Gregor Widholm

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Gregor Widholm (born 1948 in Gänserndorf) is an Austrian academic and musician, and from 2007 to 2012 Vice-Rector of the University of Music and Performing Arts, Vienna (German : Universität für Musik und darstellende Kunst Wien).

Gänserndorf Place in Lower Austria, Austria

Gänserndorf is a town on the Marchfeld, Lower Austria, Austria and the capital of Bezirk Gänserndorf. It is about 20 km northeast of Vienna, to which it is connected by both the Angerner Straße and the North railway line.

German language West Germanic language

German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, South Tyrol (Italy), the German-speaking Community of Belgium, and Liechtenstein. It is also one of the three official languages of Luxembourg and a co-official language in the Opole Voivodeship in Poland. The languages which are most similar to German are the other members of the West Germanic language branch: Afrikaans, Dutch, English, the Frisian languages, Low German/Low Saxon, Luxembourgish, and Yiddish. There are also strong similarities in vocabulary with Danish, Norwegian and Swedish, although those belong to the North Germanic group. German is the second most widely spoken Germanic language, after English.

Contents

Education and career

Gregor Widholm studied horn with Prof. Friedrich Gabler at the University of Music and Performing Arts, Vienna (at the time: Akademie für Musik in Wien), communication technology at the Vienna University of Technology (at the time: Technische Hochschule Wien) and in 1968–1970 completed a special course in sound technology.

From 1971 to 2007 he was a member of the Symphony Orchestra of the Vienna Volksoper (German : Wiener Volksopernorchester). In 1979 he was assistant professor at the University of Music and Performing Arts Vienna, and in 1999 was appointed to the chair of musical acoustics, the first such chair in Austria. Since then he has held various academic positions in the university.

Vienna Volksoper building in Vienna, Austria

The Vienna Volksoper is a major opera house in Vienna, Austria. It puts on around three hundred performances of twenty-five German language productions during an annual season which runs from September through June.

Musical acoustics or music acoustics is a branch of acoustics concerned with researching and describing the physics of music – how sounds are employed to make music. Examples of areas of study are the function of musical instruments, the human voice, computer analysis of melody, and in the clinical use of music in music therapy.

Musical activity

As a member of the Vienna Volksoper he took part in some 5,000 opera and operetta performances, as well as many concerts and operas in Italy (Rome), Switzerland (Zürich), Netherlands (Amsterdam, Den Haag), USA (New York), Japan (Tokyo, Nagoya, Osaka, Kyoto, etc.), Hong Kong, Singapore, Thailand (Bangkok). Recordings included labels such as Polygram, Deutsche Grammophon, EMI, with artists such as L. Pavarotti, P. Domingo, E. Gruberova, E. Mathis.

Operetta opera genre

Operetta is a genre of light opera, light in terms both of music and subject matter.

From 1974–1986 he was a member of the Capella Academica Wien and the Ensemble Eduard Melkus. During this period he explored the natural horn and historically informed performance practice and techniques, mainly in chamber music and solo performance. Concerts – sometimes as soloist – in Vienna, Munich, Prague, Budapest, Rome, Milan, Venice, London, Oxford, Tokyo, Osaka, Hong Kong. Numerous recordings, sometimes as soloist, for Deutsche Grammophon, Amadeo, Nippon Columbia.

Eduard Melkus is an Austrian violinist and violist.

Natural horn unvalved ancestor of modern-day horn

The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn. Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century.

Historically informed performance

Historically informed performance is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.

Management activity

In 1978 he founded the concert association of the Orchestra of the Vienna Volksoper and was its manager until 1986. Activities included the orchestra’s first concert tour to the Far East, the first appearance of a European orchestra in Singapore, the first appearance of an Austrian orchestra in Thailand; also the introduction of summer concerts by the Vienna State Opera and Volksoper and some 30 recording projects for the Orchestra of the Vienna Volksoper. In addition he was manager of the Capella Academica Wien from 1974 to 1991 for whom he arranged two complete concert series. In the academic sphere he organised numerous international academic symposiums and conferences, including the 92nd and 122nd AES Conventions in Vienna, attracting some 10,000 visitors and 200 technical presentations; he also conceived and realised numerous exhibitions and interactive computer installations.

Research activity

In 1979 Gregor Widholm was invited to establish the Institut für Wiener Klangstil (IWK), as an institute of applied research in the field of musical acoustics with a focus, in particular, on the Viennese playing tradition, and on support for players and instrument makers. He was the first to apply digital measurement techniques to musical instruments and is regarded as having introduced musical acoustics in Austria. He directed development of the world’s first computer system for analysing and improving the performance of brass instruments BIAS, now considered the international standard and in use worldwide. Systems for the quality evaluation of stringed and woodwind instruments followed. In 1999 The New York Times called him the musician’s "Mr Wizard". [1]

More than 80 presentations at professional conventions and symposiums, and some 90 publications in specialist national and international journals, encyclopedias and books. Several publications have been translated into French, Spanish, Portuguese, Hungarian, Polish, Japanese and Chinese language. Project director of 8 funded scientific research projects in the field of musical acoustics.

Membership of international academic and research bodies: Acoustical Society of America (ASA), European Acoustics Association (EAA), Audio Engineering Society (AES), International Commission for Acoustics (ICA), Life Member of the International Horn Society (IHS), Historic Brass Society (HBS), International Trumpet Guild (ITG), Catgut Acoustical Society (CAS), founder, president and chairman of the technical committee Musical Acoustics of the Austrian Acoustics Association (AAA); joint founder and member of the Acoustics division of the Österreichsche Physikalische Gesellschaft (ÖPG).

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References

  1. Oestreich, James R. (26 September 1999). "Keeping That Vienna Sound (And Everything Else) as Is". The New York Times . Retrieved 27 May 2010.