Gunura | |
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Major cult center | Isin |
Personal information | |
Parents | Ninisina and Pabilsag |
Siblings | Damu and Šumaḫ |
Gunura was a Mesopotamian goddess, best known as a daughter and member of the entourage of the medicine goddess Ninisina. She was also associated with other similar goddesses, Gula and Nintinugga. Her original cult center is unknown, though she was worshiped in Isin, Nippur, Ur, Babylon and Assur. She is attested in a number of laments, in which she mourns the death of her brother Damu, and in a narrative about a journey of her mother Ninisina to Nippur.
The etymology of Gunura's name is unknown, and early attempts at explaining it relied on the incorrect reading d Gu-šir5-ra rather than dGu-nu-ra. [1] She was considered to be a daughter of the medicine goddess Ninisina and her husband Pabilsag, and sister of Damu and Šumaḫ. [2] Alternatively, she could be associated with other similar goddesses, such as Gula [3] or Nintinugga. [4] Three texts from Nippur from the Ur III period attest an association between her and latter deity. [5] She also appears alongside her in an Old Babylonian incantation against the evil eye. [6] Furthermore, a liturgical text from the same period lists her after both Ninisina and Nintinugga, and before Kusu. [4] In the so-called Great Star List, she is one of the "seven Gulas", next to Bau, Ninšudda, Dukurgal, Ama-arḫuš, Ninasag and Nin-umma-siga. [7] However, as pointed out by Joan Goodnick Westenholz, Gunura does not appear in connection with another closely related goddess, Ninkarrak, in any known sources, with the exception of a single bilingual text. [8] It is a variant of Ninisina's Journey to Nippur in which Ninkarrak appears in the Akkadian version as a translation of the eponymous goddess. [9]
In the past, it has been argued that Gunura's individual character cannot be established, as in known texts she always appears alongside other members of her family. [10] According to Irene Sibbing-Plantholt today it is assumed that she was a deity associated with healing. [11] She suggests Gunura might have originally arisen as an independent healing deity, and was only incorporated into the circles of medicine goddesses for that reason. [5] When associated with Ninisina, Gunura also functioned as one of the deities of Isin, though this role is not attested for her in contexts where she appears with Gula instead. [12] An example can be found in the document SAT 3 127, which lists her, Damu, Šumaḫ and their mother Ninisina as the deities of Isin. [5]
The epithet dumu-é-a, translated as "child of the house" [4] or "daughter of the house", could be applied to Gunura. [1] It is also attested as a title of the weather goddess Shala and the love goddess Nanaya. [13] According to Dietz-Otto Edzard, it might reflect the fact that she was worshiped in the temple of her mother Ninisina, and did not have one of her own. [1] However, according to Andrew R. George a temple of Gunura might have been mentioned in a lost section of the Canonical Temple List, [14] a lexical list compiling the ceremonial names of sanctuaries located in Babylonia, presumed to come from the second half of the Kassite period. [15]
The earliest attestations of Gunura come from the Ur III period. [1] She is best known from the pantheon of Isin, [1] though she did not necessarily originate in this city, [16] and it is presently impossible to establish what was her original cult center. [5] Dina Katz proposes that she was originally worshiped in the same unidentified location as Damu, and that at some point their cult center was destroyed, leading to the transfer of their cult to Isin and incorporation into the circle of Ninisina. [17] She was worshiped in the temple of this goddess located there, [1] and appears in an early Old Babylonian offering list from the same location alongside this goddess, Damu, Ninšarnuna, Ninigizibara, Utu and Urmašum. [18] Documents from the archives of the Third Dynasty of Ur indicate that sometimes offerings to her were made by practitioners of medicine (asû), with historically notable members of this profession who performed them including Šu-kabta, Nawir-ilum and Ubartum. [19] She also worshiped in Ur in a temple of Gula. [20] She is attested in two offering lists from this city. [21]
According to a Neo-Assyrian tākultu text Gunura was also worshiped in Assur in association with Gula. [1] A seat of Gunura, the Eankuga, "house of pure heaven," existed in one of the temples bearing the name Erabriri, according to Andrew R. George located in Babylon. [22] It belonged to the god Mandanu, and additionally housed similar shrines of Gula, Pabilsag, Urmašum and Damu. [23] A text from the reign of Nebuchadnezzar II mentions a statue of Gunura located in the Esabad, a temple of Gula located in the same city. [24] Gunura is also mentioned alongside Ninisina, Nintinugga, Damu and Bau in the text AO 17622, which might be an Achaemenid period copy of a Neo-Babylonian original. [1]
