Helen Carr is a journalist and emeritus professor of English and comparative literature at Goldsmiths, University of London. Her book on the imagist movement was described by Ian Sansom in The Guardian as "the most comprehensive book on the subject ever written." [1]
Free verse is an open form of poetry, which in its modern form arose through the French vers libre form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Richard Aldington, born Edward Godfree Aldington, was an English writer and poet, and an early associate of the Imagist movement. He was married to the poet Hilda Doolittle from 1911 to 1938. His 50-year writing career covered poetry, novels, criticism and biography. He edited The Egoist, a literary journal, and wrote for The Times Literary Supplement, Vogue, The Criterion and Poetry. His biography of Wellington (1946) won him the James Tait Black Memorial Prize. His contacts included writers T. S. Eliot, D. H. Lawrence, Ezra Pound, W. B. Yeats, Lawrence Durrell, C. P. Snow, and others. He championed Hilda Doolittle as the major poetic voice of the Imagist movement and helped her work gain international notice.
William Carlos Williams was an American poet, writer, and physician closely associated with modernism and imagism.
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Hilda Doolittle was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Profoundly affected by her experiences in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.
Marianne Craig Moore was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 in the literary magazine Poetry. In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation". Because of the treatment of the subject's appearance by way of the poem's own visuality, it is considered a quintessential Imagist text.
John Gould Fletcher was an Imagist poet, author and authority on modern painting. He was born in Little Rock, Arkansas, to a socially prominent family. After attending Phillips Academy, Andover, Fletcher went on to Harvard University from 1903 to 1907, but dropped out shortly after his father's death.
Desmond FitzGerald was an Irish revolutionary, poet, publicist and Fine Gael politician who served as Minister for Defence from 1927 to 1932, Minister for External Affairs from 1922 to 1927, Minister for Publicity from 1921 to 1922 and Director of Publicity from 1919 to 1921. He served as a Teachta Dála (TD) from 1918 to 1937. He was a Senator for the Administrative Panel from 1938 to 1943.
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
Frank Stuart Flint was an English poet and translator who was a prominent member of the Imagist group. Ford Madox Ford called him "one of the greatest men and one of the beautiful spirits of the country".
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."
Mary Ethel Barnard was an American poet, biographer and Greek-to-English translator. She is known for her elegant rendering of the works of Sappho, a translation which has never gone out of print.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Shannon Bramer is a Canadian poet. Born in Hamilton, Ontario, she attended York University before publishing her first book, suitcases and other poems, which won the Hamilton and Region Arts Council Book Award. Over the next few years, she resided in Guelph, Ontario, where she helped found the Bookshelf Poetry Contest.
The Montreal Group, sometimes referred to as the McGill Group or McGill Movement, was a circle of Canadian modernist writers formed in the mid-1920s at McGill University in Montreal, Quebec. The Group included Leon Edel, John Glassco, A. M. Klein, Leo Kennedy, F. R. Scott, and A. J. M. Smith, most of whom attended McGill as undergraduates. The group championed the theory and practice of modernist poetry over the Victorian-style versification, exemplified by the Confederation Poets, that predominated in Canadian poetry at the time.
Katherine Ruth Willoughby Heyman, nicknamed "Kitty", was an American pianist and composer. She was a proponent of the music of Alexander Scriabin, and she gave several recitals consisting solely of his music.