Happy Trails | ||||
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Live album by | ||||
Released | March 1969 | |||
Recorded | November 1968 | |||
Venue | Fillmore West, San Francisco; Fillmore East, New York City | |||
Studio | Golden State Recorders, San Francisco | |||
Genre | Psychedelic rock, acid rock | |||
Length | 50:09 | |||
Label | Capitol | |||
Quicksilver Messenger Service chronology | ||||
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Happy Trails is the second album of the American band Quicksilver Messenger Service. Most of the album was recorded from two performances at the Fillmore East and Fillmore West, although it is not clear which parts were recorded at which Fillmore. The record was released by Capitol Records in 1969 [1] in stereo.
The first side of the album consists entirely of a live performance of Bo Diddley's song, "Who Do You Love?". In a self-deprecating poke at the rendition's extended length, it is listed as the "Who Do You Love Suite", with individually titled "movements" which give writing credits to the soloist on each segment. The performance of Bo Diddley's composition breaks down into a guitar solo by Gary Duncan in a style somewhere between jazz and rock (described as "Bloomfield-like" [2] ) with a walking bass line by Freiberg. It then mellows down into some apparently improvised guitar and bass plucking and sliding, with feedback, handclapping and audience participation 'almost like a "found object" out of Dada.' [2] Solos by Cipollina and then Freiberg follow. Then comes a slower, quieter reprise of one verse of the Bo Diddley song, leading to a pianissimo ensemble vocal, followed by a finale in which Elmore changes to a back-beat, while Duncan and Freiberg still play the Bo Diddley beat. Duncan's vocals and Cipollina's lead guitar use call-and-response, and the result is a polyrhythmic rock sound.
The recorded live performance of the "Who Do You Love Suite" was almost 27 minutes long, and some of Gary Duncan's solo ("When You Love") was excised,[ citation needed ] perhaps due to the space constraints of LPs. At the end, Bill Graham announces, "Quicksilver Messenger Service." According to Mick Skidmore, Cipollina found the critical laud for "Who Do You Love?" baffling, saying "it was just a two-chord jam." (April 2001, Notes to Acadia CD "Copperhead") [3]
The second side of the album contains "Mona", another Bo Diddley song, and two instrumental compositions by Duncan, "Maiden of the Cancer Moon" and "Calvary", all of which segue. The three songs were originally parts of a single continuous live performance. Both Cipollina and Duncan take guitar solos on "Mona". The live recording of "Calvary" was abridged shortly after the end of "Maiden of the Cancer Moon" and a studio version was recorded and substituted. The ironic comment at the beginning of side two, "This here next one's rock 'n' roll," was also added in the studio.[ citation needed ]
The lead guitar on "Maiden of the Cancer Moon" is played by Cipollina. This is clearly a scored piece, as opposed to the improvisational guitar playing on "Mona."
"Calvary" was originally called the "F-Sharp Thing". It has been described as "acid-flamenco", [2] but it is definitely not flamenco music. It does resemble orchestral or symphonic music, and it is not readily classifiable as rock, jazz or blues. In the studio, Quicksilver took the themes of Duncan's piece and redid them with an extended introduction, a different cadenza by Duncan, guitar and bass feedback, a brief interlude that rises out of the feedback, and a closing melody, played staccato, that fades out. There are a variety of percussion instruments used besides the standard drum kit: tympani, a tam-tam, a whip, tubular bells, bar chimes (or perhaps the newly invented mark tree), a triangle or a bell, and güiro. In addition, Duncan lays down his electric guitar to play an acoustic guitar during the brief interlude, and then takes up the electric once again. The band also sings wordless vocals in harmony. Duncan shouts, "Call it anything you want!", while the track begins and fades out with "shhh" vocals. The album sleeve says that "Calvary" was recorded "live" at Golden State Recorders, meaning that nothing was overdubbed. There was also substantial editing and additional overdubbing done at Golden State Recorders to both sides of the record.[ citation needed ]
As a coda, the band performs the theme tune from Roy Rogers' western television show, which lends its title to the album. "Happy Trails" has "clip-clop percussion, piano and drawling vocals by Elmore[.]" [1] There is no bass on this track; Freiberg plays a honky-tonk piano part.