Examples of theophoric names invoking Gunura are known, one example being Ur-Gunura, "man of Gunura." [1]
Gunura is attested in a number of literary compositions, in which she usually appears alongside members of her family. [1] For example, in the composition Edina-Usagake ("In the Desert by the Early Grass" [25] ) she is mentioned in a list of mourning deities alongside Ningishzida's sister Amašilama and his wife Ninazimua. [26] Dina Katz suggests that due to the presence of members of families of multiple dying gods this text, known from Old Babylonian copies though possibly related to rituals performed in the Ur III period already, might have been based on a number of originally separate laments. [27] She also appears in a similar role in another lament, MAH 16016. [28]
In Ninisina's Journey to Nippur Gunura appears alongside her brother Damu, and both of them either collectively act as a "good protective spirit", Alad-šaga, or are accompanied by a being bearing this name. [2]
Nintinugga was a Mesopotamian goddess associated with medicine and cleansing. She belonged to the local pantheon of Nippur. While she has been compared to other similar goddesses, such as Ninisina and Gula, and in a number of ancient texts they appear to be syncretised with each other or are treated as interchangeable, she was nonetheless a distinct deity in her own right. She was associated with Enlil and Ninlil, and was worshiped in their temples, though houses of worship dedicated only to her are also attested.
Bau, also read Baba or Babu (cuneiform: 𒀭𒁀𒌑 dBa-U2), was a Mesopotamian goddess. The reading of her name is a subject of debate among researchers, though Bau is considered the conventional spelling today. While initially regarded simply as a life-giving deity, in some cases associated with the creation in mankind, over the course of the third and second millennia BCE she also acquired the role of a healing goddess. She could be described as a divine midwife. In art she could be depicted in the company of waterfowl or scorpions.
Ninsun was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the Epic of Gilgamesh. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki.
Damu was a Mesopotamian god. While originally regarded as a dying god connected to vegetation, similar to Dumuzi or Ningishzida, with time he acquired the traits of a god of healing. He was regarded as the son of the medicine goddess Ninisina, or of her equivalents such as Gula or Ninkarrak. It is unclear which city was originally associated with him, but he is best attested in association with the cult center of his mother, Isin.
Pabilsaĝ was a Mesopotamian god. Not much is known about his role in Mesopotamian religion, though it is known that he could be regarded as a bow-armed warrior deity, as a divine cadastral officer or a judge. He might have also been linked to healing, though this remains disputed. In his astral aspect, first attested in the Old Babylonian period, he was a divine representation of the constellation Sagittarius.
Ninazu was a Mesopotamian god of the underworld of Sumerian origin. He was also associated with snakes and vegetation, and with time acquired the character of a warrior god. He was frequently associated with Ereshkigal, either as a son, husband, or simply as a deity belonging to the same category of underworld gods.
Abu was a Mesopotamian god. His character is poorly understood, though it is assumed he might have been associated with vegetation and with snakes. He was often paired with the deity gu2-la2, initially regarded as distinct from Gula, but later conflated with her.
Ningirida was a Mesopotamian goddess regarded as the wife of Ninazu and mother of Ningishzida. Little is known about her character beyond her relation to these two gods.
Ama-arḫuš was a Mesopotamian goddess associated with compassion and healing or epithet of goddesses designating them as compassionate.
Kakka was a Mesopotamian deity. She was originally worshiped across Upper Mesopotamia as a healing goddess, but later on came to be secondarily viewed as a male messenger god in Babylonia. Kakka's oldest attested cult center is Maškan-šarrum, located in the south of Assyria, though she was also worshiped in the kingdom of Mari, especially in Terqa. She appears in numerous theophoric names from this area, with Akkadian, Amorite and Hurrian examples attested. As early as in the Old Babylonian period she could be associated with Ninshubur, and later on with Papsukkal as well. However, she developed connection with Ninkarrak, Išḫara and possibly Nisaba as well. The male form of Kakka appears as a messenger of Anu in the Sultantepe version of the myth Nergal and Ereshkigal, and as a messenger of Anshar in Enūma Eliš.
