Doménikos Theotokópoulos, most widely known as El Greco, was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής, which means "Cretan" in Ancient Greek.
Francisco de Zurbarán was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled.
The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch or to a follower of his, completed around 1500 or later. Since 1898 its authenticity has been questioned several times. In 2015 the Bosch Research Conservation Project claimed it to be by a follower, but scholars at the Prado, where the painting is on display in a sealed case, dismissed this argument. The painting is oil on wooden panels and is presented in a series of circular images.
The Assumption of the Virgin is an oil on canvas painting by Greek artist Doménikos Theotokópoulos, known as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. It was the first of nine paintings that El Greco was commissioned to paint for this church. The Assumption of the Virgin was El Greco's first work in Toledo and started his 37-year career there. Under the influence of Michelangelo, El Greco created a painting that in essence was Italian, with a naturalistic style, monumental figures, and a Roman school palette. The composition of El Greco's depiction of the Assumption of the Virgin resembles Titian's Assumption in the Basilica dei Frari in Venice with Virgin Mary and angels above and the apostles below. On the painting Virgin Mary floats upward which symbolizes her purity, while apostles gathered around her empty tomb express amazement and concern.
The Disrobing of Christ or El Expolio is a painting by El Greco begun in the summer of 1577 and completed in the spring of 1579 for the High Altar of the sacristy of the Cathedral of Toledo, where it still normally hangs. In late 2013 it was on temporary display at the Prado in Madrid, following a period of cleaning and conservation work there; it was returned to Toledo in 2014. It is one of El Greco's most famous works. A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain. The commission for the painting was secured thanks to El Greco's friendship from Rome with Luis, the son of Diego de Castilla, the dean of the Cathedral of Toledo. De Castilla senior also arranged El Greco's other major commission, on which he worked simultaneously, the paintings for the Toledan church of Santo Domingo el Antiguo.
The Annunciation is the biblical episode of the announcement by the archangel Gabriel to Mary that she would become the mother of Jesus.
Pedro de Orrente was a Spanish painter of the early Baroque period who became one of the first artists in that part of Spain to paint in a Naturalistic style.
The Prado Annunciation is an altarpiece painted by the Italian Renaissance painter Giovanni da Fiesole, known as Fra Angelico, in the 1420s. It is one of his best-known works. Originally destined for the convent of the observant Dominicans of Fiesole, the painting is currently in the collection of the Museo del Prado in Madrid. It is one of three altarpieces by Fra Angelico representing the Annunciation; the other two being the Cortona Annunciation and the Annunciation of San Giovanni Valdarno. The sequence in which the three works were painted is not certain, but the general art historical consensus places the Prado version first.
The Nobleman with his Hand on his Chest is an oil painting by El Greco, one of the earliest works painted by the artist in Spain.
Saint Sebastian is a 1610–1614 oil on canvas painting by El Greco, the last of his three portrayals of Saint Sebastian. It survives in two large fragments, both of which are in the Prado Museum; the top half was donated by the Countess of Mora y Aragón in 1959 and the lower half was acquired in 1987.
The Doña María de Aragón Altarpiece was an altarpiece painted between 1596 and 1599 by El Greco for the chapel of the Colegio de la Encarnación in Madrid. The college was secularised during Goya's lifetime and the altarpiece was dismantled. There has been much speculation over which paintings belonged to the work. The consensus view is that it consisted of six large canvases and a seventh, now lost. Five of those six canvases are now in the Prado and the sixth is in the National Museum of Art of Romania in Bucharest.
The Adoration of the Shepherds is a painting of the traditional subject which was painted by El Greco in 1596. It is in the European painting collection of the National Museum of Art of Romania. This unusually tall painting is a work in the group of equally tall paintings which the artist made as part of his 1596 commission known as the Doña María de Aragón Altarpiece for the Colegio de Dona Maria de Aragón in a building that is now the location of Palacio del Senado in Madrid. El Greco's signature, in Greek, may be seen on the paper in the lower left corner.
The Saviour is a 1608–1614 oil on canvas painting by El Greco, now in the Museo del Prado in Madrid, Spain. It shows Christ as the saviour of the world, represented by the globe beneath his left hand.
The Immaculate Conception with Saint John the Evangelist is an oil painting on canvas of c. 1585 by El Greco, depicting the Virgin of the Immaculate Conception with Saint John the Evangelist.
Saint John the Evangelist is a c.1605 work by El Greco, produced towards the end of his time in Toledo, Spain. It now hangs in the Museo del Prado, to which it was left in 1921 by the collector César Cabañas Caballero.
Annunciation is a 1609 work by El Greco, now in a private collection in Madrid. It is a variant on his work on the same theme as part of the Doña María de Aragón Altarpiece. The painter died in April 1614 and the work may have been completed by his son Jorge Manuel after that date. It is not an independent composition but a cut-down fragment of the whole, designed for and installed in the chapel of the Hospital de Tavera.
Annunciation is a 1570 painting by the Greek artist of the Spanish Renaissance El Greco, now in the Museo del Prado in Madrid. According to the art historian José Álvarez Lopera, it derives from an engraving by Jacopo Caraglio.
Saint Andrew and Saint Francis is a 1595-1598 painting by El Greco, produced in Toledo, Spain and now in the Museo del Prado in Madrid.
Saint Paul is a 1610-1614 painting by El Greco, now in the Museo del Prado in Madrid. The painting is key to Gregorio Marañón's theory that the painter used mental patients at the Hospital del Nuncio as models.
William Bryan Jordan Jr. was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age.
Old photo of chapel interior
Annunciation reconstruction with Madrid fragment
Prado version of the Annunciation
Vision of St John (also cut down, upper portion unknown)
Baptism of Christ (still in Toledo)
