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"Bony Moronie" | ||||
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Single by Larry Williams | ||||
B-side | "You Bug Me Baby" | |||
Released | 1957 | |||
Genre | Rock and roll | |||
Length | 2:57 | |||
Label | Specialty 615 (U.S.) London HLU 8532 (UK) | |||
Songwriter(s) | Larry Williams | |||
Larry Williams singles chronology | ||||
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"Bony Moronie" was the third single by Larry Williams, released in 1957.
Williams' original peaked at No. 14 on the Billboard Best Sellers in Stores [1] chart and No. 4 on the U.S. R&B chart. Since then the song has been covered many times.
"Bony Moronie" | ||||
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Single by Hush | ||||
from the album Rough Tough 'n' Ready | ||||
B-side | "Rocking Gypsy King" | |||
Released | April 1975 | |||
Genre | Glam rock | |||
Songwriter(s) | Larry Williams | |||
Hush singles chronology | ||||
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In April 1975, Australian glam rock band Hush released a version, which peaked at number 4. The band performed the song on Countdown. Australian musicologist, Ian McFarlane said that "One of the defining moments of Australia's 1970s pop legacy was undoubtably Hush performing "Boney Moronie" (on Countdown)" He described how "Keith Lamb wiggled his satin flares-encased bum, thrust out his crotch and leered at the camera with a mischievous look in his eyes (and all the little girls understood). Les Gock dashed around the set in stack-heeled boots and glam threads, with peroxided streaks in his flowing, jet-black hair. Rick Lum hammed it up in a serious kind of way. Chris Pailthorpe cheerfully revealed his goofy, gap-toothed grin whenever the camera panned across his face." [3]
The song was the first single from the band's fourth studio album, Rough Tough 'n' Ready .
7" single (ZS-123)
Chart (1975) | Peak position |
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Australian Kent Music Report Singles Chart [4] | 4 |
Chart (1975) | Peak position |
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Australia (Kent Music Report) [5] [6] | 10 |
Several early rock singers recorded their own versions of the song, notably Johnny Burnette, The Standells, Bill Haley and Ritchie Valens. Dick Dale and his Deltones included a version on their 1965 album Rock Out With Dick Dale & His Del-Tones Live At Ciro's. Among others who have used the song are The Cyrkle on their 1966 debut album, Red Rubber Ball , Joni Mitchell during her 1970 concert in Amchitka for Greenpeace, pairing the song with Big Yellow Taxi in a medley. [7] The Who included a 1971 live performance on their 1994 compilation Thirty Years of Maximum R&B ; Dr. Feelgood included it on their 1974 album Down by the Jetty ; Johnny Winter included it on his 1974 album Saints and Sinners and on his 1975 album Captured Live! ; Showaddywaddy and Julie Covington recorded for the 1977 Amnesty International benefit show The Mermaid Frolics, Gram Parsons performed it live in 1973, the performance was released in 1982 on Live 1973 . Gram's friends, The Crickets, also recorded the song in 1974; Gram had planned to join them in the studio. James Booker covered the song on his album Resurrection Of The Bayou Maharajah (1993) as part of a medley with "Slow Down", "Knock On Wood", "I Heard It Through The Grapevine", and "Classified".
Les Habits Jaunes made a French cover version entitled "Miss Boney Maronie" in 1965.
The song was translated into Spanish by Enrique Guzmán and Manny Martinez, who renamed it "Popotitos".
Originally released as a single in 1961 by Guzman's and Martinez's band Los Teen Tops, "Popotitos" was also covered by a wide range of Spanish-speaking artists such as Ricky Martin and Miguel Ríos. The song was recorded by Argentinian rock/pop group Serú Girán in 1982, which introduced "Popotitos" to younger generations, and made it a hit again across Latin America.
A Serbo-Croatian version of the song was recorded by Yugoslav avant-garde rock band Laboratorija Zvuka and released on their 1982 album Duboko u tebi. [8]
According to biographer Mark Lewisohn, the Beatles (first as the Quarrymen) regularly performed the song, from 1957 until 1961 with John Lennon on lead vocal, [9] but there is no known recorded version. Lennon himself recorded it for his 1975 album, Rock 'n' Roll . [10] Roy Young recorded a single version in 1972 (liner notes CD set Roy Young The Best of 50 Years). Additionally three of Lennon's original Quarrymen cut a version during rehearsal in 1993 that came out on CD as The Quarry Men - The Rehearsal Tapes, copyrighted and privately released in 2004 (only via website sales, now out of print). [11]
In the song "Land" on the album Horses (1975), Patti Smith refers to "Bony Moronie".[ citation needed ] Echo & the Bunnymen's 1984 song "My Kingdom" includes the lyric "Do you know how to dance like Bony Moronie?".[ citation needed ] The 1986 song "Good Times" by INXS and Jimmy Barnes, which makes many references to classic rock & roll, features the lyric "Bony Maronie's gonna be with Jim/I said long tall Sally's gonna be with Slim".
