Address | 4230 Leary Way NW |
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Location | Seattle, Washington |
Opened | 1976 (as Triangle) 1986 (as Reciprocal) 1991 (as Word of Mouth) 1993 (as John & Stu's) 2000 (as Hall of Justice) |
The Hall of Justice is a recording studio in the Ballard neighborhood of Seattle, Washington. The triangular-shaped building, which has changed ownership and purpose throughout its century-old history, has functioned as a studio for rock bands since the 1970s. The windowless, unassuming space has been home to the recordings of albums by seminal indie rock bands, including Nirvana, Soundgarden, Death Cab for Cutie, Fleet Foxes, the Decemberists, Sleater-Kinney, Built to Spill, Modest Mouse, and more.
Originally a produce stand, the building was first opened as a studio under the name Triangle Recording between 1976 and 1986. Later, the studio first became popularly known as a partial birthplace of grunge, with countless early acts of the genre utilizing the space, then widely known as Reciprocal Recording (1986–91). After several years as John & Stu's, the studio has more or less been operated by musician and producer Chris Walla under its current name since 2000.
The complex first opened as a produce stand in 1911. It served as a retail location for most of the twentieth century, and was vacant by the 1970s. [1] Jack Weaver purchased the space and named it Triangle Recording in 1976, recording a series of 7"s by bands like Pell Mell and the Blackouts. [2]
Chris Hanzsek and Jack Endino moved into the space in June 1986, renaming the studio Reciprocal Recording. The studio became famously responsible for all but inventing the grunge movement; Soundgarden and Nirvana recorded early demos at the studio, with the latter completing its debut album Bleach (1989) at Reciprocal. [3] Hanzsek left the space in 1991, [4] while engineer Rich Hinklin continued on, renaming the complex Word of Mouth. In 1993, the space was renamed again to John & Stu's, [5] named after producers John Goodmanson and Stuart Hallerman. [6] Goodmanson, Hallerman, and Phil Ek utilized the space to track dozens of bands, including Sleater-Kinney, Harvey Danger, Built to Spill, and Modest Mouse.
In 2000, in partnership with Barsuk Records, musician and producer Chris Walla began overseeing the space. [7] Walla began working as a producer with Nada Surf, Hot Hot Heat, and the Decemberists, [8] as well as with his main project Death Cab for Cutie, with whom he recorded Transatlanticism (2003). Death Cab took over the lease in 2004 and used the studio as a practice space for four years. In 2010, Robin Pecknold of Fleet Foxes took over the complex, reverting it to it former name Reciprocal. [9] A writer for Spin described the space in a 2011 cover story: "The windowless exterior was once painted brown, but the color has faded and flecked off. Cracked shingles curl up off the roof, and inside the studio, tattered walls and well-worn carpeting give it all the charm of an abandoned church basement." [10]
Walla returned to the studio in 2011, [5] and oversaw an extensive renovation of the space. [11] Walla has continued to record bands in the space, including Lo Moon, [12] the Paper Kites, [13] and Ratboys. [14]
Death Cab for Cutie is an American rock band formed in Bellingham, Washington, in 1997. Death Cab for Cutie's music has been classified as indie rock, indie pop, and alternative rock. The band is currently composed of Ben Gibbard, Nick Harmer (bass), Dave Depper, Zac Rae, and Jason McGerr (drums).
Something About Airplanes is the debut studio album by indie rock band Death Cab for Cutie, released August 18, 1998, on Barsuk Records. A tenth-anniversary edition of the album was released November 25, 2008, featuring redesigned artwork, liner notes by Sean Nelson, and a bonus disc including the band's first ever Seattle performance at the Crocodile Cafe in February 1998.
Transatlanticism is the fourth studio album by rock band Death Cab for Cutie, released on October 7, 2003, by Barsuk Records. At this point in their career, the group had toured and recorded for nearly a half-decade. With tensions rising, the band decided to take time away from one another; notably, Ben Gibbard collaborated with electronic musician Dntel, and released an album, Give Up, under the name the Postal Service. Death Cab regrouped in late 2002 to create Transatlanticism, which was recorded in a leisurely manner over five-day stretches until June 2003.
We Have the Facts and We're Voting Yes is the second studio album by American rock band Death Cab for Cutie. It was released on March 21, 2000, through Barsuk Records. The band, which originally included singer-songwriter Ben Gibbard, guitarist/producer Chris Walla, bassist Nick Harmer, and drummer Nathan Good, formed in Bellingham, Washington in 1997. Their debut studio album, Something About Airplanes, was released in 1998 through Barsuk, after which Good exited the band. Between the two albums, both Gibbard and Walla released music via side projects, ¡All-Time Quarterback! and Martin Youth Auxiliary, respectively.
Picaresque is the third studio album from The Decemberists. It was released in 2005 on the Kill Rock Stars record label. The word "picaresque" refers to a form of satirical prose originating in Spain, depicting realistically and often humorously the adventures of a low-born, roguish hero living by their wits in a corrupt society.
