HPA Award for Outstanding Visual Effects – Feature Film

Last updated

The Hollywood Professional Association Award for Outstanding Visual Effects in a Feature Film is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case visual effects artists. It was first awarded in 2006, and, outside of 2007 and 2008, has been presented every year since. From 2006 to 2012, the category was titled HPA Award for Outstanding Compositing - Feature Film.

Contents

Winners and nominees

2000s

Outstanding Compositing - Feature Film

YearFilmWinners/Nominees
2006
[1] 		Pirates of the Caribbean: Dead Man's Chest Eddie Pasquarello, Kimberly Lashbrook, Tory Mercer, Gregory Salter
King Kong Erik Winquist, Charles Tait, Johan Åberg, G.G. Heitmann Demers
2009
[2] 		Transformers: Revenge of the Fallen Nelson Sepulveda, Ben O'Brien, Matt Brumit, Robert Hoffmeister
Star Trek Eddie Pasquarello, Grady Cofer, Gregory Salter, Conny Fauser

2010s

YearFilmWinners/Nominees
2010
[3] 		Avatar Erik Winquist, Robin Hollander, Erich Eder, Giuseppe Tagliavini
AvatarEddie Pasquarello, Ben O'Brien, Conny Fauser, Jason Billington
Iron Man 2 Jon Alexander, Patrick Brennan, Amy Shepard, Jason Porter
Prince of Persia: The Sands of Time Christian Zeh, Mark Bakowski, Adrian Metzelaar, John Peck
Sherlock Holmes Kate Windibank, Jan Adamczyk, Sam Osborne, Alex Cumming
2011
[4] [5] 		Transformers: Dark of the Moon Jeff Sutherland, Jason Billington, Christopher Balog, Ben O'Brien
The Chronicles of Narnia: The Voyage of the Dawn Treader Julien Goldsbrough, Alex Payman, Jan Adamczyk
Harry Potter and the Deathly Hallows – Part 1 Christian Kaestner, Kyle McCulloch, Russell Horth, Conrad Olson
Water for Elephants Paul Graff, Brian Sales, Gregory S. Scribner, Christina Spring
X-Men: First Class Matt Holland, Tim Hey, Norman Cates, G.G. Heitmann Demers
2012
[6] [7] 		The Avengers Nelson Sepulveda, Alan Travis (rotoscoping supervisors); Peter Demarest (digital compositor); Chris Bayz (digital artist)
The AvengersMatt Holland, Tim Hey (compositing supervisors); Caterina Schiffers (digital compositor); Steve McGillen (senior compositor)
Battleship Marshall Richard Krasser (compositing supervisor); Ben O'Brien, Sherry Hitch (cg sequence supervisors); Michael Conte (digital artist)
John Carter Zave Jackson, Helen Newby (visual effects supervisors); Aymeric Perceval (senior compositor); Jamie Wood (composite supervisor)
Prometheus Alfred Mürrle, Christoph Salzmann, Florian Schroeder, Paul Redican (compositing leads)