Review scores | |
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Source | Rating |
AllMusic | [4] |
Head Heritage | (very favourable) [1] |
Rolling Stone | (positive) [2] |
Encyclopedia of Popular Music | [5] |
While briefly remarking that all four songs on the second side are excellent, Greil Marcus devoted most of his review in Rolling Stone to extensive discussion of the side-long rendition of "Who Do You Love?", which he deemed "one of the best rock and roll recordings to emerge from San Francisco, a performance that captures all the excitement and grandeur of the great days of the scene in a way that is almost too fine to be real." He particularly noted that, "They use the infamous Bo Diddley rhythm not as a crutch, not as something for the rhythm section to play with while the lead takes it; Quicksilver finds dimensions of that 'bump buddy bump bump — bump bump' beat that no one has even suggested before, as they stretch it, bend it, move around it, as a motif or a bridge, as an idea rather than as a pattern." [2]
Retrospective reviews have also been highly positive. Head Heritage 's Julian Cope strongly approved of the decision to have most of the album devoted to Bo Diddley covers, saying Diddley's "amplified cigar box and ever-shifting shuffle beat lent itself easily to interpretations of extended electric guitar-based improvisations". He found all the tracks to be effective, especially praising the interplay of Duncan and Cipolina's guitars, and insisted that "The entire album was recorded live at The Fillmore East and West" despite the sleeve clearly indicating that much of the album was recorded in the studio. [1] Lindsay Planer of AllMusic, while not questioning the partially studio setting for the recording, likewise found Happy Trails to be by far the most accurate recorded recreation of Quicksilver Messenger Service's "critically and enthusiastically acclaimed live performances." He lauded both the atmospheric and technical accomplishments of the jamming, and said the band has "the uncanny ability to perform with a psychedelic looseness of spirit, without becoming boring or in the least bit pretentious." [4]
The album was a surprise commercial success, hitting #27 on Billboard and eventually certified gold (over 500,000 copies sold in the US) in 1992 by the Recording Industry Association of America. [6] It was voted number 553 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). In 2003, the album was ranked number 189 on Rolling Stone magazine's 500 Greatest Albums of All Time, [7] maintaining the rating in a 2012 revised list. [8] It was number 44 in Rolling Stone's "50 Coolest Records." [9] "Mona" by Quicksilver was ranked number 88 on the 100 Greatest Guitar Songs of All Time by Rolling Stone. [10]
No. | Title | Length |
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1. | "Who Do You Love Suite"
| 25:22
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Total length: | 25:22 |
No. | Title | Writer(s) | Length |
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2. | "Mona" | McDaniel | 6:53 |
3. | "Maiden of the Cancer Moon" | Duncan | 2:54 |
4. | "Calvary" | Duncan | 13:31 |
5. | "Happy Trails" | Dale Evans | 1:29 |
Total length: | 24:47 |
Quicksilver Messenger Service
Happy Trails was remastered and rereleased in audiophile versions of June 2012 (a “mini LP” on CD) and January 2013 (HQ vinyl). An English version came out in 2010. Japanese versions surfaced in 2008 and 2009. Capitol Records released a CD version in 1994. [11]
Billboard (United States)
Year | Chart | Position |
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1969 | Pop Albums | 27 |
Billboard (United States)
Year | Single | Chart | Position |
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1969 | "Who Do You Love" | The Billboard Hot 100 | 91 [12] |
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles. Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of that era."
Chester William Powers, Jr. was an American singer-songwriter, and under the stage names Dino Valenti or Dino Valente, one of the lead singers of the rock group Quicksilver Messenger Service. As a songwriter, he was known as Jesse Oris Farrow. He is best known for having written the quintessential 1960s love-and-peace anthem "Get Together", and for writing and singing on Quicksilver Messenger Service's two best-known songs, "Fresh Air" and "What About Me?"
John Cipollina was a guitarist best known for his role as a founder and the lead guitarist of the prominent San Francisco rock band Quicksilver Messenger Service. After leaving Quicksilver he formed the band Copperhead, was a member of the San Francisco All Stars and later played with numerous other bands.
