Hannah Thompson

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Hannah Jane Thompson (born 1973) [1] is a British academic and professor of French and critical disability studies at Royal Holloway, University of London. Her research focuses primarily on 19th and 20th century French literature, especially the novel.

Contents

Education

Thompson attended Gosforth High School (1986-1991) and studied Modern and Medieval Languages at Newnham College, Cambridge [2] before completing an MPhil [3] and a PhD [4] in nineteenth-century French literature at the University of Cambridge. She was Adrian Research Fellow at Darwin College, Cambridge (2000-2003). [5]

Career

Thompson has worked at Royal Holloway, University of London since 2003. [6]

She is interested in how markers of identity such as gender, sexuality and disability are represented in French realist and naturalist texts. Her first book Naturalism Redressed (2004) explores the relationship between costume and identity construction in the Rougon-Macquart novels by Emile Zola. [7] Thompson argues that Zola's metaphors of clothing operate as a subversive network of references to fabric and flesh which undermines Zola's Naturalist project. [8] According to Laurey Martin-Berg, "Thompson's 'use of clothing to illustrate how far Naturalism's chief spokesman strayed from his literary theories breaks new ground, and her well-documented and convincing analyses make an important contribution to the ongoing demystification of Zola as a "Naturalist" novelist as well as to a critical re-examination of the implications of Naturalism in and for the novel." [9]

Her second book, Taboo: Corporeal Secrets in Nineteenth-Century France (2013), extends her scope to include works by George Sand, Rachilde, Octave Mirbeau, Jules Barbey d'Aurevilly, Guy de Maupassant and Victor Hugo, as well as Emile Zola's late novels. [10] A review in the Forum for Modern Language Studies explains the book's premise: "In spite of their frank depictions of the human form, Realist and Naturalist writers held clear anxieties with regard to certain prohibited and illicit subjects that complicated the supposed transparency of their work. From unruly erotic desire and sexual violence to bodily breakdown and masculine weakness, taboo bodies, however, served a key purpose by further energizing the tension in the Realist enterprise between what could and what could not be represented." [11] Thompson's analysis combines insights from leading nineteenth-century French scholars including Henri Mitterand, Peter Brooks, Naomi Schor and Emily Apter with work by French and Anglo-American theorists such as Roland Barthes, Michel Foucault, Cathy Caruth, Georges Bataille and Judith Butler to argue that French novelists use references to the ill, damaged or deformed body to stand in for a series of even more unspeakable bodily taboos. [12] [10] According to Tammy Berberi, "Thompson's study places itself squarely within studies of the body while also relying upon the tenets of newer arenas of inquiry such as disability studies." [13]

In her third book, Reviewing Blindness in French Fiction (2017), Thompson expands the disability studies work began in Taboo by using the work of disability studies scholars, including Rosemarie Garland-Thomson, Cathy Kudlick and Zina Weygand, to argue that the most interesting depictions of blindness in French literature are those which do not subscribe to the "metanarrative of blindness" theorized by British academic David Bolt. According to Sherri Rose, '"the pun in the title, Reviewing Blindness, serves both as an invitation to the reader to rethink the origins of myths linked to blindness, and as a playful critique intended to draw awareness to the prevalence of ocularcentric rhetorical devices, such as visual metaphors (re-viewing), embedded in language. [14] Through close readings of novels by writers including Honoré de Balzac, Lucien Descaves, Jean Giono and Hervé Guibert, Thompson argues that literary accounts of blindness can lead to a rich, multi-sensory experience which dismantles the hierarchy of the senses found in Western culture and celebrates the positive effects of blindness on both blind and non-blind readers and writers. [14]

Her most recent work is on the value of audio description for both blind and non-blind audiences. [15] [16]