Outstanding Visual Effects - Feature Film

YearFilmWinners/Nominees
2013
[8] [9] 		Pacific Rim Lindy DeQuattro, Eddie Pasquarello, Nigel Sumner (visual effects supervisors); Derrick Carlin, Chris Lentz (animation supervisors)
The Hobbit: An Unexpected Journey Joe Letteri, Eric Saindon, R. Christopher White (visual effects supervisors); David Clayton, Eric Reynolds (animation supervisors)
Iron Man 3 Guy Williams, Matt Aitken (visual effects supervisors); Aaron Gilman (animation supervisor); Daniel Macarin, Thrain Shadbolt (cg supervisors)
Man of Steel Keith Miller (visual effects supervisor); Daniel Barrett (animation supervisor); Phillip Leonhardt, Thelvin Cabezas, Mark Tait (cg supervisors)
Star Trek Into Darkness Daniel Pearson (cg supervisor); Jay Cooper, Alex Prichard (compositing supervisors); Adrien Saint Girons (lead lighting technical director); Adam Watkins (digital effects supervisor)
2014
[10] [11] 		Dawn of the Planet of the Apes Joe Letteri, Dan Lemmon, Erik Winquist, Keith Miller (visual effects supervisors); Paul Story (animation supervisor)
Captain America: The Winter Soldier Russell Earl (visual effects supervisor), Steve Rawlins (animation supervisor), François Lambert (compositing supervisor), Daniel Pearson (cg supervisor), Johan Thorngren (digital matte supervisor)
Gravity Tim Webber (visual effects supervisor), Chris Lawrence (cg supervisor), Max Solomon (animation supervisor), Paul Beilby (cg lighting supervisor), Stuart Penn (cg sequence supervisor)
The Hobbit: The Desolation of Smaug Joe Letteri, Eric Saindon, R. Christopher White (visual effects supervisors); David Clayton, Eric Reynolds (animation supervisors)
Maleficent Carey Villegas, Adam Valdez, Seth Maury (visual effects supervisors); Kevin T. Hahn (compositing supervisor); David Seager (cg supervisor)
2015
[12] 		The Hobbit: The Battle of the Five Armies Joe Letteri, Eric Saindon, R. Christopher White, Matt Aitken (visual effects supervisors); David Clayton (animation supervisor)
Birdman or (The Unexpected Virtue of Ignorance) Ara Khanikian, Sébastien Moreau (visual effects supervisors); Sebastien Francoeur (cg supervisor); Patrick David (lead compositor); Laurent Spillemaecker (lead compositor)
Into the Woods Matt Johnson, Christian Irles (visual effects supervisors); Dann Tarmy (cg supervisor); Nicolas Chevallier (compositing supervisor); Benoit Dubuc (animation supervisor)
Jurassic World Tim Alexander, Martyn 'Moose' Culpitt (visual effects supervisors); Glen McIntosh, Kevin Martel (animation supervisors); Tony Plett (lead digital artist)
Tomorrowland Craig Hammack, Eddie Pasquarello (visual effects supervisors); François Lambert (compositing supervisor); Maia Kayser (animation supervisor); Barry Williams (lead digital artist)
2016
[13] 		The Jungle Book Robert Legato, Adam Valdez, Charley Henley, Keith Miller (visual effects supervisors); Andrew R. Jones (animation supervisor)
Captain America: Civil War Russell Earl (visual effects supervisor), Steve Rawlins (animation supervisor), François Lambert (compositing supervisor), Pat Conran (cg supervisor), Rhys Claringbull (cg lead artist)
The Martian Chris Lawrence (visual effects supervisor), Neil Weatherley (cg supervisor), Bronwyn Edwards (compositing supervisor), Dale Newton (animation supervisor)
Star Wars: The Force Awakens Jay Cooper (compositing supervisor), Yannick Dusseault (visual effects art director), Rick Hankins (lead digital artist), Carlos Munoz (asset and environment supervisor), Polly Ing (cg supervisor)
Teenage Mutant Ninja Turtles: Out of the Shadows Pablo Helman, Robert Weaver (visual effects supervisors); Kevin Martel (animation supervisor); Shawn Kelly (lead animator); Nelson Sepulveda (compositing supervisor)
2017
[14] 		War for the Planet of the Apes Dan Lemmon, Anders Langlands, Luke Millar, Erik Winquist (visual effects supervisors); Daniel Barrett (animation supervisor)
Beauty and the Beast Kyle McCulloch, Glen Pratt, Richard R. Hoover (visual effects supervisors); Dale Newton (animation supervisor); Neil Weatherley (cg supervisor)
Ghost in the Shell Guillaume Rocheron, Axel Bonami, Asregadoo Arundi (visual effects supervisors); Ruslan Borysov (compositing supervisor); Pier Lefebvre (lead matte painter)
Guardians of the Galaxy Vol. 2 Guy Williams, Kevin Andrew Smith (visual effects supervisor); Charles Tait (compositing supervisor); Daniel Macarin (cg supervisor); David Clayton (animation supervisor)
Pirates of the Caribbean: Dead Men Tell No Tales Gary Brozenich, Sheldon Stopsack, Patrick Ledda (visual effects supervisors); Richard Clegg (cg supervisor); Richard Little (compositing supervisor)
2018
[15] 		Avengers: Infinity War Matt Aitken, Charles Tait (visual effects supervisors); Paul Story (animation supervisor); David Conley, Marvyn Young (visual effects producers)
Blade Runner 2049 Richard Clegg (visual effects supervisor); Wesley Chandler (animation supervisor); Axel Akesson (asset supervisor); Stefano Carta, Ian Cooke-Grimes (digital artists)
Maze Runner: The Death Cure R. Christopher White, Daniel Macarin (visual effects supervisors); Phillip Leonhardt (cg supervisor); Paul Ramsden, Jeremy Fort (digital artists)
Rampage Erik Winquist, Thrain Shadbolt (visual effects supervisors); Ben Pickering (visual effects producer); Stephen Unterfranz (cg supervisor); David Clayton (animation supervisor)
Thor: Ragnarok Kyle McCulloch, Alexis Wajsbrot (visual effects supervisors); Harry Bardak (cg supervisor); Benjamin Loch (digital artist)
2019
[16] 		The Lion King Robert Legato, Elliot Newman, Adam Valdez (visual effects supervisors); Andrew R. Jones (animation supervisor); Audrey Ferrara (environments supervisor); Tom C. Peitzman (visual effects producer)
Alita: Battle Angel Eric Saindon (visual effects supervisor); Michael Cozens (animation supervisor); Dejan Momcilovic (motion capture supervisor); Mark Haenga (lead facial modeler); Kevin L. Sherwood (visual effects producer)
Avengers: Endgame Matt Aitken (visual effects supervisor); Sidney Kombo (animation supervisor); Sean Noel Walker (cg supervisor); David Conley, Marvyn Young (visual effects producers)
Detective Pikachu Jonathan Fawkner, Carlos Monzon (visual effects supervisors); Gavin McKenzie (compositing supervisor); Dale Newton (animation supervisor); Fabio Zangla (cg supervisor)
Spider-Man: Far From Home Alexis Wajsbrot (visual effects supervisor), Stephen Kennedy (compositing supervisor), Nathan McConnel (animation supervisor), Sylvain Degrotte (cg supervisor), Jonathan Opgenhaffen (concept artist)

