Happy End | ||||
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Studio album by | ||||
Released | February 25, 1973 | |||
Recorded | October 13–18, 1972 | |||
Studio | Sunset Sound Studios, Los Angeles, California | |||
Genre | Folk rock | |||
Length | 29:41 | |||
Label | Bellwood/King | |||
Producer | Happy End, Van Dyke Parks | |||
Happy End chronology | ||||
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Singles from Happy End | ||||
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Happy End is the third and final album by Japanese folk rock band Happy End. [lower-alpha 1] It was recorded in Los Angeles, produced by Van Dyke Parks and features several American session musicians such as Lowell George and Bill Payne of the band Little Feat.
The album was recorded at Sunset Sound Studios in Los Angeles in late 1972. Van Dyke Parks, known for his collaborations with Brian Wilson and The Beach Boys, produced the album. In 2013, Parks stated that the band walked in unannounced while he and Lowell George were working on "Sailin' Shoes" and asked him to give them the "California Sound". He initially refused saying he was busy with sessions for his own album Discover America , but accepted when George noticed a suitcase full of new one hundred-dollar bills with Happy End's manager. [1]
Although Haruomi Hosono later described the work with Parks as "productive," the album sessions were tenuous, and the members of Happy End were disenchanted with their vision of America they had anticipated. [2] A language barrier along with opposition between the Los Angeles studio personnel and the band was also apparent, which further frustrated the group. [3] He and Eiichi Ohtaki both recalled that Parks was drunk during production and tried to lecture them about Pearl Harbor and World War II. [4] [5] These feelings were conveyed in the closing track "Sayonara America, Sayonara Nippon" (さよならアメリカ さよならニッポン, "Goodbye America, Goodbye Japan"), which received some contributions from Parks and George. [1] As Takashi Matsumoto explained: "We had already given up on Japan, and with [that song], we were saying bye-bye to America too—we weren't going to belong to any place." [2]
Happy End officially disbanded on December 31, 1972, two months before the album was released on February 25, 1973. [6]
In 1974, Shigeru Suzuki returned to Los Angeles to record his first solo album Band Wagon and once again worked with Bill Payne, Dick Hyde and Kirby Johnson.
The song "Fuuraibo" would be covered by pop singer Chisato Moritaka on her 1998 album, This Summer Will Be More Better, which was produced by Hosono.
No. | Title | Lyrics | Music | Length |
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1. | "Fuuraibou" (風来坊, "Wanderer") | Haruomi Hosono | Haruomi Hosono | 3:31 |
2. | "Hisamezuki no Sukecchi" (氷雨月のスケッチ, "A Sketch of 'Ice Storm Month'") | Takashi Matsumoto | Shigeru Suzuki | 3:05 |
3. | "Ashita Atari wa Kitto Haru" (明日あたりはきっと春, "It Will Surely Be Spring Tomorrow") | Takashi Matsumoto | Shigeru Suzuki | 4:00 |
4. | "Mufūjoutai" (無風状態, "No Wind") | Haruomi Hosono, "parrot" lyric inspiration by Takashi Matsumoto | Haruomi Hosono | 3:18 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
5. | "Sayonara Toori San Chiban" (さよなら通り3番地, "Goodbye No. 3 (Street Address)") | Takashi Matsumoto | Shigeru Suzuki | 3:13 |
6. | "Aiaigasa" (相合傘, "Sharing An Umbrella") | Haruomi Hasono | Haruomi Hosono | 3:05 |
7. | "Inakamichi" (田舎道, "Country Road") | Takashi Matsumoto | Eiichi Ohtaki | 2:39 |
8. | "Soto wa ii Tenki" (外はいい天気, "It's Nice Out") | Takashi Matsumoto | Eiichi Ohtaki | 2:18 |
9. | "Sayonara America, Sayonara Nippon" (さよならアメリカ さよならニッポン, "Goodbye America, Goodbye Japan") | Happy End | Happy End, Van Dyke Parks | 4:33 |
Happy End
Session musicians and production staff
Van Dyke Parks is an American musician, songwriter, arranger, and record producer who has composed various film and television soundtracks. He is best known for his 1967 album Song Cycle and for his collaborations with Brian Wilson and the Beach Boys. In addition to producing or arranging albums by Randy Newman, Harry Nilsson, Phil Ochs, Little Feat, Happy End, Ry Cooder and Joanna Newsom, Parks has worked with performers such as Syd Straw, Ringo Starr, U2, Grizzly Bear, Inara George, Kimbra, Suzy Williams, Bob Dylan and Silverchair.
Happy End was a Japanese folk rock band active from 1969 to 1972. Composed of Haruomi Hosono, Eiichi Ohtaki, Takashi Matsumoto and Shigeru Suzuki, the band's pioneering sound was regarded as avant-garde to most Japanese at the time. They are considered to be among the most influential artists in Japanese music. MTV described Happy End's music as "rock with psych smudges around the edges."
