Helen McCarthy | |
---|---|
Born | 27 February 1951 |
Subject | Anime |
Notable works | The Anime Encyclopedia |
Helen McCarthy (born 27 February 1951) is the British author of such anime reference books as 500 Manga Heroes and Villains, Anime!, The Anime Movie Guide and Hayao Miyazaki: Master of Japanese Animation. She is the co-author of The Erotic Anime Movie Guide and the exhaustive The Anime Encyclopedia with Jonathan Clements. She also designs needlework and textile art.
McCarthy was the first English-speaking author to write a book about anime, in addition to being "the first person in the United Kingdom to run an anime programme at a convention, start a dedicated anime newsletter, and edit a dedicated anime magazine." [1]
In 1991, she founded Anime UK magazine, and in 1992 became one of the principal contributors to Super Play , an SNES title with a heavy anime and manga bias. [2] Anime UK became Anime FX after a change of backer and closed at the end of 1996. Andy Frain of Manga Entertainment, then the most influential anime distributor in Britain, took issue with the magazine's editorial policy and later with its involvement in the campaign against the trademarking of the word "manga", but this did not affect either McCarthy's position or the magazine's publication. She also contributed to Manga Mania magazine, and after Anime UK closed she edited it from 1997 to 1998. She has also written on anime and manga for British magazines and newspapers including the Daily Telegraph, NEO, SFX and ImagineFX.
McCarthy was able to apply her convention-running knowledge gained in SF and media fandom when Anime UK ran the successful one-day convention AUKcon, which attracted attendees from all over Europe in 1994. She has written numerous articles and essays and is a frequent convention guest, as well as speaking at film festivals and academic gatherings in Europe, America and Japan. She has curated and delivered four successful seasons of lectures and screenings at the Barbican Cinema in London. In September 2008 she curated and presented a week-long film season and exhibition to mark the 80th anniversary of the birth of Osamu Tezuka, also at the Barbican. The season featured London's first professional Japanese kamishibai performance. [3] [4] [5] Her relationship with the Barbican continues with a further anime film season, Anime's Human Machines, to be presented in September 2019 as part of the Life Rewired project. [6]
She has also been a guest speaker at the University of Maryland, [7] and at Akita International University. She is a founder member of the Fandom and NeoMedia Studies Association (FANS), gave the keynote address at their inaugural conference, and spoke at their first Japanese symposium at Yamanushi Gakuin in 2017. [8]
McCarthy is interested in the many crossing points and influences between anime, manga and other arts. Manga Cross-Stitch, a guide to using the visual grammar of anime and manga to create original needlework designs, appeared in 2009. [9] Artist Steve Kyte provided many of the designs in the book, the rest being created by McCarthy. She has since expanded her needlework activities with workshops for the Japan Foundation [10] and at conventions. Her interest in the history and artistic potential of textiles led to contributions to the Future Beauty: 30 Years of Japanese Fashion exhibition at the Barbican, including a catalogue essay, [11] and to presentations on the history of cosplay. She worked with choreographer Sidi Larbi Cherkaoui and his team on TeZuKa at Sadler's Wells in 2011, and on Pluto at the Barbican in 2017 and in European City of Culture Leeuwarden in 2018. [12] Also in 2018, she presented on 2.5D Theatre at the Daiwa Japan Foundation alongside Alexandra Rutter of Whole Hog Theatre. [13]
A firm believer that artistic and creative talent can be developed and enjoyed by everyone, she has edited two how-to-draw manuals for Flame Tree Press.
Provoked by copyright infringement of her work in 2010, she has spoken and blogged about the impact of intellectual property theft on authors, and on creators' rights to decide how, when and where their work will be published. She supports legitimate sharing through Creative Commons.[ citation needed ]
Hayao Miyazaki is a Japanese animator, director, producer, screenwriter, author, and manga artist. A co-founder of Studio Ghibli, he has attained international acclaim as a masterful storyteller and creator of Japanese animated feature films, and is widely regarded as one of the most accomplished filmmakers in the history of animation.
Shōnen manga is an editorial category of Japanese comics targeting an audience of adolescent boys. It is, along with shōjo manga, seinen manga, and josei manga, one of the primary editorial categories of manga. Shōnen manga is traditionally published in dedicated manga magazines that exclusively target the shōnen demographic group.
