Harvie Krumpet is a 2003 Australian adultstop motion animatedtragicomedy short film written, directed and animated by Adam Elliot, and narrated by Geoffrey Rush. It tells the life story of Harvie Krumpet, a Polish-Australian man whose life is plagued by bad luck but who nevertheless remains optimistic.
The film was funded by SBS Independent, the Australian Film Commission and Film Victoria, and it was filmed and animated by Adam Elliot and two assistants over 15 months in 2001–2003, using models made of plasticine and other materials. The production was completed in May 2003.
Harvek Milos Krumpetzki is born "upside down and back to front" in Poland in 1922. Harvie was always teased at school so his mother pulled him out and helps him collect pieces of information called "fakts" that are written in a notebook hung around his neck, which are presented throughout the film. At the outbreak of World War II, shortly after his home is burned down due to his mother let it burning in the night and his parents freeze to death, Harvek migrates to Australia as a refugee, settles in Spotswood, Victoria, and changes his name to Harvie Krumpet.
Despite a life filled with bad luck, including being diagnosed with Tourette syndrome as a kid, a man punched his skull that was replaced with a steel plate while Harvie was at the dump, Harvie was collecting golf balls once and got himself electrocuted by a lightning strike that unfortunately became magnetised when Harvie discovered while on the tram, developing asthma due to heavy smoking. Harvie remains optimistic, living out his own eccentric way of life. In one of the pivotal episodes of his life, Harvie sits in the park next to a statue of Horace while he hears the instructional Carpe diem, which inspires him to make many changes in his life, such as embracing nudism, joining a nudist group and vegetarianism, and embarking on daring rescue missions for animal rights. Unfortunately his testicle developed cancer, Harvie meets Val, a nurse he meets in the hospital, they got married in cancer ward 9, and they tried to get pregnant every night but Harvie became sterile due to his one testicle cannot get enough sperm, due to this, Harvie and Val went to the adoption centre and finds a thalidomide girl Ruby, who has deformed limbs.
After Ruby moves to America to pursue a career as a lawyer and Val dies of a stroke, Harvie develops Alzheimer's disease and is placed in a nursing home. He shares a room in the nursing home with Hamish, an 94 year old man who’s got alzheimers and burnt his ear mistaking an iron for a phone, Harvie and Hamish pretended to dislike each other, later in the film Harvie goes to a medicine cabinet and gets morphine, on the way back he came across a woman he never met, after that Harvie realised he had some more living to do, the woman had no more and decided suicide from the morphine, when Harvie got up he said to the woman “Thank You” and right after that Harvie took off his clothes and sat at the bus stop, Harvie knew it would never come but he didn’t mind. The final "fakt" presented reads: "Life is like a cigarette. Smoke it to the butt."
Geoffrey Rush as the Narrator. The filmmakers approached Rush with copies of Elliot's three previous short films to ask him to be involved in Harvie Krumpet.[1] Rush recorded the narration at the beginning of production on the film, so that his dialogue could be used to guide the animators in determining the length of each shot.[2]:5 When the animation was complete, however, Elliot found that "when we put his voice to the images, his voice came out a bit too cold", so Rush re-recorded his lines with a "more colourful, emotive performance".[3]:135
Julie Forsyth as Lilliana Krumpetzki and Baby Harvie. Forsyth, along with the Elwood Primary School choir, also provided vocals for the song "God Is Better than Football", composed by Keith Binns.[4]:85
Adam Elliot conceived the idea behind Harvie Krumpet over a ten-year period, and wrote fourteen drafts of the script over three months.[5] He also created a 300-panel storyboard to visualise the film before the animation began.[2]:5 He described Harvie's character as "an amalgamation of many people I know", in addition to being partly autobiographical.[5] Elliot's development of the plot began with small character details with which he could "work backwards and then find a rhythm to the piece".[3]:136Harvie Krumpet marked the first time that Elliot worked with a producer, Melanie Coombs.[5] Financing for the film's A$377,000 production budget was split between three production companies: SBS Independent, the Australian Film Commission and Film Victoria.[1]
Harvie Krumpet was filmed in Melbourne over 15 months between October 2001 and January 2003.[6] The film was shot in sequence in three-month blocks, interspersed with three-month blocks of building sets and models. Production began in Elliott's garage and subsequently took place in three separate studios, moving three times in order to accommodate the growing size of the sets.[3]:134 It was shot on Super 16 mm film using a Bolex camera.[2]:5 Each individual frame was animated, meaning that an average of 3–5 seconds' worth of film was produced in each full day of filming.[3]:134–135
The film was produced by clay animation using character models each about the size of a wine bottle.[2]:7 The models were first constructed using plasticine before pouring Carbog, a solid material used by mechanics, into moulds to form the bodies. They were then painted to appear like plasticine, and real plasticine around wire was used for the arms. Elliot said he chose to use Carbog since models made from just plasticine would require more maintenance.[3]:134 Some characters had replaceable mouths made of hardened Sculpey clay that were attached magnetically to the faces to reflect different facial expressions; Harvie's model had more than 30 separate mouth shapes.[1] The design of the models was influenced by Elliot's tremor, since he needed them to be relatively large and easy to manipulate.[2]:7 He made the models' eyes particularly large "to fully express the character's emotion".[1] He intentionally left fingerprints in the plasticine when manipulating the models to remind the audience that "what they're seeing is tangible, tactile and it's not generated through a computer".[3]:134 He was assisted by Sophie Raymond and Michael Bazeley in constructing and modelling the characters.[7] The sets were largely constructed from wood.[2]:7
Harvie Krumpet was edited by Bill Murphy for eight days spread over several weeks. The original cut of 45–50 minutes of footage was reduced to a final cut of less than 23 minutes.[3]:134–135 Over 2000 sound clips were added during the sound design process and the film was converted to 35mm film in May 2003.[2]:5
Rob Mackie awarded Harvie Krumpet 4 out of 5 stars in a review for The Guardian, describing it as "both fondly evocative and uproariously funny".[11]The Sydney Morning Herald critic Sacha Molitorisz summarised the film as "hilarious, moving and wonderful", "a melancholy short that doesn't put a foot wrong". He praised Elliot's "meticulous attention to detail and love for his characters" as well as Rush's narration.[12]
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