started an Internet guestbook, the Stitch and Bitch Cafe, in 1998.

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Granny square


A granny square is a piece of square fabric produced in crochet by working in rounds from the center outward. Granny squares are traditionally handmade. They resemble coarse lace. Although there is no theoretical limit to the maximum size of a granny square, crocheters usually create multiple small squares and assemble the pieces to make clothing, purses, Afghan blankets, and other household textiles.

Dye lot

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Hook gauge

A hook gauge or needle gauge is a measuring device used by crocheters and knitters to test the sizes of particular crochet hooks and knitting needles. Hook gauges are usually made of plastic or aluminum and have sizing holes from 2mm to 11mm diameter. A hook gauge also functions as a ruler to test the size of a test swatch of handmade fabric.

Shell stitch

A shell stitch is a crochet motif often used as a border around other patterns or in staggered rows to create a distinctive fabric pattern. Shell stitches take the shape of arcs and semicircles, hence the name. Shell stitches are often used as edging for crocheted items such as Afghan blankets and sweaters.

Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.

Row counter (hand knitting)

A row counter for hand knitting is a tally counter for counting rows or courses worked, for counting stitch pattern repetitions, or for counting increases or decreases of the number of stitches in consecutive rows. The first commercially produced one appeared on the market in the 1920s after the general public started regularly knitting from unfamiliar printed and complex patterns. Design variations include on-needle barrel-shaped counters for straight-needle work, stitch-marker counters for knitting on double-pointed and circular needles, complex counters which attempted to assist with decreases, increases and lacework, stand-alone hand-held counters in imitation of the hand-tally, pendant counters worn round the neck and online software for iPhones.

Illusion knitting

Illusion knitting or shadow knitting is a form of textile art, in which the knitting is viewed as simply narrow stripes from one angle, and as an image when viewed from another angle. Illusion knitting has been recognised as an art form since 2010, largely due to the advances made by Steve Plummer who has created several large and detailed pieces. Similar effects occur in Tunisian crochet.

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