Hiropon (sculpture)

Last updated
Hiropon
Artist Takashi Murakami
Year1997
Medium Sculpture (oil and acrylic on fiberglass)
Movement Superflat
Dimensions223.5 cm× 104 cm× 122 cm(7.33 ft× 3.41 ft× 4.00 ft)

Hiropon is a sculpture created in 1997 by Japanese artist Takashi Murakami. Produced during Murakami's so-called "bodily fluids" period, the 7.33 ft (223.5 cm) tall statue depicts an anime-inspired figure expelling streams of breast milk from her nipples. Like its companion piece My Lonesome Cowboy , it is an example of superflat art, an art movement founded by Murakami in the 1990s to criticize Japanese consumer culture.

Contents

Description

External image
Searchtool.svg Hiropon at Christie's

Hiropon is an approximately seven-foot tall sculpture depicting a nude anime-inspired woman with exaggerated breasts and nipples wearing a bikini top. Her hands are clutching her nipples, which are expelling streams of breast milk that circle her body to join into a skipping rope-like shape. The sculpture is inspired by otaku culture (enthusiasts, particularly of anime and manga) and lolicon (the fetishization of young-looking girls), [1] Murakami has stated that he was an otaku as a teenager, and that Hiropon was influenced by fantasy and erotica elements in anime and manga. [2]

Like its companion piece My Lonesome Cowboy , Hiropon is an example of superflat art, a movement so named because of flat imagery, a lack of perspective and absence of hierarchy. [3] The sculpture is specifically intended as a critique of the culture of post-occupation Japan, with Murakami arguing that the country's secondary status to the United States led to an infantilization of Japanese aesthetics and politics, "implod[ing] into fantasies of monsters and superheroes, galactic wars, cyborgs, and schoolgirls." [1] The title of the sculpture references the Japanese term for methamphetamine, with Murakami depicting otaku culture as a form of similarly illicit entertainment. [1]

Casts

Murakami produced three casts plus one artist's proof of Hiropon, with the hair color and bikini top of the figure differing in each of the casts. [4] A cast of Hiropon sold at an auction in 2002 for USD$427,500. [2]

Reception

New York Times art critic Roberta Smith wrote that both Hiropon and My Lonesome Cowboy "mesmerize through an unsettling combination of innocence, carnal knowledge, beauty, exquisite artifice and arrested movement," [5] noting Hiropon as "especially good" compared to the "simplistically macho" My Lonesome Cowboy. She nonetheless assessed both pieces favorably, arguing "after their shock value has declined, as all shock value must, they are still interesting to look at," arguing that both pieces are more successful that the erotic sculptures of Jeff Koons and Allen Jones. [5] Art scholar Grace McQuilten is more critical of the piece, arguing that it "was not created as a critique of the way women are represented in otaku culture. Instead, it directly appeals to the market." [6]

Related Research Articles

<i>Otaku</i> Someone highly interested in anime and manga

Otaku is a Japanese word that describes people with consuming interests, particularly in anime, manga, video games, or computers. Its contemporary use originated with a 1983 essay by Akio Nakamori in Manga Burikko.

The history of anime can be traced back to the start of the 20th century, with the earliest verifiable films dating from 1912. Before the advent of film, Japan already had a rich tradition of entertainment with colourful painted figures moving across the projection screen in utsushi-e (写し絵), a particular Japanese type of magic lantern show popular in the 19th century. Possibly inspired by European phantasmagoria shows, utsushi-e showmen used mechanical slides and developed lightweight wooden projectors (furo) that were handheld so that several performers could each control the motions of different projected figures.

<i>Lolicon</i> Genre of sexualized young girl characters

In Japanese popular culture, lolicon is a genre of fictional media which focuses on young girl characters, particularly in a sexually suggestive or erotic manner. The term, a portmanteau of the English words "Lolita" and "complex", also refers to desire and affection for such characters, and fans of such characters and works. Associated with unrealistic and stylized imagery within manga, anime, and video games, lolicon in otaku culture is generally understood as distinct from desires for realistic depictions of girls, or real girls as such, and is associated with the concept of moe, or feelings of affection and love for fictional characters as such.

<span class="mw-page-title-main">Superflat</span> Art movement

Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. However, superflat does not have an explicit definition because Takashi Murakami does not want to limit the movement, but rather leave room for it to grow and evolve over time.

Hiroki Azuma is a Japanese cultural critic, novelist, and philosopher. He is the co-founder and former director of Genron, an independent institute in Tokyo, Japan.

<span class="mw-page-title-main">Takashi Murakami</span> Japanese artist

Takashi Murakami is a Japanese contemporary artist. He works in fine arts as well as commercial media and is known for blurring the line between high and low arts. His influential work draws from the aesthetic characteristics of the Japanese artistic tradition and the nature of postwar Japanese culture. He is credited for designing the album cover for Kanye West's third studio album Graduation.

