Her Humble Ministry | |
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Directed by | Harry Solter |
Produced by | Siegmund Lubin |
Starring |
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Production company | |
Release date |
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Running time | 1,000 feet |
Country | United States |
Her Humble Ministry is a 1911 silent, short drama film directed by Harry Solter for the Lubin Manufacturing Company. The film follows a young woman (Florence Lawrence), who lives in the slums with her corrupt parents. She is taken from the custody of her parents into a reform school, where a group of nuns successfully rehabilitate her. She is eventually able to reform a duo of former convicts the same, one of whom (Arthur V. Johnson) wins her love.
Lawrence and Johnson, usually cast as quarreling lovers, star in this romantic drama film in which Lawrence's character becomes an authority. This character has been cited as a deviation for Lawrence's roles in Lublin productions. The film was released on May 18, 1911, to positive critical reception. It is now likely lost.
Living in a slum, [1] a young woman is sent to a reform school when her corrupt parents are deemed unfit. The nuns who operate the school are eventually able to reintegrate the woman into society. She later comes across two former convicts, one of whom has served time for petty thievery. The woman successfully rehabilitates both, just as she has been. [2] Meanwhile, she falls in love with one of the thieves; an advertisement in the New York Dramatic Mirror describes that character as a "past master in porch-climbing, safe-blowing and highway robbery", who secures a job thanks to the woman. [3]
Her Humble Ministry is a production of the Lubin Manufacturing Company, owned by Lubin. [4] On its completion, the film was roughly 1,000 feet in length. [3] It starred Florence Lawrence as the leading character. [2] Her parents were portrayed by Spottiswoode Aitken and Ethel Elder. [5] Arthur V. Johnson and Albert McGovern were cast as the former convicts; [2] in the film, Johnson's character falls in love with Lawrence's. [6] [7] [8]
The film was directed by Harry Solter, at the time Lawrence's spouse. [9] Lawrence, who joined the Philadelphia film studio in early 1911, [10] was still contractually signed to Lubin in the months following the film's release. [5] In Lubin productions, Lawrence and Johnson were often mutually typecast as an unlikely romantic duo set to marry or as an already wedded couple whose relationship is threatened over trivial matters. [6] The film historian Kelly R. Brown called Her Humble Ministry a slight departure from Lawrence's usual roles, as an arbiter to Johnson. [4]
Her Humble Ministry was released on May 18, 1911. [11] The film screened at the Majestic Theatre in Victoria, British Columbia, on July 13 of the same year; [12] and at the nearby Crystal Theatre almost a year later, on June 12. Editors of the British Columbian Daily Colonist described the film as a "touching love story". [7] A writer of the East Oregonian observed a religious motif, calling it "one of the most wisely conducted films" ever produced with such a theme. [8] The screenwriter Monte M. Katterjohn denounced the lack of further screenings of Lubin's filmography, including Her Humble Ministry, in a 1914 Photoplay article. Seeing these productions as better produced than the perceived flood of slapstick and burlesque comedies, Katterjohn called Her Humble Ministry, among Lubin's other films, a "charming wor[k] of yesteryear". [13]
The film is presumed lost, as are most Lubin films starring Lawrence. Released in the same year as Her Humble Ministry, The Two Fathers is an exception; a complete copy was extant in the BFI National Archive in 1999. [4]
Florence Lawrence was a Canadian-American stage performer and film actress. She is often referred to as the "first movie star", and was long thought to be the first film actor to be named publicly until evidence published in 2019 indicated that the first named film star was French actor Max Linder. At the height of her fame in the 1910s, she was known as the "Biograph Girl" for work as one of the leading ladies in silent films from the Biograph Company. She appeared in almost 300 films for various motion picture companies throughout her career.
The Lubin Manufacturing Company was an American motion picture production company that produced silent films from 1896 to 1916. Lubin films were distributed with a Liberty Bell trademark.
Arthur Vaughan Johnson was a pioneer actor and director of the early American silent film era, and uncle of Olympic wrestler and film actor Nat Pendleton.
Henry Lewis Solter was an American silent film actor and director.
Linda Arvidson was an American stage and film actress. She became one of America's early motion picture stars while working at Biograph Studios in New York, where none of the company's actors, until 1913, were credited on screen. Along with Florence Lawrence, Marion Leonard, and other female performers there, she was often referred to by theatergoers and in trade publications as simply one of the "Biograph girls". Arvidson began working in the new, rapidly expanding film industry after meeting her future husband D. W. Griffith, who impressed her as an innovative screen director. Their marriage was kept secret for reasons of professional discretion.
Florence Auer was an American theater and motion picture actress whose career spanned more than five decades.
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The Call of the Wild is a 1908 American short silent Western film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short, a "one-reeler", stars Charles Inslee, Harry Solter and Florence Lawrence. Its interior scenes were shot at Biograph's studio facilities in New York City, and its exteriors were filmed on location in Coytesville, today one of the oldest communities in Fort Lee, New Jersey.
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The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
The Girl and the Outlaw is a 1908 American silent short Western film directed by D. W. Griffith for American Mutoscope & Biograph Company. It starred Charles Inslee as the outlaw but other members of the cast are largely unconfirmed. Florence Lawrence and Mack Sennett made early appearances.
The Red Girl is a 1908 American black-and-white short silent Western film directed by D. W. Griffith for the American Mutoscope & Biograph Company. It stars Florence Lawrence and the cast includes Charles Inslee, George Gebhardt, D. W. Griffith, Mack Sennett and Linda Arvidson.
Ingomar, the Barbarian is a 1908 American silent short drama film directed by D. W. Griffith. It has been placed in the same genre as the theatrical toga play. It is based on the play Der Sohn der Wildnis by Friedrich Halm, translated by Maria Ann Lovell as Ingomar, the Barbarian.
An Awful Moment is a 1908 American silent short drama film directed by D. W. Griffith. A print of the "one-reeler" is preserved in the film archive of the Library of Congress.
A Wreath in Time is a 1909 American silent comedy film written and directed by D. W. Griffith, produced by the Biograph Company of New York City, and co-starring Mack Sennett and Florence Lawrence. At its release in February 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. A Wreath in Time shared its reel with another Biograph short also directed by Griffith, the drama Edgar Allen Poe [sic]. Original paper rolls of contact prints of both motion pictures, as well as safety-stock copies of the two films, are preserved in the Library of Congress.
Doomsday is a 1928 American romance drama silent film directed by Rowland V. Lee and starring Florence Vidor and Gary Cooper. Written by Julian Johnson, Donald W. Lee, and Doris Anderson, based on the 1927 novel Doomsday by Warwick Deeping, the film is about a woman who marries a wealthy landowner to escape her life of poverty, leaving behind the handsome farmer she truly loves. Produced by Jesse L. Lasky, Rowland V. Lee, Hector Turnbull, and Adolph Zukor for Paramount Pictures, Doomsday was released on February 18, 1928 in the United States.
A Sound Sleeper is a 1909 American comedy film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short was filmed in one day in the Coytesville borough of Fort Lee, New Jersey, which at the time was a popular filming location for many early motion-picture studios in the northeastern United States. Due to the brief running time of this comedy, it was originally distributed in April 1909 on a split reel with another Biograph release, a longer dramatic film titled The Winning Coat.
Jones and His New Neighbors is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Anita Hendrie. It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in March 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the dramatic "thriller" The Medicine Bottle.
Jones and the Lady Book Agent is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Flora Finch as the "lady book agent". It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in May 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph comedy short directed by Griffith, The French Duel. The film was released on May 10, 1909 by Biograph Company and was met by positive viewers. The film is presumed lost.