Gary Duncan was an American guitarist, singer and songwriter. He was guitarist with The Brogues, then most notably with Quicksilver Messenger Service, where the complex interplay between himself and fellow-guitarist John Cipollina did much to define the unique sound of that San Francisco based band.
Quicksilver Messenger Service is the debut studio album of Quicksilver Messenger Service, released in 1968.
Jim Murray was a guitarist and harmonica player for the psychedelic blues rock band Quicksilver Messenger Service. He also handled lead and background vocals on some songs. He left the band in late 1967 shortly before they recorded their first album.
Shady Grove is a 1969 studio album by Quicksilver Messenger Service.
Bo Diddley is the debut album by American rock and roll musician Bo Diddley. It collects several of his most influential and enduring songs, which were released as singles between 1955 and 1958. Chess Records issued the album in 1958. In 2012, it was ranked number 216 on Rolling Stone's 500 Greatest Albums of All Time list alongside his second album, Go Bo Diddley (1959). The ranking of the album pair dropped to number 455 in the 2020 update of the list.
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that became his highest-charting single in the UK.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
Just for Love is the fourth album by American psychedelic rock band Quicksilver Messenger Service. Released in August 1970, it marks the culmination of a transition from the extended, blues- and jazz-inspired improvisations of their first two albums to a more traditional rock sound. Founding member Dino Valenti, who returned to the band after a stint in prison on drug charges, was largely responsible for the new sound. Valenti's influence is readily apparent throughout; he composed eight of the album's nine tracks under the pen name Jesse Oris Farrow. Despite the marked change in the band's sound, it was their third straight album to reach the Top 30 on the Billboard charts, peaking at number 27. The only single culled from the album, "Fresh Air", became the band's biggest hit, reaching number 49.
What About Me is the fifth album by American psychedelic rock band Quicksilver Messenger Service. Released in December 1970 and recorded partly at the same sessions that produced Just for Love, the album is the last to feature pianist Nicky Hopkins and the last pre-reunion effort to feature founding members David Freiberg and John Cipollina. Several tracks, including "Baby Baby", "Subway" and "Long Haired Lady" had been played regularly at shows through 1970, previewing the album.
Quicksilver is the sixth album by American psychedelic rock band Quicksilver Messenger Service.
Solid Silver is the eighth album by American psychedelic rock band Quicksilver Messenger Service and their mid-1970s comeback album, reuniting the band's entire core lineup.
At The Kabuki Theatre is a live album by American psychedelic rock band Quicksilver Messenger Service. The last four tracks are taken from studio rehearsal tapes, probably made in 1970 and not in 1969 which is stated on the album cover.
Unreleased Quicksilver Messenger Service — Lost Gold and Silver is a compilation album by American psychedelic rock band Quicksilver Messenger Service. The album is made up of the European 2-LP release Maiden of the Cancer Moon from 1983, two tracks from the 1967 soundtrack album Revolution, both sides from a non-LP single released in late 1968 and some studio outtakes from the late 1960s.
Maiden of the Cancer Moon is a live album by American psychedelic rock band Quicksilver Messenger Service.
David Freiberg is an American musician best known for contributing vocals, keyboards, electric bass, rhythm guitar, viola and percussion as a member of Quicksilver Messenger Service, Jefferson Airplane, and Jefferson Starship. Among other tracks, he co-wrote "Jane", a hit for Jefferson Starship.
"Mona " is a song written by Ellas McDaniel that appeared as the B-side to his 1957 single "Hey! Bo Diddley". According to Diddley's obituary in The New York Times, "Mona" was a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit. The song also became the template for the Crickets's "Not Fade Away".
"Fresh Air" is a 1970 song written by Gary Duncan, lyrics by Jesse Oris Farrow, the pen name of Chester William "Chet" Powers, Jr., who also used the stage name of Dino Valenti. It was first recorded by the San Francisco-based band Quicksilver Messenger Service, which Valenti had recently rejoined. "Fresh Air" was the only single released from the album Just for Love. The single peaked on November 7, 1970 at No. 49 during a nine-week stay on the Billboard Hot 100, making it the band's most successful single.