| Tropical Dandy | ||||
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| Studio album by | ||||
| Released | June 25, 1975 | |||
| Recorded | Crown Studio Akasaka, Minato, Tokyo | |||
| Genre | Jazz fusion, exotica | |||
| Length | 34:22 | |||
| Label | PANAM, CROWN | |||
| Producer | Haruomi Hosono | |||
| Haruomi Hosono chronology | ||||
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| Singles from Tropical Dandy | ||||
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Tropical Dandy is Haruomi Hosono's second solo album.
This album begins the tropical style which Hosono features very prevalently in the beginning of his career in following albums such as Bon Voyage co. and Paraiso. Also, it features performances from "Caramel Mama" (who had, by this point, changed their name to "Tin Pan Alley"). This album was reissued as part of a box set with bonus tracks taken from Tin Pan Alley albums by Crown decades later. [1] [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| The Wire | favorable [4] |
All tracks are written by Haruomi Hosono, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Chattanooga Choo Choo" | Mack Gordon (English lyrics), Aloysio de Oliveira (Portuguese lyrics), Harry Warren (music) | 2:49 |
| 2. | "Hurricane Dorothy" | 5:46 | |
| 3. | "Silk Road" (絹街道Kinukaidō) | 3:32 | |
| 4. | "Tropical Night" (熱帯夜Nettaiya) | 4:55 | |
| 5. | "Peking Duck" (北京DUCKPekin Duck) | 2:36 | |
| 6. | "Drifting Chronicle" (漂流記Hyōryūki) | 3:08 | |
| 7. | "Honey Moon" | 2:37 | |
| 8. | "Three o'Clock Lullaby" (三時の子守唄Sanji no Komori Uta) | 2:31 | |
| 9. | "Three o'Clock Lullaby" (三時の子守唄Sanji no Komori Uta) (instrumental) | 2:26 | |
| 10. | "Drifting Chronicle" (漂流記Hyōryūki) (instrumental) | 4:02 |
| No. | Title | Originally from | Length |
|---|---|---|---|
| 11. | "Choo Choo Gatagoto'75" (CHOO CHOO ガタゴト'75) | Caramel Mama, 1975 | 3:17 |
| 12. | "Yellow Magic Carnival" | Caramel Mama, 1975 | 3:34 |
| 13. | "Rose and Beast" (薔薇と野獣Bara to Yajū) | Tin Pan Alley 2, 1977 | 4:13 |
| 14. | "Ballad of Aya" (アヤのバラードAya no Barādo) | Caramel Mama, 1975 | 1:37 |
| 15. | "Theme of "Evening Primrose" Part 1〜Drifting Chronicle" ("宵待草"のテーマ Part 1〜漂流記"Yoimachigusa" no Tēma Part 1〜Hyōryūki) | Yoimachigusa (soundtrack), 1975 | 4:09 |
| 16. | "Theme of "Evening Primrose" Part 2〜Drifting Chronicle" ("宵待草"のテーマ Part 2〜漂流記"Yoimachigusa" no Tēma Part 2〜Hyōryūki) | Yoimachigusa (soundtrack), 1975 | 1:36 |
The album's cover is a parody of the sailor-themed packaging of Player's Navy Cut cigarettes, similar to the 1969 Procol Harum album, A Salty Dog . The quotation marks around Hosono's surname refer to the "medium" version of the cigarette. The cover also portrays a ship resembling the RMS Titanic, which Hosono's grandfather, Masabumi, infamously escaped the sinking of on her maiden voyage.
Hosono deserves distinction for prefiguring stuff like Pizzicato Five and Momus and Stereo Total
It combines Martin Denny's already outdated 'Exotica' and fake orientalism with Dr John-style New Orleans piano.
reminiscence of a childhood both overwhelmed and enlivened by Americanism
Infectious, veering towards kitsch, it mixes louche cabaret music, rock and traditional instruments with (for its time) state of the art synths, judiciously employed choruses and string sections, and ersatz environmental sound...