With the Beatles is the second studio album by the English rock band the Beatles. It was released in the United Kingdom on 22 November 1963 on Parlophone, eight months after the release of the band's debut album, Please Please Me. Produced by George Martin, the album features eight original compositions and six covers. The sessions also yielded the non-album single, "I Want to Hold Your Hand" backed by "This Boy". The cover photograph was taken by the fashion photographer Robert Freeman and has since been mimicked by several music groups. A different cover was used for the Australian release of the album, which the Beatles were displeased with.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
Help! is the fifth studio album by the English rock band the Beatles and the soundtrack to their film of the same name. It was released on 6 August 1965 by Parlophone. Seven of the fourteen songs, including the singles "Help!" and "Ticket to Ride", appeared in the film and take up the first side of the vinyl album. The second side includes "Yesterday", the most-covered song ever written. The album was met with favourable critical reviews and topped the Australian, German, British and American charts.
The Quarrymen are a British skiffle and rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several school friends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs.
"Get Back" is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston". The song is one of the few examples of John Lennon featuring prominently as lead guitarist. The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken from the Beatles' rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up. The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
Lawrence Eugene Williams was an American rhythm and blues and rock and roll singer, songwriter, and pianist from New Orleans. He is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including "Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), "Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and the Beatles and several other British Invasion groups recorded several of his songs.
"Love Me Do" is the debut single by the English rock band the Beatles, backed by "P.S. I Love You". When the single was originally released in the United Kingdom on 5 October 1962, it peaked at number 17. It was released in the United States in 1964 and topped the nation's song chart. Re-released in 1982 as part of EMI's Beatles 20th anniversary, it re-entered the UK charts and peaked at number 4. "Love Me Do" also topped the charts in Australia and New Zealand.
"Come Together" is a song by the British rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the band's 1969 album Abbey Road. It was also a double A-side single in the United Kingdom with "Something", reaching No. 4 in the UK charts.
"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions.
"Ob-La-Di, Ob-La-Da" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. Following the album's release, the song was issued as a single in many countries, although not in the United Kingdom or the United States, and topped singles charts in Australia, Japan, New Zealand, Switzerland and West Germany. When belatedly issued as a single in the United States in 1976, it peaked at number 49 on the Billboard Hot 100.
"One After 909" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by John Lennon, with input from Paul McCartney, and credited to their joint partnership. The album version is the live performance from the rooftop concert which took place on 30 January 1969. This performance is also included in the Let It Be film. The song was written no later than spring 1960 and perhaps as early as 1957, and is one of the first Lennon–McCartney compositions. "One After 909" is perhaps more reminiscent of early American rock and roll than any of the other songs from the rooftop show, and as a joke for the rooftop chatter, Lennon sings a variant on the opening line of "Danny Boy" after the song is finished.
"Help!" is a song by the English rock band the Beatles that served as the title song for the 1965 film and the band's accompanying soundtrack album. It was released as a single in July 1965, and was number one for three weeks in the United States and the United Kingdom. Credited to Lennon–McCartney, "Help!" was written by John Lennon with some assistance from Paul McCartney. During an interview with Playboy in 1980, Lennon recounted: "The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help".
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
"I Saw Her Standing There" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It is the opening track on the band's 1963 debut UK album Please Please Me and their debut US album Introducing... The Beatles.
"Dizzy, Miss Lizzy" is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a "genuine rock & roll classic", it had limited success on the record charts. Seven years later, the Beatles recorded the song, and John Lennon performed it with the Plastic Ono Band in 1969.
"Mind Games" is a song written and performed by John Lennon, released as a single in 1973 on Apple Records. It was the lead single for the album of the same name. The US single and album were released simultaneously on 29 October 1973. The UK single and album were issued simultaneously on 16 November 1973. In the US it peaked at No. 18 on the Billboard Hot 100 and No. 10 on the Cashbox Top 100. In the UK it peaked at No. 26.
Hush were an Australian glam rock pop band, which formed in 1971 and disbanded in 1977.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the Billboard R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953).
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album Revolver. It was written by Paul McCartney and credited to Lennon–McCartney. The song is a homage to the Motown Sound, with colourful brass instrumentation and lyrics that suggest a psychedelic experience. "It's actually an ode to pot," McCartney explained.