Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group's new record label, Swan Song Records.
Richard Steven Valenzuela, known professionally as Ritchie Valens, was an American guitarist, singer and songwriter. A rock and roll pioneer and a forefather of the Chicano rock movement, Valens was killed in a plane crash eight months into his music career.
Robert Gaston Fuller was an American rock singer, songwriter, and guitarist best known for "Let Her Dance" and his cover of the Crickets' "I Fought the Law", recorded with his group The Bobby Fuller Four.
La Bamba is a 1987 American biographical drama film written and directed by Luis Valdez. The film follows the life and short-lived musical career of Mexican-American Chicano rock and roll star Ritchie Valens. The film stars Lou Diamond Phillips as Valens, Esai Morales, Rosanna DeSoto, Elizabeth Peña, Danielle von Zerneck and Joe Pantoliano. The film also covers the effect that Valens' career had on the lives of his half-brother Bob Morales, his girlfriend Donna Ludwig, and the rest of his family. The film is titled after a Mexican folk song of the same name, which Valens transformed into a rock and roll rendition in 1958. In 2017, La Bamba was included in the annual selection of 25 motion pictures added to the National Film Registry of the US Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.
"La Bamba" is a Mexican folk song, originally from the state of Veracruz, also known as "La Bomba". The song is best known from a 1958 adaptation by Ritchie Valens, a Top 40 hit in the U.S. charts. Valens's version is ranked number 345 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time.
The Keane Brothers was an American pop music duo from 1976–82, composed of pre-teens, Tom Keane on piano and John Keane on drums. The duo released four albums and briefly hosted a television variety show on CBS. The brothers subsequently went on to solo careers as songwriters and music producers.
Robert Verrill Kuhn , professionally known as Bob Keane, and also sometimes known as Bob Keene, was an American musician, producer and the founder and owner of the record label Del-Fi Records. He was the producer and manager of Ritchie Valens and Pinoy star Josephine Roberto, aka Banig.
René Joseph Hall was an American guitarist and arranger. He was among the most important behind the scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.
"We Belong Together" is a 1958 American rhythm and blues hit written and recorded by Robert & Johnny, with a co-writing credit to Hy Weiss. It reached #12 on the R&B charts and #32 on the Billboard Hot 100 chart.
"Hippy Hippy Shake" is a song written and recorded by Chan Romero in 1959. That same year, it reached No. 3 in Australia. Romero was 17 years old when he wrote the song.
Del-Fi Records was an American record label based in Hollywood, California and owned by Bob Keane. The label's first single released was "Caravan" by Henri Rose released in 1958, but the label was most famous for signing Ritchie Valens. Valens' first single for the label was "Come On Let's Go", which was a hit. His next single, "Donna"/"La Bamba", was an even bigger hit, and brought national notoriety to the label. Johnny Crawford, the co-star of the television series The Rifleman, was the Del-Fi artist who recorded the most hit singles.
"Donna" is a song written by Ritchie Valens, featuring the '50s progression. The song was released in 1958 on Del-Fi Records. Written as a tribute to his high school sweetheart Donna Ludwig, it was Valens' highest-charting single, reaching No. 2 on the Billboard Hot 100 chart the following year.
Ritchie Valens is the debut album by American musician Ritchie Valens. It was released by Del-Fi Records in January 1959. It is his only studio album entirely composed of master tracks recorded at Gold Star Studios in Los Angeles. The album peaked at #23 on the Billboard album chart.
Cliff is the 1959 debut album of British singer Cliff Richard and his band the Drifters. The recording is the first white professionally recorded live rock and roll album.
Ritchie was the second of three posthumously released "original" albums by Ritchie Valens. It includes his remaining unissued masters from Gold Star Studios plus demos he recorded at manager Robert Keane's home studio. Also featured is Valens' last charted single, "Little Girl", which reached #92 on the Billboard charts in July 1959.
Ritchie Valens in Concert at Pacoima Jr. High is the third and final of the posthumously released "original" albums by Ritchie Valens. It consists of his only live performance ever recorded. It is also possibly the first live rock album.
Ritchie Valens Memorial Album is the first greatest hits compilation by Ritchie Valens, featuring his first three charted hits plus tracks from the previous three albums, released three years following his death in a plane crash. The original album was issued with a black album cover and the same photo of Valens from his second album Ritchie. A few months later, the album was retitled Ritchie Valens, His Greatest Hits and repackaged with a white album cover and a photo of Ritchie taken from his Del-Fi EP Ritchie Valens Sings (DFEP-1111). Both issues include the same back cover and album contents.
Ritchie Valens...His Greatest Hits Volume 2 is the second greatest hits compilation by Ritchie Valens. This follow-up to the Ritchie Valens Memorial Album/His Greatest Hits includes twelve tracks from the three original albums. Three tracks were previously issued on the first greatest hits package: "Donna", "La Bamba" and "Cry, Cry, Cry".
The Best of Ritchie Valens is a greatest hits package by Ritchie Valens.
Framed is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by The Robins in August, 1954, in Los Angeles and released on Leiber and Stoller's label Spark Records in October of that year as the B side of Loop De Loop Mambo. Jerry Leiber talks about the song, saying, “Another rap took the form of a police drama. We called it “Framed” and gave it a subtext that, despite the humor, refers to the legal brutality that impacted the black community.”