Nungal, also known as Manungal and possibly Bēlet-balāṭi, was the Mesopotamian goddess of prisons, sometimes also associated with the underworld. She was worshiped especially in the Ur III period in cities such as Nippur, Lagash and Ur.
Geshtinanna was a Mesopotamian goddess best known due to her role in myths about the death of Dumuzi, her brother. It is not certain what functions she fulfilled in the Mesopotamian pantheon, though her association with the scribal arts and dream interpretation is well attested. She could serve as a scribe in the underworld, where according to the myth Inanna's Descent she had to reside for a half of each year in place of her brother.
Ninkarrak was a goddess of medicine worshiped chiefly in northern Mesopotamia and Syria. It has been proposed that her name originates in either Akkadian or an unidentified substrate language possibly spoken in parts of modern Syria, rather than in Sumerian. It is presumed that inconsistent orthography reflects ancient scholarly attempts at making it more closely resemble Sumerian theonyms. The best attested temples dedicated to her existed in Sippar and in Terqa. Finds from excavations undertaken at the site of the latter were used as evidence in more precisely dating the history of the region. Further attestations are available from northern Mesopotamia, including the kingdom of Apum, Assyria, and the Diyala area, from various southern Mesopotamian cities such as Larsa, Nippur, and possibly Uruk, as well as from Ugarit and Emar. It is possible that references to "Ninkar" from the texts from Ebla and Nikarawa, attested in Luwian inscriptions from Carchemish, were about Ninkarrak.
Ninisina was a Mesopotamian goddess who served as the tutelary deity of the city of Isin. She was considered a healing deity. She was believed to be skilled in the medical arts, and could be described as a divine physician or midwife. As an extension of her medical role, she was also believed to be capable of expelling various demons. Her symbols included dogs, commonly associated with healing goddesses in Mesopotamia, as well as tools and garments associated with practitioners of medicine.
Ninsianna was a Mesopotamian deity considered to be the personification of Venus. This theonym also served as the name of the planet in astronomical texts until the end of the Old Babylonian period. There is evidence that Ninsianna's gender varied between locations, and both feminine and masculine forms of this deity were worshiped. Due to their shared connection to Venus, Ninsianna was associated with Inanna. Furthermore, the deity Kabta appears alongside Ninsianna in many texts, but the character of the relation between them remains unclear.
Gula was a Mesopotamian goddess of medicine, portrayed as a divine physician and midwife. Over the course of the second and first millennia BCE, she became one of the main deities of the Mesopotamian pantheon, and eventually started to be viewed as the second highest ranked goddess after Ishtar. She was associated with dogs, and could be depicted alongside these animals, for example on kudurru, and receive figurines representing them as votive offerings.
Ningizibara, also known as Igizibara and Ningizippara, was a Mesopotamian goddess associated with the balaĝ instrument, usually assumed to be a type of lyre. She could be regarded both as a physical instrument and as a minor deity. In both cases, she was associated with the goddess Inanna. A connection between her and the medicine goddess Gula is also attested, and it is possible she could serve as a minor healing deity herself.
Meme or Memešaga was a Mesopotamian goddess possibly regarded as a divine caretaker. While originally fully separate, she eventually came to be treated as one and the same as Gula, and as such came to be associated with medicine. The god list An = Anum additionally indicates she served as the sukkal of Ningal.
Inanna of Zabalam was a hypostasis of the Mesopotamian goddess Inanna associated with the city of Zabalam. It has been proposed that she was initially a separate deity, perhaps known under the name Nin-UM, who came to be absorbed by the goddess of Uruk at some point in the prehistory of Mesopotamia and lost her unknown original character in the process, though in certain contexts she nonetheless could still be treated as distinct. She was regarded as the mother of Shara, the god of Umma, a city located near Zabalam.
Bulluṭsa-rabi was a Babylonian author and āšipu who most likely lived in the Kassite period. While sources from the first millennium BCE indicate at the time it was assumed that Bulluṭsa-rabi was a man, and this assumption was also initially followed by Assyriologists, further research showed that all individuals bearing this name recorded in earlier sources were women. A composition known from Nineveh, the Catalogue of Texts and Authors, attributes the authorship of a well known hymn to Gula and a number of unidentified texts to her.