Selected works

Books

Edited volumes

Scholarly articles

  • Thompson, Hannah (1 September 1998). "'Une Perversion Du Désir, Une Névrose Nouvelle': Female Sexuality in Zola's Au Bonheur des Dames". Romance Studies. 16 (2): 81–92. doi:10.1179/026399098786543812. ISSN   0263-9904.
  • Thompson, Hannah (2001). "Berthe's "dessous douteux": the Body Stripped in Pot-Bouille". Australian Journal of French Studies. 38 (3): 336–348. doi:10.3828/ajfs.38.3.336. ISSN   0004-9468.
  • Thompson, Hannah (2003). "Rewriting the Perverse: Rachilde and the Erotic Body". Nottingham French Studies. 42 (2): 26–34. doi:10.3366/nfs.2003-2.003. ISSN   0029-4586.
  • Thompson, Hannah (2003). "Ornamental Desires: The Scandal of the 'Détail Inutile' in Émile Zola's Le Docteur Pascal". Romance Studies. 21 (2): 91–99. doi:10.1179/026399003786543168. ISSN   0263-9904.
  • Thompson, Hannah (2010). "Savage Poetry: Torture and Cruelty in Mirbeau and Barbey d'Aurevilly". French Studies. 64 (4): 410–422. doi:10.1093/fs/knq106. ISSN   0016-1128. PMID   21114062. S2CID   21888275.
  • Thompson, Hannah (2013). "Dirt, Disintegration, and Disappointment: Sex and the City of Paris". Dix-Neuf. 17 (2): 183–196. doi:10.1179/1478731813z.00000000033. ISSN   1478-7318. S2CID   191455699.
  • Thompson, Hannah (2016). ""De simple malade j'étais devenu un handicapé": Interrogating the Construction of 'Disability' in Jean-Dominique Bauby's Le scaphandre et le papillon". L'Esprit Créateur. 56 (2): 79–92. doi:10.1353/esp.2016.0015. ISSN   1931-0234. S2CID   163725417.
  • Thompson, Hannah (2017). "French and Francophone Disability Studies". French Studies. 71 (2): 243–251. doi: 10.1093/fs/knx019 . ISSN   0016-1128. S2CID   164774039.

Related Research Articles

<span class="mw-page-title-main">Émile Zola</span> French journalist, playwright and poet (1840–1902)

Émile Édouard Charles Antoine Zola was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…!  Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902.

La Curée is the 2nd novel in Émile Zola's 20-volume series Les Rougon-Macquart. It deals with property speculation and the lives of the extremely wealthy Nouveau riche of the Second French Empire, against the backdrop of Baron Haussmann's reconstruction of Paris in the 1850s and 1860s.

Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality. Naturalism includes detachment, in which the author maintains an impersonal tone and disinterested point of view; determinism, which is defined as the opposite of free will, in which a character's fate has been decided, even predetermined, by impersonal forces of nature beyond human control; and a sense that the universe itself is indifferent to human life. The novel would be an experiment where the author could discover and analyze the forces, or scientific laws, that influenced behavior, and these included emotion, heredity, and environment. The movement largely traces to the theories of French author Émile Zola.

<i>Au Bonheur des Dames</i>

Au Bonheur des Dames is the eleventh novel in the Rougon-Macquart series by Émile Zola. It was first serialized in the periodical Gil Blas from December 17, 1882 to March 1, 1883; and published in novel form by Charpentier in 1883.

<i>Germinal</i> (novel) 1883 novel by Émile Zola

Germinal is the thirteenth novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Often considered Zola's masterpiece and one of the most significant novels in the French tradition, the novel – an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s – has been published and translated in over one hundred countries. It has also inspired five film adaptations and two television productions.

<i>Les Rougon-Macquart</i> Cycle of twenty novels by Émile Zola

Les Rougon-Macquart[le ʁu.ɡɔ̃ ma.kaʁ] is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled Histoire naturelle et sociale d'une famille sous le Second Empire, it follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement.

<i>LAssommoir</i>

L'Assommoir[lasɔmwaʁ], published as a serial in 1876, and in book form in 1877, is the seventh novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Usually considered one of Zola's masterpieces, the novel — a study of alcoholism and poverty in the working-class districts of Paris — was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world.

<i>Nana</i> (novel) 1880 novel by Émile Zola

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series.

<i>À rebours</i> 1884 book by Joris-Karl Huysmans

À rebours is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete. The last scion of an aristocratic family, Des Esseintes loathes nineteenth-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. The narrative is almost entirely a catalogue of the neurotic Des Esseintes's aesthetic tastes, musings on literature, painting, and religion, and hyperaesthesic sensory experiences.

<i>La Débâcle</i> Novel by Émile Zola published in 1892

La Débâcle (1892), translated as The Debacle and The Downfall, is the penultimate novel of Émile Zola's Les Rougon-Macquart series, which first appeared as a serial in La Vie populaire from 21 February to 21 July 1892, before being published in book form by Charpentier.

<i>LŒuvre</i> Novel by Émile Zola

L'Œuvre is the fourteenth novel in the Rougon-Macquart series by Émile Zola. It was first serialized in the periodical Gil Blas beginning in December 1885 before being published in novel form by Charpentier in 1886.

<i>La joie de vivre</i>

La joie de vivre is the twelfth novel in the Rougon-Macquart series by Émile Zola. It was serialized in the periodical Gil Blas in 1883 before being published in book form by Charpentier in February 1884.

Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences.

<i>Pot-Bouille</i>

Pot-Bouille is the tenth novel in the Rougon-Macquart series by Émile Zola. It was serialized between January and April 1882 in the periodical Le Gaulois before being published in book form by Charpentier in 1883.

Le Docteur Pascal is the twentieth and final novel of the Rougon-Macquart series by Émile Zola, first published in June 1893 by Charpentier.

<span class="mw-page-title-main">Naturalism (theatre)</span> Movement in European drama

Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg's play Miss Julie, which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Emile Zola.

Ernest Alfred Vizetelly (1853–1922) was an English journalist and author.

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<span class="mw-page-title-main">Rita Schober</span>

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References

  1. ↑ "Thompson, Hannah". Virtual International Authority File.
  2. ↑ "School's Pupils Win Places at Oxbridge". Newcastle Evening Chronicle. 20 September 1991.
  3. ↑ "Congregation of the Regent House on 15 November 1997". Cambridge University Reporter. 19 November 1997. Retrieved 4 August 2020.
  4. ↑ "Congregation of the Regent House on 24 March 2001". Cambridge University Reporter. 25 April 2001. Retrieved 4 August 2020.
  5. ↑ "Fellows of the Colleges: Darwin College". Cambridge University Reporter. 5 October 2000. Retrieved 4 August 2020.
  6. ↑ "DLLC Home-Research-Profile-Researchers-Professor Hannah Thompson". Royal Holloway University of London. 2020. Retrieved 2 August 2020.
  7. ↑ Capitanio, Sarah (2006). "Naturalism Redressed: Identity and Clothing in the Novels of Emile Zola (Review)". French Studies. 60 (4): 529–30. doi:10.1093/fs/knl139. S2CID   162300185 – via Project Muse.
  8. ↑ Duffy, Larry (2006). "Naturalism Redressed: Identity and Clothing in Emile Zola's Rougon-Macquart (Review)". The Modern Language Review. Modern Languages Review. Modern Humanities Research Association. 101 (4): 1132–1133. doi:10.2307/20467090. JSTOR   20467090.
  9. ↑ Martin-Berg, Laurey (March 2007). "Reviewed work:Naturalism Redressed: Identity and Clothing in Emile Zola's Rougon-Macquart". The French Review. American Association of teachers of French. 80 (4): 918–919. JSTOR   25480826.
  10. 1 2 Humphreys, Karen (July 2015). "Taboo: Corporeal Secrets in Nineteenth-Century France". French Studies. 69 (3): 403–404. doi:10.1093/fs/knv134.
  11. ↑ "Taboo: Corporeal Secrets in Nineteenth-Century France". Forum for Modern Language Studies (Review). 50 (4): 510. October 2014. doi:10.1093/fmls/cqu060.
  12. ↑ Grauby, Francoise (July 2014). "Taboo: Corporeal Secrets in Nineteenth-Century France". The Modern Language Review. Modern Languages Research Association. 109 (3): 809–10. doi:10.5699/modelangrevi.109.3.0809. JSTOR   10.5699/modelangrevi.109.3.0809.
  13. ↑ Berberi, Tammy (2016). "Taboo: Corporeal Secrets in Nineteenth-Century France". Disability & Society. Routledge. 31 (3): 431–2. doi: 10.1080/09687599.2016.1141570 . S2CID   147357792.
  14. 1 2 Rose, Sherri (2018). "Rose on Thompson (2017)". Nineteenth-Century French Studies, 47.1-2. Retrieved 2 August 2020.
  15. 1 2 Thompson, Hannah; Warne, Vanessa (2018). "Blindness Arts". Disability Studies Quarterly 38.3. Retrieved 28 July 2020.
  16. ↑ Thompson, Hannah J. (22 February 2019). "Oscars: audio description brings film to life for blind people, it deserves an award too". The Conversation. Retrieved 28 July 2020.
  17. ↑ Thompson, Hannah (2004). Naturalism Redressed: Identity and Clothing in the Novels of Emile Zola. European Humanities Research Centre. ISBN   978-1-900755-82-5.
  18. ↑ Thompson, Hannah (5 July 2017). Taboo: Corporeal Secrets in Nineteenth-century France. Routledge. ISBN   978-1-351-54720-8.
  19. ↑ Thompson, Hannah (18 August 2017). Reviewing Blindness in French Fiction, 1789–2013. Springer. ISBN   978-1-137-43511-8.
  20. ↑ "Canadian Journal of Disability Studies 8.6 Foreword". Canadian Journal of Disability Studies.
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