Related Research Articles

<span class="mw-page-title-main">Company 3</span>

Company 3 (CO3) is an American post-production company founded in 1997 by colorists Stefan Sonnenfeld and Mike Pethel and visual effects artist/supervisor Noel Castley-Wright. Rob Walston brought the team of artists together and funded Company 3 under 4 Media Company (4MC). Company 3 provides post production, color grading and location services for feature films, commercials, music videos and television.

Carey Villegas is a visual effects artist who was nominated at the 83rd Academy Awards in the category of Best Visual Effects, for the film Alice in Wonderland. His nomination was shared with Sean Phillips, Ken Ralston and David Schaub. Also for Alice in Wonderland, Carey won the 2010 Golden Satellite Award for Best Visual Effects and was nominated for the British Academy Award (BAFTA), Critics Choice Award, Saturn Award, and the Visual Effects Society Award (VES) for "Outstanding Visual Effects in a Visual Effects Driven Motion Picture".

The Visual Effects Society Award for Outstanding Animated Character in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six different title changes, and one major category shift. First awarded in 2002, the award was titled "Outstanding Character Animation in a Live Action Motion Picture" and given to the best character animation in a live action film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Motion Picture", and given to visual effects artists for work on a specified character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in a Live Action Feature Motion Picture". In 2014, it was titled "Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture", but changed in 2016 to "Outstanding Animated Performance in a Photoreal Feature" and once again in 2017 to its current title.