Astro Boy, known in Japan by its original name Mighty Atom, is a Japanese manga series written and illustrated by Osamu Tezuka. It was serialized in Kobunsha's Shōnen from 1952 to 1968. The 112 chapters were collected into 23 tankōbon volumes by Akita Shoten. Dark Horse Comics published an English translation in 2002. The story follows Astro Boy, an android young boy with human emotions who is created by Umataro Tenma after the recent death of his son Tobio. Eventually, Astro is sold to a robot circus run by Hamegg, but is saved from his servitude by Professor Ochanomizu. Astro becomes a surrogate son to Ochanomizu who creates a robotic family for Astro and helps him to live a normal life like an average human boy, while accompanying him on adventures.
Kimba the White Lion, known in Japan as Jungle Emperor, is a Japanese shōnen manga series written and illustrated by Osamu Tezuka which was serialized in the Manga Shōnen magazine from November 1950 to April 1954. An anime based on the manga was created by Mushi Production and was broadcast on Fuji Television from 1965 to 1967. It was the first color animated television series created in Japan. It began airing in North America from 1966. The later series was produced by Tezuka Productions.
The history of anime can be traced back to the start of the 20th century, with the earliest verifiable films dating from 1907. Before the advent of film, Japan already had a rich tradition of entertainment with colourful painted figures moving across the projection screen in utsushi-e (写し絵), a particular Japanese type of magic lantern show popular in the 19th century. Possibly inspired by European phantasmagoria shows, utsushi-e showmen used mechanical slides and developed lightweight wooden projectors (furo) that were handheld so that several performers could each control the motions of different projected figures.
Osamu Tezuka was a Japanese manga artist, cartoonist, and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the Father of Manga", "the Godfather of Manga" and "the God of Manga". Additionally, he is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during Tezuka's formative years. Though this phrase praises the quality of his early manga works for children and animations, it also blurs the significant influence of his later, more literary, gekiga works.
Princess Knight, also known as Ribon no Kishi is a Japanese manga series written and illustrated by Osamu Tezuka. This manga follows the adventures of Sapphire, a girl who was born accidentally with a blue heart of a boy and a pink heart of a girl. She pretends to be a male prince to prevent the evil Duke Duralumin from inheriting the throne of Silverland. The gender-bending main character was inspired by the all-female musical theater group Takarazuka Revue in which women performed both female and male roles.
Next World, also known as Nextworld, is a Japanese science fiction manga series, written and illustrated by Osamu Tezuka in 1951.
Nausicaä of the Valley of the Wind is a Japanese manga series written and illustrated by Hayao Miyazaki. It tells the story of Nausicaä, a princess of a small kingdom on a post-apocalyptic Earth with a toxic ecosystem, who becomes involved in a war between kingdoms while an environmental disaster threatens humankind.
Momotaro: Sacred Sailors is the first Japanese feature-length animated film. It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for World War II by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director.
Lion Books is a 1950s Japanese manga series by Osamu Tezuka. It was published by Shueisha in the Omoshiro Book as a supplement. The same company published Lion Books II in Weekly Shōnen Jump in the 1970s, which would commonly be referred to as The New Lion Books. The series was partially adapted into an experimental anime series in the 1980s and 1990s.
Tezuka Productions Co., Ltd. is a Japanese animation studio founded by Osamu Tezuka in 1968. It is known for animating notable works such as Marvelous Melmo, the 1980 and 2003 Astro Boy series, and Black Jack. It is also the holder of the intellectual property of Tezuka's works; his son, Makoto Tezuka, currently aims to use the company to extend Tezuka's manga series with new issues and publish posthumous works such as Legend of the Forest.
Lost World is a manga series, written and illustrated by Osamu Tezuka in 1948.
Akio Sugino is a Japanese character designer who is known for working with Osamu Dezaki and his designs on Golgo 13 and Space Adventure Cobra.
Microsuperman is a manga series written and illustrated by Osamu Tezuka, published in Akita Shoten's Weekly Shōnen Champion from March 1973 to September 1973. It was later adapted into an anime series by Toei.
Kōya no Shōnen Isamu, is a Japanese manga series written by Sōji Yamakawa and illustrated by Noboru Kawasaki. It was published in Weekly Shōnen Jump from 1971 to 1974.
Manga Shōnen (漫画少年) was a monthly manga magazine published by Gakudōsha between December 1947 and October 1955. The magazine was important in forming and promoting shōnen manga in post-war Japan.
Bōken Ō was a monthly magazine for youth published by Akita Shoten between 1949 and 1983. It was among the first generation of children's comic magazines after World War II in Japan and was initially focused on publishing illustrated prose and emonogatari and then shifted to manga.