Aya Takano is a Japanese painter, Superflat artist, manga artist, and science fiction essayist. Aya Takano is represented by Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami.

Weekly Dearest My Brother is a series of six bishōjo-centered manga booklets that were released weekly for a short time in Japan. The manga would come packaged with a limited edition plastic-figure assembly kit, designed by Ohshima Yuki, of the featured character of the week. These figures of small-breasted prepubescent girls helped to expand the niche market of lolicon and also placed Ohshima in high esteem among figure collectors in Japan due to the high level of detail and clever portrayals. Some of Ohshima's figurines are reproduced by Takashi Murakami.

Chiho Aoshima is a Japanese pop artist and member of Takashi Murakami's Kaikai Kiki Collective. Aoshima graduated from the Department of Economics, Hosei University, Tokyo. She held a residency at Art Pace, San Antonio, United States in 2006.

Neo-pop is a postmodern art movement that surged in the 1980s and 1990s. It is a resurgent, evolved, and modern version of the ideas of pop art artists from the 50s, capturing some of its commercial ideas and kitsch aspects. However, unlike in pop art, Neo-pop takes inspiration from a wider amount of sources and techniques.

Hitoshi Tomizawa is a Japanese manga artist. He is best known for his sci-fi series Alien Nine.

<i>Little Boy: The Arts of Japans Exploding Subculture</i>

Little Boy: The Arts of Japan's Exploding Subculture is the companion catalogue to the exhibition "Little Boy" curated by artist Takashi Murakami. The book is about the aesthetics of postwar culture in Japan and marks the final project of Murakami's Superflat Trilogy started in 2000.

Mr. is a Japanese contemporary artist, based in Saitama Prefecture, Japan. A former protégé of Takashi Murakami, Mr.'s work debuted in both solo and group exhibitions in 1996, and has since been seen in museum and gallery exhibitions in Tokyo, Osaka, Nagoya, Hong Kong, Seoul, Daegu, Paris, New York, Minneapolis, Chicago, Miami, Jerusalem, Los Angeles, and London.

<span class="mw-page-title-main">Fan service</span> Parts of a fictional work intended to please the audience

Fan service, fanservice or service cut is material in a work of fiction or in a fictional series that is intentionally added to please the audience, often sexual in nature, such as nudity. The term originated in Japanese in the anime and manga fandom, but has been used in other languages and media. It is about "servicing" the fan—giving the fans "exactly what they want". Fan service can also refer to other stories that contain visual elements.

<i>The Otaku Encyclopedia</i> Encyclopedia of anime, manga, and fandom topics

The Otaku Encyclopedia is a 2009 encyclopedia written by Patrick Galbraith and published by Kodansha which provides an overview of anime and manga topics, and interviews and profiles of important people in Japanese fandom.

SoFlo Superflat describes an art genre started in Miami in the 1990s. It is an urban pop art movement in South Florida that combines super bright colors and ultra flat images. The subject matters are very diverse. It is an outcrop of the Japanese Superflat movement, founded by the artist Takashi Murakami.

<span class="mw-page-title-main">Murakami (surname)</span> Surname list

Murakami is a Japanese surname, 35th by frequency in Japan. It can refer to:

Fantasista Utamaro is a Japanese artist, art director, and illustrator based in Brooklyn, New York. He was born in Fuji, Shizuoka Prefecture, Japan, in 1979. He graduated from Tama Art University with a degree in textile studies. He is considered to be one of the leading artists working in the Japanese pop art movement.

My Lonesome Cowboy is a sculpture created in 1998 by Japanese artist Takashi Murakami. Produced during Murakami's so-called "bodily fluids" period, the 9.45 ft-tall (288 cm) statue depicts an anime-inspired figure ejaculating a large strand of semen. Like its companion piece Hiropon, My Lonesome Cowboy is an example of superflat art, an art movement founded by Murakami in the 1990s to criticize Japanese consumer culture. The sculpture is noted as among Murakami's most famous works.

Royal Space Force: The Wings of Honnêamise, the 1987 debut work of Gainax written and directed by Hiroyuki Yamaga, has attracted academic analysis of its themes in various formats, including dissertations, scholarly journals, university press books, and installations.

References

  1. 1 2 3 "Takashi Murakami Artworks". The Art Story. Retrieved 26 September 2020.
  2. 1 2 Stout, Kristie Lu (13 January 2013). "Takashi Murakami: Superflat and super awkward". CNN . Retrieved 26 September 2020.
  3. Angelidou, Ioanna (2011). "Beyond the Superflat". Le Journal Spéciale'z. ProQuest   1010402440.
  4. "Hiropon". Christie's . Retrieved 26 September 2020.
  5. 1 2 Smith, Roberta (5 February 1999). "Art in Review: Takashi Murakami". The New York Times. Archived from the original on 3 April 2015. Retrieved 26 September 2020.
  6. McQuilten, Grace (March 2013). "Takashi Murakami: The Meaning of the Nonsense of the Meaning". Menlo Park. 1 (1).