The Hollywood Professional Association Award for Outstanding Editing in a Feature Film is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. It was first awarded in 2008, and has been presented every year since.

The Hollywood Professional Association Award for Outstanding Editing - Television is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. While television editors have been awarded since 2006, the category first marked a distinction between half-hour series and series longer than that in 2018.

The Hollywood Professional Association Award for Outstanding Color Grading in a Feature Film is an annual award, given by the Hollywood Professional Association, or HPA, to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since. From 2006 to 2011, the category was titled HPA Award for Outstanding Color Grading Feature Film in a DI Process. The "DI" in the title refers to a Digital intermediate, a motion picture finishing process which a motion picture is digitized and the color and other image characteristics manipulated. As the filmmaking has evolved more into a digital forum, the added "DI Process" of the title became, essentially, antiquated.

The Hollywood Professional Association Award for Outstanding Color Grading for Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since.

The Hollywood Professional Association Award for Outstanding Sound in a Feature Film is an annual award, given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case sound. It was first awarded in 2006, and has been presented every year since. From 2006 to 2009, the category was titled HPA Award for Outstanding Audio Post - Feature Film.

The Hollywood Professional Association Award for Outstanding Editing - Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case film editors. While television editors have been awarded since 2006, the category first marked a distinction between half-hour series and series longer than that in 2018.

The Hollywood Professional Association Award for Outstanding Visual Effects - Television is an annual award given by the Hollywood Professional Association (HPA) to post production workers in the film and television industry, in this case visual effects artists. It was first awarded in 2006, and outside of 2008 and 2010, has been presented every year since. From 2006 to 2012, the category was titled HPA Award for Outstanding Compositing - Television. In 2018, the category started separating series that had more than 13 episodes a season, and those that had less than 13.

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film. It was first awarded in 1989, for films released the previous year, under the title Best Sound Editing - Animated Feature. The award has been given with its current title since 2018.

The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.

The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.

The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.

The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.

References

  1. ↑ "Nominees/Winners". IMDb . Retrieved June 7, 2019.
  2. ↑ "Nominees/Winners". IMDb . Retrieved June 7, 2019.
  3. ↑ "Nominees/Winners". IMDb . Retrieved June 7, 2019.
  4. ↑ "2011 HPA Awards Nominees Unveiled". TV Technology . Retrieved June 7, 2019.
  5. ↑ "Nominees/Winners". IMDb . Retrieved June 7, 2019.
  6. ↑ "Nominees Announced for 2012 HPA Awards". The Hollywood Reporter . Retrieved June 7, 2019.
  7. ↑ "Hollywood Post Alliance hands out tech honors". Variety . Retrieved June 7, 2019.
  8. ↑ "2013 HPA Awards Announce Craft Category Nominees And Special Award Winners". TV Technology . Retrieved May 22, 2019.
  9. ↑ "2013 Hollywood Post Alliance Award Winners Announced". Hollywood Post Alliance . Retrieved May 22, 2019.
  10. ↑ "The Hollywood Post Alliance Announces Nominees for the 2014 HPA Awards". Hollywood Post Alliance . Retrieved June 8, 2019.
  11. ↑ "Gravity continues to score at HPA awards". Variety . Retrieved June 8, 2019.
  12. ↑ "Hollywood Post Alliance® Announces 2015 Award Winners". Hollywood Post Alliance . Retrieved June 8, 2019.
  13. ↑ "2016 HPA Awards". Hollywood Post Alliance . Retrieved June 8, 2019.
  14. ↑ "2017 HPA Awards". Hollywood Post Alliance . Retrieved June 8, 2019.
  15. ↑ "2018 HPA Awards". Hollywood Post Alliance . Retrieved June 8, 2019.
  16. ↑ "2019 HPA Awards". Hollywood Post Alliance . Retrieved December 17, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.