Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Antonio Allegri da Correggio, usually known as just Correggio was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Doménikos Theotokópoulos, most widely known as El Greco, was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, often adding the word Κρής, which means "Cretan", in Ancient Greek.
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
El Greco, 1541 – April 7, 1614) was a prominent painter, sculptor and architect of the Spanish Renaissance, whose dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century.
The Blind Leading the Blind, Blind, or The Parable of the Blind is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm. It depicts the Biblical parable of the blind leading the blind from the Gospel of Matthew 15:14, and is in the collection of the Museo di Capodimonte in Naples, Italy.
The Laocoön is an oil painting created between 1610 and 1614 by Greek painter El Greco. It is part of a collection at the National Gallery of Art in Washington, D.C..
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. It depicts the Cleansing of the Temple, an event in the Life of Christ.
The Galleria nazionale di Parma is an art gallery in Parma, northern Italy.
Saint Sebastian, or Martyrdom of Saint Sebastian is an autograph work by the famed artist Doménikos Theotokópoulos, commonly known as El Greco. It shows the Martyred Saint in an atypical kneeling posture which has led some scholars to believe it to be a compositional quotation of various works by other great masters whom the artist admired. The painting is currently on display in the Palencia Cathedral.
Miracles of St Bernardino is a series of eight tempera-on-panel paintings showing miracles associated with Bernardino of Siena. They date to 1473 and are now in the Galleria Nazionale dell'Umbria.
Healing of the Man Born Blind is a c.1573 painting by El Greco, showing the healing the man blind from birth. It is now in the Galleria nazionale di Parma. It is signed at the bottom right-hand corner. It shows the artist returning to a theme he had first painted five years earlier, in a work now in Dresden.
Adoration of the Holy Name of Jesus is a 1577-1579 oil on canvas painting by El Greco, produced early in his Toledo period and now in the Monasterio de El Escorial in Madrid. It is also known in modern scholarship as La Gloria, The Dream of Philip II or Allegory of the Holy League.
The Adoration of the Magi is an oil painting executed ca. 1565–1567 by El Greco. It and his St Luke Painting the Madonna and Child are his most western works, with Adoration showing the particularly strong influence of Parmigianino at this time in his career. It may have been painted in Venice or elsewhere during his stay in Italy or for an Italian client living in the painter's native Crete, but this is debated. It is now in the Benaki Museum in Athens.
The Fable is a 1580 allegorical painting by El Greco, produced early in his Toledan period and now in the Museo del Prado in Madrid.
The Flight into Egypt is a c.1570 painting of the Flight into Egypt by El Greco, now in the Museo del Prado in Madrid. It is one of his earliest works, dating to his stay in Venice, and shows the major influence of Tintoretto and Jacopo Bassano, especially in the landscape background. The clouds and the chromaticism are similar to his Healing of the Man Born Blind, though most of the tonalities show the influence of Raphael and Michelangelo.
The Tears of Saint Peter or Penitent Saint Peter is a 1580-1589 painting by El Greco, now in the Bowes Museum in Barnard Castle, UK. It shows Peter the Apostle weeping after his betrayal of Jesus.
Saint Jerome is a 1609 painting by El Greco, now in the Frick Collection, New York.
Saint James the Great is a 1610 painting of James the Great by El Greco, now in the Museo del Prado. The painting is key to Gregorio Marañón's theory that the painter used mental patients at the Hospital del Nuncio as models.
Saint Thomas the Apostle is a 1608–1614 painting of Thomas the Apostle by El Greco, now in the Museo del Prado.