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Lowell Thomas George was an American singer, songwriter, multi-instrumentalist, and record producer, who was the primary guitarist, vocalist, songwriter and founder/leader for the rock band Little Feat.
Sailin' Shoes is the second studio album by the American rock band Little Feat, released in 1972. Produced by Ted Templeman, it marked a shift away from the sound of the band's eponymous debut, to that of their subsequent album, Dixie Chicken. It also introduced the cover artwork of Neon Park to the group, and was the last album appearance of original bassist Roy Estrada.
Takashi Matsumoto is a Japanese lyricist and former musician. After several years playing the drums in the rock bands Apryl Fool and Happy End during the late 1960s and early 1970s, Matsumoto decided to focus on writing lyrics for others in 1974. As of 2015, he had written over 2,100 songs, 130 of which entered the top 10 on the Oricon chart. Total sales of the singles he has written exceed 49.8 million copies, making him the third best-selling lyricist in Japan. In 2017, he was awarded the Medal with Purple Ribbon from the Japanese government for his work in music.
Kazemachi Roman is the second album by Japanese folk rock band Happy End, released on URC Records in 1971. In this concept album, Happy End attempted to paint a musical picture of Tokyo before the 1964 Summer Olympics, through which sweeping changes transformed the city forever.
Motoharu Sano, is a Japanese singer-songwriter and musician. A graduate of Rikkyo University, Sano is a frontman with a history of performing in several bands which feature music both in Japanese and occasionally, English, playing songs that often have a rock and roll sound to them. In 2007, Rolling Stone Japan ranked his album Someday number 11 on a list of the greatest Japanese rock albums of all time.
Happy End is the self-titled debut album by Japanese folk rock band Happy End. Because their third album is also self-titled, although written in English, this first album is also known by the name "Yudemen" (ゆでめん) after the sign depicted in the cover art.
A Long Vacation is an album by Japanese musician Eiichi Ohtaki, released on March 21, 1981. It sold over a million copies and won Best Album at the 23rd Japan Record Awards. It has been called one of the greatest Japanese rock albums of all time, including by Rolling Stone Japan.
UC YMO: Ultimate Collection of Yellow Magic Orchestra is a compilation album by Yellow Magic Orchestra. The songs were selected by keyboardist and pianist Ryuichi Sakamoto. The album was also released as a premium edition. The premium edition came with a long-sleeved white shirt emblazed with the yMo logo as well as a yMo bandana that the band wore on the 1980 world tour 'From Tokio to Tokyo', along with a special Liner Notes Booklet and an autographed print by drummer and sometimes singer, Yukihiro Takahashi. It was cataloged as MHCL 291-4 and sold in Japan for 21,000 yen.
Howdy Moon was the sole album by the band Howdy Moon, released in 1974. The band included Valerie Carter, Richard Hovey and Jon Lind. The trio of friends moved to Los Angeles where they were signed by A&M Records and played at The Troubadour. Many of the musicians from the band Little Feat are featured on the album.
Hosono House is the debut solo album of Japanese musician Haruomi Hosono, released on May 25, 1973.
Tropical Dandy is Haruomi Hosono's second solo album. This album continues the tropical style of Hosono House and also features performances from "Caramel Mama". This album was re-issued as part of a box set with bonus tracks taken from Tin Pan Alley albums by Crown decades later.
Bon Voyage co. is Haruomi Hosono's third solo album. This album continues the tropical style of Hosono House and Tropical Dandy while showing influence from the music of New Orleans and also features performances from Tin Pan Alley and Happy End. The album's Japanese title was influenced by a Nagasaki convenience store of the same name that Hosono met while on Tin Pan Alley's "First & Last Concert Tour". This album was re-issued as part of a box set with the single version of the Tropical Dandy song "Peking Duck" and an interview Hosono gave on a Tokyo Broadcasting System radio show.
Paraiso is Haruomi Hosono's fourth solo album and Yellow Magic Band's first album. This album continues the tropical style of Hosono House, Tropical Dandy and Bon Voyage co., while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake.
Shigeru Suzuki is a Japanese musician, songwriter and guitarist. He first became known as a member of the influential rock band Happy End in the early 1970s, before starting a solo career and becoming a prolific session musician. As of 2006, Suzuki had contributed to 588 recordings. In 2019, Suzuki's high school band Skye reunited and released their first album.
Band Wagon is the 1975 debut solo album of Japanese musician Shigeru Suzuki recorded with musicians from Los Angeles. Two singles were released from the album "The Smell of August"/"Snow Express" and "100-Watt Lover", both in 1975.
Misora is the debut album of Japanese singer-songwriter Sachiko Kanenobu, released on September 1, 1972 by URC Records.
Footnotes
Citations
[Van Dyke Parks] was really a crazy man. He was high when we first met. I wanted to stay away from him... He first gave a speech in the middle of the studio, like a monologue. It was about the Japanese emperor.