This article may meet Wikipedia's criteria for speedy deletion as a page that was previously deleted via a deletion discussion, is substantially identical to the deleted version, and any changes do not address the reasons for which the material was deleted. See the previous discussion .See CSD G4. If this article does not meet the criteria for speedy deletion, or you intend to fix it, please remove this notice, but do not remove this notice from pages that you have created yourself. If you created this page and you disagree with the given reason for deletion, you can click the button below and leave a message explaining why you believe it should not be deleted. You can also visit the talk page to check if you have received a response to your message. ContentsNote that this article may be deleted at any time if it unquestionably meets the speedy deletion criteria, or if an explanation posted to the talk page is found to be insufficient. Note to administrators: this article has content on its talk page which should be checked before deletion. Note: Previously PROD-deleted or speedily deleted articles are not eligible under this criterion, although they may be deletable under other criteria. Check the deletion log for prior deletion rationales.Administrators: check links, talk, history (last), and logs before deletion. Consider checking Google. This page was last edited by Voorts (contribs | logs) at 04:09, 11 October 2023 (UTC) (1 second ago) |
Heather Roche is a clarinetist.
Heather Roche is best known as an interpreter of contemporary classical music. Her work encompasses performance and research into extended techniques, particularly multiphonics.
Roche was born in Victoria, BC, Canada. She completed her undergraduate studies at the University of Victoria, where she was a student of the clarinetist Patricia Kostek. From 2005 to 2006 she was a student at the Guildhall School of Music and Drama in London, where she studied with Joy Farrall and Laurent Ben Slimane.
From 2007 to 2011, Roche was a student at the University of Huddersfield, where she finished her PhD thesis, “Dialogue and Collaboration in the Creation of New Works for Clarinet” under the supervision of Dr. Philip Thomas and Dr. Edie Dobson. [1] During this time, she regularly performed in a duo with the British pianist, Kate Ledger. [2]
She was a founding member of the Cologne-based ensemble hand werk, and played with them from 2010 to 2017. She is currently a member of the London-based ensemble, Apartment House. She appears on multiple releases by the group on the Sheffield label, Another Timbre. [3] Roche performed with the group in a performance of Peter Maxwell Davies’ Eight Songs for a Mad King at the Wigmore Hall, with soloist Elaine Mitchener. In March 2023, Roche appeared alongside Mitchener again at MaerzMusik in Berlin as a guest of the ensemble Manufaktur für aktuelle Musik and alongside the Van Huynh dance company. [4]
Since 2016, Roche has been the co-editor (with Christopher Fox) of the Cambridge University Press journal, TEMPO. [5]
Since 2017, Roche has performed with the German accordionist Eva Zöllner as the Zöllner-Roche Duo. In 2018, the duo performed Chalkboard by Christian Marclay as part of an exhibition of the artist's work at MACBA, Barcelona. [6] Roche subsequently performed at Marclay's festival in London, ASSEMBLY with John Lely and Mira Benjamin. [7] In 2019, the duo traveled to Mexico and in 2022 they toured in Colombia. In 2022–2023, the Zöllner-Roche Duo hosted their first Composer's Lab in Germany, selecting four composers for new commissions and the works were premiered in Montabaur as part of the Lauschvisite Concert Series. [8]
The Zöllner-Roche Duo have also appeared as a trio with cellist Colin Alexander. They premiered a new work by British composer Hollie Harding, Theories of Forgetting, at LSO St. Luke's in 2023. [9] They also perform as a trio with vocalist Peter Falconer in Olly Sellwood’s Microsong Cycle, premiered at Iklektik in London in 2023. [10]
She performed with the Gothenburg-based ensemble mimitabu from 2016 to 2020, and is associated with Swedish composers Johan Svensson and Lina Jarnegaard, who subsequently wrote pieces for the Zöllner-Roche Duo, as well as Norwegian composer Martin Rane Bauck, who wrote kopenhagener stille for Roche in 2014 and Okeanos in 2023 for Roche and two other members of mimitabu, Jonas Olsson and My Hellgren. [11] A recording of kopenhagener stille appears on Bauck's 2019 release on LAWO. [12]
She plays the bass clarinet on No Fixed Point in Space, the 2023 release from Modern Nature, [13] and was seen playing with the band at Murmurations Festival 2023 in Newport, Essex, and at Kings Place, London, in December 2022. [14] She is a regular collaborator of Modern Nature frontman Jack Cooper, appearing on his 2023 release, Arrival, alongside Anton Lukoszevieze and Alexander Hawkins. [15]
She plays the bass clarinet on the Emmy-winning score for The Reason I Jump, composed by Nainita Desai. [16]
Roche is a long-term collaborator of the Irish composer Scott McLaughlin. She was a consultant in his research project, The Garden of Forking Paths, which subverted the standard model of instrumental performance, looking instead at what sounds an instrument was likely to produce through experimentation. [17] McLaughlin wrote his clarinet concerto, Natura Naturans, for Roche, which was premiered at the Tectonics Festival in Glasgow in 2021 by the BBCSSO and Roche, with Ilan Volkov conducting. [18] He also wrote Fringing for her, which was premiered at Huddersfield Contemporary Music Festival in 2022. [19]
Her collaboration with composer Pierre Alexandre Tremblay has thus far produced two new works: La rupture inéluctable for bass clarinet and electronics and asinglewordisnotenough4 for clarinet, accordion and electronics (written for the Zöllner-Roche Duo). La rupture inéluctable was released by empreintes digitales in 2013. [20] The German premiere of asinglewordisnotenough4 took place at the Darmstadt Summer Courses for New Music in 2021. [21]
Martin Iddon has written two solo works for Roche: Ptelea, for solo bass clarinet, and Sapindales, for clarinet(s) and tape. Both were released by the another timbre label in 2022 [22] and an earlier version of Ptelea appears on Roche's first solo release in 2011. [23] Muses, for voice and clarinet (with Juliet Fraser) also appears on the another timbre release.
