His Excellency is a 1944 Swedish drama film directed by Hasse Ekman and starring Lars Hanson, Gunnar Sjöberg and Elsie Albiin. It was made at the Råsunda Studios in Stockholm. The film's sets were designed by the art director Arne Åkermark. It is based on a 1942 play of the same title by Bertil Malmberg. It was part of a growing number of Swedish films more overtly critical of German war policy, and the only one of them to openly identify the occupiers as Germans and set it in a real country.
There's a Fire Burning is a 1943 Swedish drama film directed by Gustaf Molander and starring Inga Tidblad, Lars Hanson and Victor Sjöström. It was made at the Råsunda Studios in Stockholm. The film's sets were designed by the art director Arne Åkermark. Location shooting took place in Jämtland County. It was set in a thinly-disguised version of German-occupied Norway. This was part of a wider wartime strategy of setting films in unnamed countries adopted by the film industry in neutral Sweden. Molander directed a further film on a similar topic The Invisible Wall the following year.
Kalle Karlsson of Jularbo is a 1952 Swedish musical drama film directed by Ivar Johansson and starring Kenne Fant, Rut Holm and Ingrid Thulin. It is a biopic loosely based on the life and music of the accordion player Carl Jularbo. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director P.A. Lundgren.
Woman on Board is a 1941 war drama film directed by Gunnar Skoglund and starring Edvin Adolphson, Karin Ekelund and Hampe Faustman. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Bibi Lindström.
The Girl and the Devil is a 1944 Swedish mystery thriller film directed by Hampe Faustman and starring Kolbjörn Knudsen, Gunn Wållgren and Stig Järrel. It was shot at the Centrumateljéerna Studios in Stockholm with location shooting in Hälsingland. The film's sets were designed by the art director P.A. Lundgren.
Crime and Punishment is a 1945 Swedish drama film directed by Hampe Faustman and starring Faustman, Gunn Wållgren, Sigurd Wallén and Elsie Albiin. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Harald Garmland. It is an adaptation of the 1866 novel Crime and Punishment by Fyodor Dostoevsky.
We Need Each Other is a 1944 Swedish drama film directed by Hampe Faustman and starring Ludde Gentzel, Ingrid Borthen and Carl Ström with location shooting in Stadshagen, Djurgården and the city's Old Town. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director P.A. Lundgren. It was produced to celebrate the hundredth year of the foundation of the Cooperative movement by the Rochdale Society of Equitable Pioneers in 1844. In addition to directing, Faustman also acts in this film.
When Love Came to the Village is a 1950 Swedish drama film directed by Arne Mattsson and starring Sven Lindberg, Ruth Kasdan and Edvin Adolphson. It was made at the Centrumateljéerna Studios in Stockholm and on location in Gamleby and Västervik. The film's sets were designed by the art director P.A. Lundgren. It is noted for its more traditional depiction of romantic scenes compared to Mattsson's One Summer of Happiness the following year which featured nudity.
Café Lunchrasten is a 1954 Swedish drama film directed by Hampe Faustman and starring Lars Ekborg, Doris Svedlund and Annalisa Ericson. It was shot at the Centrumateljéerna Studios in Stockholm. The plot revolves around a cafe in the old Klara district of Sweden's capital city, and the varied clientele who gather there.
The People of Simlang Valley is a 1947 Swedish drama film directed by Åke Ohberg and starring Edvin Adolphson, Eva Dahlbeck and Arthur Fischer. The film's sets were designed by the art director Bibi Lindström. It is based on the 1903 novel The People of Simlang Valley by Fredrik Ström, which had previously been adapted into a 1924 silent film of the same title.
Dangerous Ways is a 1942 Swedish drama film directed by Anders Henrikson and starring Henrikson, Karin Ekelund, Georg Rydeberg and Ernst Eklund. The film's sets were designed by the art director Bertil Duroj.
Nothing Is Forgotten is a 1942 Swedish drama film directed by Åke Ohberg and starring Edvin Adolphson, Gerd Hagman and Marianne Löfgren. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Bertil Duroj.
The Bells of the Old Town is a 1946 Swedish drama film directed by Ragnar Hyltén-Cavallius and starring Edvard Persson, George Fant and Elsie Albiin. It was shot at the Sundbyberg Studios of Europa Film in Stockholm. The film's sets were designed by the art director Max Linder. It was the first Swedish feature film to be shot in colour, using the Cinecolor process.
The Minister of Uddarbo is a 1957 Swedish drama film directed by Kenne Fant and starring Max von Sydow, Ann-Marie Gyllenspetz and Anders Henrikson. It was shot at the Kungsholmen Studios of Nordisk Tonefilm in Stockholm. The film's sets were designed by the art director Bibi Lindström.
International Match is a 1932 Swedish drama film directed by Gunnar Skoglund and starring Georg Blomstedt, Fritiof Billquist and Olof Sandborg. It was shot at the Råsunda Studios in Stockholm and on location in the city. The film's sets were designed by the art director Arne Åkermark. Future star Ingrid Bergman made her screen debut in the film as an extra, appearing as a girl waiting in a queue.
Voyage in the Night is a 1955 Swedish drama film directed by Hampe Faustman and starring George Fant, Eva Dahlbeck and Ulla Sallert. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Nils Nilsson.
Seventeen Years Old is a 1957 Swedish drama film directed by Alf Kjellin and starring Ingeborg Nyberg, Randi Kolstad and Isa Quensel. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Nils Nilsson.
The Green Lift or Going Up by the Green Lift is a 1952 Swedish comedy film that is both written and directed by Börje Larsson and starring Stig Järrel, Annalisa Ericson and Gunnar Björnstrand. It was shot at the Stocksund Studios in Stockholm and on location around the city. The film's sets were designed by the art director Bibi Lindström. It is based on the Broadway play Fair and Warmer by Avery Hopwood, which had previously been adapted into a 1944 Swedish film The Green Lift also directed by Larsson.
The Shadow is a 1953 Swedish drama film directed by Kenne Fant and starring Georg Rydeberg, Eva Dahlbeck and Hugo Björne. It was shot at the Kungsholmen Studios of Nordisk Tonefilm in Stockholm with location shooting at the Stockholm Public Library. The film's sets were designed by the art director Bibi Lindström.
House of Women is a 1953 Swedish drama film directed by Hampe Faustman and starring Inga Tidblad, Eva Dahlbeck and Annalisa Ericson. It was shot at the Centrumateljéerna Studios in Stockholm and on location around the city.. The film's sets were designed by the art director Nils Nilsson. It is also known by the alternative title Caged Women.
