| Here and Now | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1962 | |||
| Recorded | February 28 and March 2, 1962 | |||
| Studio | Nola Penthouse (New York City) | |||
| Genre | Jazz | |||
| Length | 43:11 | |||
| Label | Mercury SR 60698 | |||
| Producer | Kay Norton | |||
| Art Farmer chronology | ||||
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| Benny Golson chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Down Beat |   [1] |
| Allmusic | [2] |
Here and Now is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in 1962 and was originally released on the Mercury label. [3]
This was the Jazztet's first recording for Mercury after they moved from Argo, following A&R man Jack Tracy. [4] : 12 The Jazztet's first three albums had stressed the compositions of one person, but this one had "a diverse program that included contributions by each of the primary soloists and an equal number of standards and jazz tunes from outside the band." [4] : 12
"Tonk" was the name of a card game played by its composer, Ray Bryant; it has a "bass-clef piano figure and a foreshortened bridge that takes the melody into a different key". [4] : 12 Alternative takes that appeared later may have been made with the intention of releasing them as singles, or they may have been part of rehearsals of the tune. [4] : 12 Farmer's "Rue Prevail" is a slow blues. [4] : 12 Mabern's "Richie's Dilemma" was a tribute to Richie Powell and has a Latin tinge. [4] : 12 Golson's "Whisper Not" dates from 1956. [4] : 13 The following track, "Just in Time", was arranged by Farmer. [4] : 13 Golson is featured on "Ruby, My Dear", which is played as a ballad. [4] : 13 Moncur does not play on "In Love In Vain", which has "a loose, conversational approach to its statement of the melody", but he composed the final track on the original album, "Sonny's Back", a comment on the return from exile of saxophonist Sonny Rollins. [4] : 13
Benny Golson was an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Albert "Tootie" Heath was an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. With Stanley Cowell, the Heaths formed the Heath Brothers jazz band in 1975.
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.
Big 6 is the debut album by American trumpeter Blue Mitchell recorded in 1958 and released on the Riverside label. It contains the first recording of Benny Golson's jazz standard "Blues March".
Meet the Jazztet is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson featuring performances recorded in 1960 and originally released on the Argo label.
Big City Sounds is an album by The Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson, featuring performances recorded in 1960 and originally released on the Argo label.
The Jazztet and John Lewis is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson and featuring performances composed and arranged by John Lewis. It was recorded in late 1960 and early 1961 and originally released on the Argo label.
Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.
The Jazztet at Birdhouse is a live album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in Chicago in 1961 and was originally released on the Argo label.
Art is an album by trumpeter Art Farmer, featuring performances recorded in 1960 and originally released on the Argo label. Farmer stated in 1995 that the album, which consists mainly of ballads, was his favorite.
Another Git Together is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in 1962 and originally released on the Mercury label. It was the band's last recording for 20 years.
Perception is an album by flugelhorn player Art Farmer's Quartet, featuring performances recorded in 1961 and originally released on the Argo label.
Benny Golson's New York Scene is the debut album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Contemporary label.
Turning Point is an album by saxophonist Benny Golson, featuring performances recorded in late 1962 and originally released on the Mercury label.
Free is an album by saxophonist Benny Golson recorded in late 1962 and originally released on the Argo label.
The Jazztet was a jazz sextet, co-founded in 1959 by trumpeter Art Farmer and tenor saxophonist Benny Golson, always featuring the founders along with a trombonist and a piano-bass-drums rhythm section. In its first phase, the Jazztet lasted until 1962, and helped to launch the careers of pianist McCoy Tyner and trombonist Grachan Moncur III. Farmer and Golson revived the group in 1982 and it again toured extensively. Each generation of the group recorded six albums, which were released on a variety of labels.
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus. Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first.
"Blues March" is a composition by Benny Golson. It was first recorded for Blue Mitchell's Riverside album Big 6 on July 2 and 3, 1958, and has become a jazz standard.
Voices All is an album by Art Farmer and Benny Golson's group, The Jazztet recorded in Tokyo in 1983 and originally released on the Japanese Eastworld label.
