Khepri is a scarab-faced god in ancient Egyptian religion who represents the rising or morning sun. By extension, he can also represent creation and the renewal of life.
Ammit was an ancient Egyptian goddess with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians. In ancient Egyptian religion, Ammit played an important role during the funerary ritual, the Judgment of the Dead.
The ancient Egyptians believed that a soul was made up of many parts. In addition to these components of the soul, there was the human body.
Saqqara, also spelled Sakkara or Saccara in English, is an Egyptian village in the markaz (county) of Badrashin in the Giza Governorate, that contains ancient burial grounds of Egyptian royalty, serving as the necropolis for the ancient Egyptian capital, Memphis. Saqqara contains numerous pyramids, including the Pyramid of Djoser, sometimes referred to as the Step Pyramid, and a number of mastaba tombs. Located some 30 km (19 mi) south of modern-day Cairo, Saqqara covers an area of around 7 by 1.5 km.
The Book of the Dead is the name given to an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BC. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. In 1842, the Egyptologist Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as 'Book of the Dead'. The original Egyptian name for the text, transliterated rw nw prt m hrw, is translated as Spells of Coming Forth by Day.
Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their soul for the afterlife. The earliest and most common versions were made from stone, but later styles were carved from wood. The ritual use of the jars dates as far back as the Old Kingdom and stayed in practice until the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. Canopic jars of the Old Kingdom were rarely inscribed and had a plain lid, but by the Middle Kingdom inscriptions became more usual, and the lids were often in the form of human heads. By the Nineteenth Dynasty each of the four lids depicted one of the four sons of Horus, acting as guardians for the respective organs in each jar.
The ankh or key of life is an ancient Egyptian hieroglyphic symbol used to represent the word for "life" and, by extension, as a symbol of life itself.
The djed, also djt is one of the more ancient and commonly found symbols in ancient Egyptian religion. It is a pillar-like symbol in Egyptian hieroglyphs representing stability. It is associated with the creator god Ptah and Osiris, the Egyptian god of the afterlife, the underworld, and the dead. It is commonly understood to represent his spine.
The ushabti was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from 𓅱𓈙𓃀𓏏𓏭𓀾 wšbtj, which replaced earlier 𓆷𓍯𓃀𓏏𓏭𓀾 šwbtj, perhaps the nisba of 𓈙𓍯𓃀𓆭 šwꜣb "Persea tree".
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The tyet, sometimes called the knot of Isis or girdle of Isis, is an ancient Egyptian symbol that came to be connected with the goddess Isis. Its hieroglyphic depiction is catalogued as V39 in Gardiner's sign list.
Henutmehyt was the name of a Theban priestess of ancient Egypt, who lived during the 19th Dynasty, around 1250 BC. The excessive use of gold, and the high quality and detail of her coffins indicates that Henutmehyt was a wealthy woman.
This is a glossary of ancient Egypt artifacts.
The ancient Egyptian Papyrus stem hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. The papyrus stalk, was incorporated into designs of columns on buildings, also facades, and is also in the iconographic art portrayed in ancient Egyptian decorated scenes.
Scarabs are amulets and impression seals shaped according to the eponymous beetles, which were widely popular throughout ancient Egypt. They survive in large numbers today, and through their inscriptions and typology, these artifacts prove to be an important source of information for archaeologists and historians of ancient Egypt, representing a significant body of its art.
The ancient Egyptian knot hieroglyph, or girdle knot, Gardiner sign listed no. S24, portrays a reef knot. Besides its use as a hieroglyph, it has usage in statuary and reliefs. The knot hieroglyph is also an amulet, typically made of worked stone, or as jewellery elements.
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
Sha-Amun-en-su was an Egyptian priestess and singer who lived in Thebes during the first half of the 8th century B.C., responsible for ceremonial duties at the Temple of Karnak, dedicated to the god Amun. Sha-Amun-en-su was a Heset, i.e., a member of the foremost group of singers with ritualistic functions active in the temple of Amun. After her death, which is estimated to have occurred around the age of 50, the singer was mummified and placed in a sarcophagus made of stucco and polychrome wood. Since its sealing, more than 2700 years ago, Sha-Amun-en-su's sarcophagus had never been opened, throughout its history, conserving inside the singer's mummy, a feature that gave it extreme rarity.
