Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art.
Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The group formed in New York City in 1985, born out of a picket against the Museum of Modern Art the previous year. The core of the group's work is bringing gender and racial inequality into focus within the greater arts community and society at large. The Guerrilla Girls employ culture jamming in the form of posters, books, billboards, lectures, interviews, public appearances and internet interventions to expose disparities, discrimination, and corruption. They also often use humor in their work to make their serious messages engaging. The Guerrilla Girls are known for their "guerrilla" tactics, hence their name, such as hanging up posters or staging surprise exhibitions. To remain anonymous, members don gorilla masks. To permit individual identities in interviews, they use pseudonyms that refer to deceased female artists such as Frida Kahlo, Käthe Kollwitz, and Alice Neel, as well as writers and activists, such as Gertrude Stein and Harriet Tubman. According to GG1, identities are concealed because issues matter more than individual identities, "Mainly, we wanted the focus to be on the issues, not on our personalities or our own work."
Ms. is an American feminist magazine co-founded in 1971 by journalist and social/political activist Gloria Steinem. It was the first national American feminist magazine. The original editors were Letty Cottin Pogrebin, Mary Thom, Patricia Carbine, Joanne Edgar, Nina Finkelstein, Mary Peacock, Margaret Sloan-Hunter, and Gloria Steinem. Beginning as a one-off insert in New York magazine in 1971, the first stand-alone issue of Ms. appeared in January 1972, with funding from New York editor Clay Felker. It was intended to appeal to a wide audience and featured articles about a variety of issues related to women and feminism. From July 1972 until 1987, it was published on a monthly basis. It now publishes quarterly.
The National Day of Remembrance and Action on Violence Against Women, also known informally as White Ribbon Day, is a day commemorated in Canada each December 6, the anniversary of the 1989 École Polytechnique massacre, in which armed student Marc Lépine murdered fourteen women and injured fourteen others in the name of "fighting feminism". The commemoration date was established by the Parliament of Canada in 1991. The legislation was introduced in the House of Commons as a private member's bill by Dawn Black, Member of Parliament for New Westminster-Burnaby, British Columbia, and received all-party support.
Women Against Violence in Pornography and Media (WAVPM) was a feminist anti-pornography activist group based in San Francisco and an influential force in the larger feminist anti-pornography movement of the late 1970s and 1980s.
The Global Fund for Women is a non-profit foundation funding women's human rights initiatives. It was founded in 1987 by New Zealander Anne Firth Murray, and co-founded by Frances Kissling and Laura Lederer to fund women's initiatives around the world. It is headquartered in San Francisco, California. Since 1988, the foundation has awarded over $100 million in grants to over 4,000 organizations supporting progressive women's rights in over 170 countries. Ms. Magazine has called the Global Fund for Women "one of the leading global feminist funds."
Lillias White is an American actress and singer. She is particularly known for her performances in Broadway musicals. In 1989 she won an Obie Award for her performance in the Off-Broadway musical Romance in Hard Times. In 1997 she won the Tony Award for Best Featured Actress in a Musical and Drama Desk Award for Outstanding Featured Actress in a Musical for portraying Sonja in Cy Coleman's The Life. She was nominated for a Tony Award again in 2010 for her work as Funmilayo in Fela Kuti's Fela!.
Video Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artists. Located in Chicago, Illinois, VDB was founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement.
Awatef Rasheed is an Iraqi Canadian writer, secular women's rights activist, and the first Iraqi female recipient of Femmy Award. She is a recipient of the Iraqi Women's Initiative Award from the Iraqi Women's Network in 2010. Awatef Rasheed is currently a Regional Adviser for the, Urgent Action Fund for Women's Rights in USA. She served as a board member for the Canadian Research Institute for Advancement of Women (CRIAW) from 2009- 2012 and previously served on the steering committee for Feminists for Just and Equitable Public Policy (FemJEPP). She has also been a member of the Canadian Federation of University Women, and a representative for the Iraqi Al-Amal Association,
The Waitresses were a collaborative feminist performance art group that formed in 1977. The group consisted of artists that also worked as waitresses in Los Angeles, California. The group was active from their inception until 1985.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.
Throughout history, women have assumed diverse roles during periods of war, contributing to war efforts in various capacities.
The Hangar Theatre is a non-profit, regional theatre located at 801 Taughannock Boulevard in Ithaca, NY. Its mainstage season and children's shows occur during the summer, but the Hangar, and other organizations, utilize the space year-round for special events. The tenets of the Hangar's mission statement are to enrich, enlighten, educate and entertain.
The feminist art movement refers to the efforts and accomplishments of feminists internationally to produce art that reflects women's lives and experiences, as well as to change the foundation for the production and perception of contemporary art. It also seeks to bring more visibility to women within art history and art practice. The movement challenges the traditional hierarchy of arts over crafts, which views hard sculpture and painting as superior to the narrowly perceived 'women's work' of arts and crafts such as weaving, sewing, quilting and ceramics. Women artists have overturned the traditional view by, for example, using unconventional materials in soft sculptures, new techniques such as stuffing, hanging and draping, and for new purposes such as telling stories of their own life experiences. The objectives of the feminist art movement are thus to deconstruct the traditional hierarchies, represent women more fairly and to give more meaning to art. It helps construct a role for those who wish to challenge the mainstream narrative of the art world. Corresponding with general developments within feminism, and often including such self-organizing tactics as the consciousness-raising group, the movement began in the 1960s and flourished throughout the 1970s as an outgrowth of the so-called second wave of feminism. It has been called "the most influential international movement of any during the postwar period."
Multiracial feminist theory refers to scholarship written by women of color (WOC) that became prominent during the second-wave feminist movement. This body of scholarship "does not offer a singular or unified feminism but a body of knowledge situating women and men in multiple systems of domination."
Pig Girl, first produced in November 2013 and then published in November 2015, is a play by Colleen Murphy that draws upon the events of the 2007 Pickton case surrounding the murders of Indigenous women by Port Coquitlam pig farmer Robert Pickton. The play tells the stories of the fictionalized characters Dying Girl, Killer, Sister, and Police Officer in order to illuminate the Canadian issue of missing and murdered Indigenous women. Pig Girl was awarded both a Carol Bolt Award and a Governor General's Award.
According to scholar Virginia Mackenny, performance art is a great tool to mold and remold gender because performance art, in most instances, includes a direct subversion to everyday conventions. MacKenny also writes that feminist performance Art had a large presence "in the late '60s and early '70s in America when, in the climate of protest constituted by the civil rights movement and second wave feminism." There are several movements that fall under the category of feminist performance art, including Feminist Postmodernism, which took place during 1960-1970 and focused on the exploitation of women's bodies as a means for profit. Similarly, the Chicanx movement emerged in East Los Angeles during the 1970s, and focused on the Vietnam war, which was considered a post-apartheid movement.
Bad Girls was a 1994 exhibition curated by Marcia Tucker. The show opened at the New Museum, in New York City, January 14, 1994. It was presented in two parts, part 1 lasting from January 14 to 27, 1994, and part 2 from March 5 to April 10, 1994.
Sands of Silence: Waves of Courage is a 2016 documentary film that addresses the spectrum of sexual violence, from child sexual abuse and clergy abuse to rape and sex trafficking. It was directed, written and produced by filmmaker Chelo Alvarez-Stehle.
Cut Piece 1964 is a pioneer of performance art and participatory work first performed by Japanese American multimedia avant-garde artist, musician and peace activist Yoko Ono on July 20, 1964, at the Yamaichi Concert Hall in Kyoto, Japan. It is one of the earliest and most significant works of the feminist art movement and Fluxus.
