This article relies largely or entirely on a single source .(August 2024) |
History of Ritchie Valens | ||||
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Compilation album by | ||||
Released | 1981 | |||
Recorded | 1958–1959 | |||
Genre | Rock and roll | |||
Label | Rhino Records RNBC-2798 | |||
Producer | Robert Keane | |||
Ritchie Valens chronology | ||||
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History of Ritchie Valens is a 3-record box set by Ritchie Valens released in 1985, [1] featuring his three original Del-Fi albums ( Ritchie Valens, Ritchie, & Ritchie Valens In Concert at Pacoima Jr. High ) plus a booklet with biography and photos (See each album title for contents).
The albums were replicated with the same covers as the original releases (with a cautionary note in the booklet indicating that the addresses shown on the covers were no longer valid). The records themselves were pressed with an "updated" version of the Del-Fi "diamonds" label in black with olive green print as opposed to the sea green color used for the originals.
In 1987, amidst the success of the Ritchie Valens bio film La Bamba , Rhino reissued all three albums separately along with a compilation previously issued in 1981, The Best Of Ritchie Valens.
Physical Graffiti is the sixth album by the English rock band Led Zeppelin. Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, it was the group's first album to be released under their new label, Swan Song Records. The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered just under three sides of an LP, so they decided to expand it into a double album by including previously unreleased tracks from the sessions for the band's earlier albums Led Zeppelin III (1970), Led Zeppelin IV (1971) and Houses of the Holy (1973). The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of-year release; however, its release was delayed because the Peter Corriston-designed die-cut album cover proved difficult to manufacture.
Richard Steven Valenzuela, better known by his stage name Ritchie Valens, was an American guitarist, singer and songwriter. A rock and roll pioneer and a forefather of the Chicano rock movement, Valens died in a plane crash just eight months after his breakthrough.
Robert Gaston Fuller was an American rock singer, songwriter, and guitarist best known for "Let Her Dance" and his cover of the Crickets' "I Fought the Law," recorded with his group The Bobby Fuller Four.
La Bamba is a 1987 American biographical drama film written and directed by Luis Valdez. The film follows the life and short-lived musical career of American Chicano rock and roll star Ritchie Valens. The film stars Lou Diamond Phillips as Valens, Esai Morales, Rosanna DeSoto, Elizabeth Peña, Danielle von Zerneck and Joe Pantoliano. The film also covers the effect that Valens' career had on the lives of his half-brother Bob Morales, his girlfriend Donna Ludwig, and the rest of his family. The film is titled after a traditional Mexican folk song of the same name, which Valens transformed into a rock and roll rendition in 1958.
"La Bamba" is a Mexican folk song, originally from the state of Veracruz, also known as "La Bomba". The song is best known from a 1958 adaptation by Ritchie Valens, a Top 40 hit on the U.S. charts. Valens's version is ranked number 345 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time, and is the only song on the list not written or sung in English.
The Keane Brothers was an American pop music duo from 1976–82, composed of pre-teens, Tom Keane on piano and John Keane on drums. The duo released four albums and briefly hosted a television variety show on CBS. The brothers subsequently went on to solo careers as songwriters and music producers.
Robert Verrill Kuhn , professionally known as Bob Keane, and also sometimes known as Bob Keene, was an American musician, producer and the founder and owner of the record label Del-Fi Records. He was the producer and manager of Ritchie Valens and Pinoy star Josephine Roberto, aka Banig.
René Joseph Hall was an American guitarist and arranger. He was among the most important behind-the-scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.
"We Belong Together" is a 1958 American rhythm and blues hit written and recorded by Robert & Johnny, with a co-writing credit to Hy Weiss. It reached #12 on the R&B charts and #32 on the Billboard Hot 100 chart.
"Hippy Hippy Shake" is a song written and recorded by Chan Romero in 1959. That same year, it reached No. 3 in Australia. Romero was 17 years old when he wrote the song.
Del-Fi Records was an American record label based in Hollywood, California, was founded 1958 and owned by Bob Keane. The label's first single released was "Caravan" by Henri Rose released in 1958, but the label was most famous for signing Ritchie Valens. Valens' first single for the label was "Come On Let's Go", which was a hit. His next single, "Donna"/"La Bamba", was an even bigger hit, and brought national notoriety to the label. Johnny Crawford, the co-star of the television series The Rifleman, was the Del-Fi artist who recorded the most hit singles.
"Donna" is a song written by Ritchie Valens, featuring a I IV V chord progression. The song was released in 1958 on Del-Fi Records. Written as a tribute to his high school sweetheart Donna Ludwig, it was Valens' highest-charting single, reaching No. 2 on the Billboard Hot 100 chart the following year.
Ritchie Valens is the debut album by American musician Ritchie Valens, released by Del-Fi Records on January 12, 1959. It is his only studio album entirely composed of master tracks recorded at Gold Star Studios in Los Angeles. The album peaked at #23 on the US Billboard album chart.
Cliff is the 1959 debut album of British singer Cliff Richard and his band the Drifters.
Ritchie was released posthumously and was the second of three released "original" albums by Ritchie Valens. It includes his remaining unissued masters from Gold Star Studios plus three demos he recorded at manager Robert Keane's home studio. Also featured is Valens' last charted single, "Little Girl", which reached #92 on the Billboard charts in July 1959.
Ritchie Valens in Concert at Pacoima Jr. High was released posthumously and is the third and final of the released "original" albums by Ritchie Valens. It consists of his only live performance ever recorded. The live recording is augmented by unfinished studio recordings.
Ritchie Valens Memorial Album is the first greatest hits compilation by Ritchie Valens, featuring his first three charted hits plus tracks from the previous three albums, released three years following his death in a plane crash. The original album was issued with a black album cover and the same photo of Valens from his second album Ritchie. A few months later, the album was retitled Ritchie Valens, His Greatest Hits and repackaged with a white album cover and a photo of Ritchie taken from his Del-Fi EP Ritchie Valens Sings (DFEP-1111). Both issues include the same back cover and album contents.
Ritchie Valens...His Greatest Hits Volume 2 is the second greatest hits compilation by Ritchie Valens. This follow-up to the Ritchie Valens Memorial Album/His Greatest Hits includes twelve tracks from the three original albums. Three tracks were previously issued on the first greatest hits package: "Donna", "La Bamba" and "Cry, Cry, Cry".
The Best of Ritchie Valens is a greatest hits package by Ritchie Valens.
Framed is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by The Robins in August, 1954, in Los Angeles and released on Leiber and Stoller's label Spark Records in October of that year as the B side of Loop De Loop Mambo. Jerry Leiber talks about the song, saying, “Another rap took the form of a police drama. We called it “Framed” and gave it a subtext that, despite the humor, refers to the legal brutality that impacted the black community.”