Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Doménikos Theotokópoulos, most widely known as El Greco, was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής, which means "Cretan" in Ancient Greek.
Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Jacopo Robusti, best known as Tintoretto, was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed il Furioso. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
In all four canonical gospels of the Christian New Testament, the cleansing of the Temple narrative tells of Jesus expelling the merchants and the money changers from the Temple. The scene is a common motif in Christian art.
The Burial of the Count of Orgaz is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his time. An exceptionally large painting, it is divided into two sections, heavenly above and terrestrial below, but it gives little impression of duality, since the upper and lower sections are brought together compositionally.
The Disrobing of Christ or El Expolio is a painting by El Greco begun in the summer of 1577 and completed in the spring of 1579 for the High Altar of the sacristy of the Cathedral of Toledo, where it still normally hangs. In late 2013 it was on temporary display at the Prado in Madrid, following a period of cleaning and conservation work there; it was returned to Toledo in 2014. It is one of El Greco's most famous works. A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain. The commission for the painting was secured thanks to El Greco's friendship from Rome with Luis, the son of Diego de Castilla, the dean of the Cathedral of Toledo. De Castilla senior also arranged El Greco's other major commission, on which he worked simultaneously, the paintings for the Toledan church of Santo Domingo el Antiguo.
Cretan school describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career.
Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all Roman Catholic churches, as well as in many Lutheran churches and Anglican churches. However, the subject occurs in many other contexts, including single works and cycles of the Life of Christ or the Passion of Christ. Alternative names include the Procession to Calvary, Road to Calvary and Way to Calvary, Calvary or Golgotha being the site of the crucifixion outside Jerusalem. The actual route taken is defined by tradition as the Via Dolorosa in Jerusalem, although the specific path of this route has varied over the centuries and continues to be the subject of debate.
Christ Washing the Disciples' Feet was a favourite theme of Tintoretto, and there are at least six known works by him on the subject. The scene comes from a passage in John 13 where before the Last Supper Christ washes the feet of his disciples. This passage called for a complex image with many characters in a variety of poses and motions, and the diversity and challenge attracted Tintoretto. The paintings were commissioned for various churches of Venice, though since then four of the six have left Italy.
Christ Driving the Money Changers from the Temple is a 1595-1600 Christian art painting by El Greco, now in the Frick Collection. It depicts the Cleansing of the Temple, an event in the Life of Christ.
Christ Driving the Money Changers from the Temple is a 1600 painting by El Greco, now in the National Gallery in London, England. It depicts the Cleansing of the Temple, an event in the Life of Christ.
Christ Driving the Money Changers from the Temple is a 1609 Christian art painting by El Greco, now in the church of San Ginés in Madrid. It depicts the Cleansing of the Temple, an event in the Life of Christ.
Christ Driving the Money Changers from the Temple is a 1571 Christian art painting by El Greco, now in the Minneapolis Institute of Art. It depicts the Cleansing of the Temple, an event in the Life of Christ.
Andreas Ritzos also known as (Andreas Rico, Ricio or Rizo) was a Greek icon painter from Crete. Ritzos is considered one of the founding fathers of the Cretan School. He was affiliated with Angelos Akotantos. Most of his work stylistically follows the traditional maniera greca. His children, grandchildren, and great-grandchildren were also painters. He was one of the most influential painters of the Cretan School along with Andreas Pavias and Angelos Akotantos. He influenced the works of Georgios Klontzas, Nikolaos Tzafouris, Theophanes the Cretan, Michael Damaskinos and El Greco. According to the Institute for Neohellenic Research, sixty of his paintings have survived.
The Adoration of the Magi by the Venetian artist Paolo Veronese is a large oil painting on canvas dated to 1573 which has been in the National Gallery, London since 1855, shortly after it was sold by the Venetian church for which it was commissioned. It shows the common subject in the Nativity art of the visit by the Three Kings to the infant Jesus, here given a grandly theatrical treatment typical of Veronese's mature works. It was not an altarpiece, having been painted to hang beside rather than over a side altar in the nave of the church.
Concert of Angels is a work of El Greco in oil on canvas from 1608, during his last period in Toledo, Spain. It is exhibited at the National Gallery in Athens.
Adoration of the Holy Name of Jesus is a 1577-1579 oil on canvas painting by El Greco, produced early in his Toledo period and now in the exibith at the Galerias Reales in Madrid. It is also known in modern scholarship as La Gloria, The Dream of Philip II or Allegory of the Holy League.
