Tropical Dandy | ||||
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Studio album by | ||||
Released | June 25, 1975 | |||
Recorded | Crown Studio Akasaka, Minato, Tokyo | |||
Genre | Jazz fusion, exotica | |||
Length | 34:22 | |||
Label | PANAM, CROWN | |||
Producer | Haruomi Hosono | |||
Haruomi Hosono chronology | ||||
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Singles from Tropical Dandy | ||||
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Tropical Dandy is Haruomi Hosono's second solo album. This album continues the tropical style of Hosono House (which would continue later on with Bon Voyage co. and Paraiso ) and also features performances from "Caramel Mama" (who had, by this point, changed their name to "Tin Pan Alley"). This album was re-issued as part of a box set with bonus tracks taken from Tin Pan Alley albums by Crown decades later. [1] [2] [3]
Review scores | |
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Source | Rating |
The Wire | favorable [4] |
All tracks are written by Haruomi Hosono, except "Chattanooga Choo Choo", with music by Harry Warren, lyrics by Mack Gordon sung in Portuguese with lyrics by Aloysio de Oliveira (recorded by Carmen Miranda); "Hyōryūki", "Sanji no Komori Uta" & "“Yoimachigusa"'s Theme", written by Hosono with horns & strings arranged by Makoto Yano; "Choo Choo Gatagoto'75", written by Hosono, arranged by Tin Pan Alley with chorus arranged by Tatsuro Yamashita and "Yellow Magic Carnival", written by Hosono, arranged by Tin Pan Alley with strings arranged by Masataka Matsutoya
No. | Title | Length |
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1. | "Chattanooga Choo Choo" | 2:49 |
2. | "Hurricane Dorothy" | 5:46 |
3. | "Silk Road" (絹街道Kinukaidō) | 3:32 |
4. | "Tropical Night" (熱帯夜Nettaiya) | 4:55 |
5. | "Peking Duck" (北京DUCKPekin Duck) | 2:36 |
6. | "Drifting Chronicle" (漂流記Hyōryūki) | 3:08 |
7. | "Honey Moon" | 2:37 |
8. | "Three o'Clock Lullaby" (三時の子守唄Sanji no Komori Uta) | 2:31 |
9. | "Three o'Clock Lullaby" (三時の子守唄Sanji no Komori Uta) (instrumental) | 2:26 |
10. | "Drifting Chronicle" (漂流記Hyōryūki) (instrumental) | 4:02 |
No. | Title | Originally from | Length |
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11. | "Choo Choo Gatagoto'75" (CHOO CHOO ガタゴト'75) | Caramel Mama, 1975 | 3:17 |
12. | "Yellow Magic Carnival" | Caramel Mama, 1975 | 3:34 |
13. | "Rose and Beast" (薔薇と野獣Bara to Yajū) | Tin Pan Alley 2, 1977 | 4:13 |
14. | "Ballad of Aya" (アヤのバラードAya no Barādo) | Caramel Mama, 1975 | 1:37 |
15. | "Theme of "Evening Primrose" Part 1〜Drifting Chronicle" ("宵待草"のテーマ Part 1〜漂流記"Yoimachigusa" no Tēma Part 1〜Hyōryūki) | Yoimachigusa (soundtrack), 1975 | 4:09 |
16. | "Theme of "Evening Primrose" Part 2〜Drifting Chronicle" ("宵待草"のテーマ Part 2〜漂流記"Yoimachigusa" no Tēma Part 2〜Hyōryūki) | Yoimachigusa (soundtrack), 1975 | 1:36 |
The album's cover is a parody of the sailor-themed packaging of Player's Navy Cut cigarettes, similar to the 1969 Procol Harum album, A Salty Dog . The quotation marks around Hosono's surname is in reference to the "medium" version of the cigarette. The cover also portrays a ship resembling the RMS Titanic, which Hosono's grandfather Masabumi infamously escaped the sinking of on her maiden voyage.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Kansuigyo (寒水魚) is the ninth studio album by Japanese singer-songwriter Miyuki Nakajima, released in March 1982. The term "Kansuigyo", which means opposite of "Nettaigyo", is Nakajima's neologism.
Masataka Matsutoya is a Japanese arranger, composer, music producer, and motor journalist. He currently resides in Setagaya, Tokyo. He is a graduate of Keio Senior High School and Keio University. His wife is singer-songwriter, composer, and lyricist Yumi Matsutoya. His mother, Kazuko, is the auditor of Kirarasha, the firm Masataka established after his marriage to Arai.
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Handsome Boy is the 14th studio album by a Japanese singer-songwriter Yōsui Inoue, released in 1990.
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Tokyo Joe is a 1982 album by Ryuichi Sakamoto and guitarist Kazumi Watanabe. It is a compilation of tracks from the albums Thousand Knives (1978), Kylyn (1979), Kylyn Live (1979) and the track "Tokyo Joe" which appeared on a various artists anthology Tokyo-Paris-London-New York, Dancing Night. The album was originally released in Japan in 1982, then re-released also in the Western countries in the 1990s.
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Cobalt Hour, stylized as COBALT HOUR, is Yumi Arai's third studio album, released on June 20, 1975 by Toshiba EMI/Express. The album was also distributed by Alfa Records for a period of time, as Alfa also held ancillary rights to this and the other LPs Arai released during the time Alfa was still a publishing company; those rights later reverted to EMI Japan in 1994-thereabouts, when EMI regained distribution of Alfa's catalogue except for the artists who were published by Alfa and were distributed by other labels. On April 26, 2000, the recording was digitally remastered for re-release on CD by Bernie Grundman. Internet sales of the album began March 10, 2005.
Hosono House is the debut solo album of Japanese musician Haruomi Hosono, released on May 25, 1973.
Bon Voyage co. is Haruomi Hosono's third solo album. This album continues the tropical style of Hosono House and Tropical Dandy while showing influence from the music of New Orleans and also features performances from Tin Pan Alley and Happy End. The album's Japanese title was influenced by a Nagasaki convenience store of the same name that Hosono met while on Tin Pan Alley's "First & Last Concert Tour". This album was re-issued as part of a box set with the single version of the Tropical Dandy song "Peking Duck" and an interview Hosono gave on a Tokyo Broadcasting System radio show.
Paraiso is Haruomi Hosono's fourth solo album and Yellow Magic Band's first album. This album continues the tropical style of Hosono House, Tropical Dandy and Bon Voyage co., while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake.
Saravah! is Yukihiro Takahashi's first solo album. It is named after Pierre Barouh's record label of the same name. Takahashi conceived the album during his tenure on The Sadistics; he based his music on French pop music, this influence would later show up on early Yellow Magic Orchestra material. Besides Takahashi, this album features performances by members of The Sadistics, YMO and Tin Pan Alley. Due to the album being made before YMO members started using computers, Sakamoto got involved in arranging the music; all the keyboard parts on the album are dubbed instead of sequenced.
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Band Wagon is the 1975 debut solo album of Japanese musician Shigeru Suzuki recorded with musicians from Los Angeles. Two singles were released from the album "The Smell of August"/"Snow Express" and "100-Watt Lover", both in 1975.
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Hosono deserves distinction for prefiguring stuff like Pizzicato Five and Momus and Stereo Total
It combines Martin Denny's already outdated 'Exotica' and fake orientalism with Dr John-style New Orleans piano.
reminiscence of a childhood both overwhelmed and enlivened by Americanism
Infectious, veering towards kitsch, it mixes louche cabaret music, rock and traditional instruments with (for its time) state of the art synths, judiciously employed choruses and string sections, and ersatz environmental sound...