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The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States with significant influence on the rising "counterculture" on both sides of the Atlantic Ocean. UK pop and rock groups such as the Beatles, the Rolling Stones, the Who, the Kinks, the Zombies, Small Faces, the Pretty Things, the Dave Clark Five, The Spencer Davis Group, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, and Them, as well as solo singers such as Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion".
The O'Jays are an American R&B group from Canton, Ohio, formed in 1958 and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once the producers Gamble & Huff signed them to their Philadelphia International label in 1972. With Gamble & Huff, the O'Jays emerged at the forefront of Philadelphia soul with Back Stabbers (1972), and topped the US Billboard Hot 100 the following year with "Love Train". Several other US R&B hits followed, and the O'Jays were inducted into the Vocal Group Hall of Fame in 2004, The Rock and Roll Hall of Fame in 2005, and the Rhythm and Blues Music Hall of Fame in 2013.
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals.
Larry Williams was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. Williams is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including "Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), "Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and the Beatles and several other British Invasion groups recorded several of his songs.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
"You Always Hurt the One You Love" is a pop standard with lyrics by Allan Roberts and music by Doris Fisher. First recorded by the Mills Brothers, whose recording reached the top of the Billboard charts in 1944, it was also a hit for Sammy Kaye in 1945.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was recorded by the Beatles for their second album, With the Beatles (1963). Many other musicians also recorded versions.
"A Lover's Concerto" is a pop song written by American songwriters Sandy Linzer and Denny Randell, based on the 18th century composition by Christian Petzold, "Minuet in G major", and recorded in 1965 by the Toys. "A Lover's Concerto" sold more than two million copies and was awarded gold record certification by the RIAA.
"Baby It's You" is a song written by Burt Bacharach (music), Luther Dixon, and Mack David (lyrics). It was recorded by the Shirelles and the Beatles and was a hit for both. The highest-charting version of "Baby It's You" was by the band Smith, who took the track to number 5 on the US charts in 1969.
"Little Bitty Pretty One" is a 1957 song written and originally recorded by Bobby Day. The same year, the song was popularized by Thurston Harris. Produced by Aladdin Records, and featuring the Sharps on backing vocals, Harris's version reached No. 6 on the U.S. Billboard Best-Sellers chart and No. 2 on the R&B chart. The Bobby Day version reached No. 11 in the Canadian CHUM Chart.
"Frontin'" is the debut single by American musician Pharrell Williams featuring fellow American rapper Jay-Z. It was written by the artists alongside Chad Hugo, who produced it with Williams as the Neptunes. At the time of its release, Williams insisted the single was a one-off, and that he was purely a producer and not an artist in his own right. However, he released his own solo studio album, In My Mind, in 2006.
Sgt. Pepper's Lonely Hearts Club Band is a double album produced by George Martin, featuring covers of songs by the Beatles. It was released in July 1978, as the soundtrack to the film Sgt. Pepper's Lonely Hearts Club Band, which starred the Bee Gees, Peter Frampton and Steve Martin. This work has received universally negative reviews and is considered some of the worst music ever released.
"Big Girls Don't Cry" is a song written by Bob Crewe and Bob Gaudio and originally recorded by the Four Seasons. It hit number one on the Billboard Hot 100 on November 17, 1962, and, like its predecessor "Sherry", spent five weeks in the top position but never ranked in the Billboard year-end charts of 1962 or 1963. The song also made it to number one, for three weeks, on Billboard's Rhythm and Blues survey. It was also the quartet's second single to make it to number one on the US R&B charts.
"It's Only Make Believe" is a song written by drummer Jack Nance and Mississippi-born singer Conway Twitty, while they were touring across Ontario, Canada in 1958. Twitty was a relatively unknown rock n' roll singer at the time, and this song was his first hit, reaching No. 1 on the Billboard chart in November 1958 for two weeks.
"Sherry" is a song written by Bob Gaudio and recorded by The Four Seasons.
"Grease" is a song written by Barry Gibb and recorded by Frankie Valli : it was released as a single in May 1978. It is the title song for the musical motion picture Grease of that year, which was in turn based on the 1971 stage play Grease. The song celebrates the greaser lifestyle, and it sold over seven million copies worldwide and appeared twice on the film's soundtrack, first as the opening track and again as the closing track. "Grease" is one of four songs written specifically for the film that had not been in the stage production.
Billy & Lillie were an American pop vocal duo, composed of Billy Ford and Lillie Bryant.
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
"Darlin'" is a song written in 1970 by English sax player Oscar Stewart Blandamer. It was first released under the title "Darling" by the British country band Poacher in 1978. It was later a chart hit for Frankie Miller and David Rogers. The track was subsequently recorded by numerous artists including Tom Jones, Barbara Mandrell, Smokie and Johnny Reid.
References
- 1 2 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 604. ISBN 1-904994-10-5.
- 1 2 Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 97. ISBN 0-214-20512-6.
- ↑ "Track search: Short Fat Fannie". AllMusic . Retrieved October 29, 2019.
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