Christopher Ryan Walla is an American musician, record producer, and film music composer, best known for being a former guitarist and songwriter for the band Death Cab for Cutie.
Plans is the fifth studio album by American rock band Death Cab for Cutie, released August 30, 2005 on Atlantic Records. Emerging from the Pacific Northwest in the early 2000s, Death Cab first rose to prominence on the strength of its confessional lyricism and textured indie rock sound. Following a longstanding partnership with indie label Barsuk, the band made the leap to a major label, Atlantic, for Plans. The LP was the band's first time recording outside of their Seattle home; it was produced at Long View Farm, a rural Massachusetts property.
"I Will Follow You into the Dark" is a song by American rock band Death Cab for Cutie, the third single from their fifth album, Plans, released in 2005.
"Soul Meets Body" is a song recorded by the American rock band Death Cab for Cutie for their fifth studio album Plans (2005). It was released as the lead single from Plans in 2005, through Atlantic Records. Death Cab for Cutie emerged from the Pacific Northwest in the early aughts and built a following with its confessional lyricism and straightforward indie rock sound. "Soul Meets Body" was their first single for Atlantic, the major label with which they signed in 2004. The song is thematically existential, examining the intersection of soul and body though a relationship metaphor.
John Goodmanson is an American recording engineer and indie rock record producer. He is best known for producing multiple albums by Bikini Kill, Blonde Redhead, Death Cab for Cutie, Los Campesinos!, and Sleater-Kinney.
Larry Crane is an American editor, recording engineer, and archivist based in Portland, Oregon. Crane is the editor and founder of Tape Op magazine, the owner of Portland's Jackpot! Recording Studio, a freelance engineer, and the archivist for the estate of musician Elliott Smith.
Narrow Stairs is the sixth studio album by indie rock band Death Cab for Cutie, released on May 12, 2008, in the United Kingdom and on May 13, 2008, in the United States, on Atlantic and Barsuk Records.
"I Will Possess Your Heart" is an alternative rock song recorded by the American band Death Cab for Cutie. The song depicts a one-sided obsessive relationship, which led Paste to name it one of the 25 creepiest songs about love. It is notable for its five-minute instrumental introduction as well as its music video which required location shooting across four continents. The song was the lead single from their sixth studio album, Narrow Stairs (2008).
Death Cab for Cutie has released ten studio albums, five extended plays (EPs), a demo tape, a digital album, one live album, thirty-two singles, nine music videos, and two DVDs. Death Cab for Cutie is an American indie rock group from Bellingham, Washington and was formed in 1997 by Ben Gibbard as a side project from Pinwheel. After releasing a demo tape, he added guitarist Chris Walla, bassist Nick Harmer, and drummer Nathan Good to the band. Death Cab signed to Barsuk Records and released four extended plays (EPs) and four studio albums through the label. The fourth album, Transatlanticism, reached number 97 on the Billboard 200 and was eventually certified gold in the United States. The group also issued nine singles and a demo tape through Barsuk.
Codes and Keys is the seventh studio album by Death Cab for Cutie, released on May 31, 2011. Ben Gibbard and Nick Harmer have both been quoted as saying that the album will be "a much less guitar-centric album than we've ever made before". The first single, "You Are a Tourist", was made available for online stream on March 28, 2011 on the band's official site and the album was available for streaming in its entirety on May 23, 2011 on NPR. The album debuted at No. 3 on the Billboard 200, with 102,000 copies sold in its first week. It has sold 283,000 copies in the US as of March 2015. On November 30, 2011, the album received a nomination at the 54th Grammy Awards for Best Alternative Music Album.
Avast! Recording Company is a music recording studio in Seattle, Washington. It was established in 1990 by producer Stuart Hallerman, who was soundman for Soundgarden and involved in the grunge movement coming out of Seattle at the time. The first CD released by Avast! was Crime Pays When Pigs Die by Nate Mendel and Eric Akre's Christ on a Crutch project, and the company has since worked with a number of other artists, including Screaming Trees, Soundgarden, Built to Spill, Steve Fisk, Bikini Kill, and Supersuckers.
"The Ghosts of Beverly Drive" is a song by American rock band Death Cab for Cutie. It is the second single from their eighth studio album Kintsugi. The driving, uptempo track explores themes of loss in the aftermath of heartbreak. Frontman Ben Gibbard wrote the song after his divorce from actress Zooey Deschanel, and the lyrics of the song directly reference Beverly Hills and what he viewed as its vapid celebrity culture.
Thank You for Today is the ninth studio album by American indie rock band Death Cab for Cutie. The album was released on August 17, 2018, on Atlantic Records.
Asphalt Meadows is the tenth studio album by American rock band Death Cab for Cutie. It was released on September 16, 2022, through Atlantic Records.
Little Rope is the eleventh studio album by American rock band Sleater-Kinney, released on January 19, 2024, on Loma Vista. Produced by John Congleton, the album was preceded by the singles: "Hell", "Say It Like You Mean It", and "Untidy Creature".