Christopher Fox wrote these other birds for Roche in 2022. [24] The piece combines music by Fox with poetry by Kate Wakeling, and the clarinetist plays and recites throughout. She also released a CD of his existing music for clarinets on the Métier label in 2018. [25]
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It share similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound.
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is usually pitched in B♭, but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare. Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular.
The basset horn is a member of the clarinet family of musical instruments.
Derek Bermel is an American composer, clarinetist and conductor whose music blends various facets of world music, funk and jazz with largely classical performing forces and musical vocabulary. He is the recipient of various awards including a Guggenheim Fellowship and the American Academy in Rome's Rome Prize awarded to artists for a year-long residency in Rome.
A clarinet choir is a musical ensemble consisting entirely of instruments from the clarinet family. It will typically include E♭, B♭, alto, bass, and contra-alto or contrabass clarinets, although sometimes not all of these are included, and sometimes other varieties may be present. The size of the ensemble varies; it may have between 10 and 40 members. There are also clarinet trios, clarinet quartets, and clarinet quintets, usually consisting of two to four B♭ clarinets and one bass clarinet.
Harry Sparnaay was a noted Dutch bass clarinetist, composer, and teacher.
Allison Cameron is a Canadian composer of contemporary classical music. She composes works for conventional classical instruments, early music instruments, and modern electric instruments such as the electric guitar. She is also a performer of free improvisation and experimental music.
Kari Kriikku is a Finnish classical clarinetist.
Thomas Piercy is an American clarinetist, and hichiriki player based in New York City, USA and Tokyo, Japan. Although he studied in the United States, his playing style is heavily influenced by the English school of clarinet playing by his extensive studies with English clarinet virtuoso Gervase de Peyer.
Tara Bouman is a Dutch clarinetist.
Pierre Alexandre Tremblay is a Canadian electroacoustic music composer who was born in Montreal, Quebec, and currently living in Huddersfield, England, UK.
Howard J. Buss is an American composer of contemporary classical music. Buss’ works include instrumental solos, chamber music, symphonic, choral, and band works. His music has received awards, including from the 2011 Lieksa Brass Week Composition Competition in Finland, the 2015 American Trombone Workshop National Composition Competition, the National Flute Association’s Newly-Published Music Competition, the Erik Satie Mostly Tonal Award, State of Florida Fellowships, ASCAP Plus Awards., and The American Prize.
Hélène Breschand is a French harpist, composer and improviser. Breschand leads a career both as a solo artist as well as in ensemble work, playing both a contemporary repertoire and premiering new works as much as she plays improvised music and musical theater. She is a musician who plays on the verge of several genres ranging from contemporary music to jazz. She plays both written and improvised music.
Jason Alder is an American-born clarinetist, bass clarinetist, and saxophonist. He is best known for his work in contemporary music, free improvisation, and electro-acoustic music.
Dante Boon is a Dutch composer and pianist. A member of the Wandelweiser composers collective, he is perhaps best known as an interpreter of experimental piano music. His own music has been performed internationally to wide acclaim.
Jonathan Russell is an American composer of classical music, clarinetist, and bass clarinetist. Russell was the founder of the Switchboard Music Festival, which will hold its 10th anniversary in the summer of 2018. His primary teachers have included Paul Lansky, Barbara White, Steve Mackey, Elinor Armer, and Eric Ewazen.
Farzia Fallah is a composer. Since 2003 she has been living in Germany, and is currently based in Cologne.
Annelien Van Wauwe is a Belgian clarinetist who performs internationally as a soloist. She was educated by Sabine Meyer and other internationally known teachers. She has won numerous international competitions and performs with top international orchestras and as a sought-after soloist at international festivals, but is also active in chamber music with her own ensemble. Several works have been composed especially for her. She is also a principal teacher for historical and modern clarinet at the Royal Conservatory Antwerp. She lives in Berlin.
Palimpsest is a composition for chamber ensemble by Greek-French composer Iannis Xenakis. It was composed in 1979.
Charisma is a composition for clarinet and cello by Iannis Xenakis.