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Holly Trusted FSA | |
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| Born | 1955 |
| Nationality | British |
| Academic background | |
| Alma mater | Cambridge University, Courtauld Institute of Art |
| Academic work | |
| Institutions | Victoria and Albert Museum |
| Notable works | The Arts of Spain:Iberia and Latin America 1450–1700 The Making of Sculpture:the materials and techniques of European sculpture |
Marjorie Trusted,also known as Holly Trusted, [1] [2] is a historian of European sculpture. Previously Senior Curator of Sculpture at the Victoria and Albert Museum she is known in particular for her work on British and Spanish sculpture and was the lead curator for the Victoria and Albert Museum Cast Courts. [3] [4] [5] Since January 2019,she has been an Honorary Senior Research Fellow at the Victoria and Albert Museum. [6] She was Honorary Vice-President of the Society of Antiquaries of London in 2018–19. [1]
Trusted was educated at The Maynard School,Exeter and left in 1973. [1] She gained her BA and her PhD at the University of Cambridge,and her MA at the Courtauld Institute of Art. [5]
Trusted joined the Victoria and Albert Museum in 1979,where she worked on British and Spanish sculpture as well as extensively on European decorative arts in the V&A collection such as ambers,ivories,and medals. [4] [7] [5] She has lectured and published widely. As Senior Curator of Sculpture,she was the lead curator for the redevelopment of the V&A Cast Courts,which opened in 2018. [3] [8] She gave the keynote lecture at The Royal Institute for Cultural Heritage (KIK-IRPA,Brussels) conference Uniqueness and Multiplication:Plaster as an Art Material in October 2017 on the Cast Courts project. [9]
In 2008 she jointly curated an exhibition entitled The Return of the Gods at Tate Britain with Tim Knox and Helen Dorey (Sir John Soane’s Museum),and Martin Myrone (Tate Britain). The exhibition was the first in Britain to focus on British neoclassical sculpture. The exhibition included works by Thomas Banks,Antonio Canova,Joseph Nollekens,and Bertel Thorvaldsen. [10] [11]
In January 2019,she was appointed an Honorary Senior Research Fellow at the V&A,and continued to research and lecture on art history while working on a book on German baroque sculpture,which was published in 2022. She is currently Senior Research Fellow of the University of Glasgow,and Senior Research Fellow of Durham University. [1] [12] She served on the vetting committee of TEFAF Maastricht in March 2019 and in June 2022 for Western Sculptures up to 1830. [1] [13] She is co-chair and co-founder of the Public Statues and Sculpture Association,established in 2020. [14] As Senior Research Fellow of Durham University she catalogued the sculpture collection at the Spanish Gallery in Bishop Auckland,a collection formed by Jonathan Ruffer from 2012 onwards. She is a Visiting Fellow at the Clark Art Institute in Massachusetts (2025) and is currently working on a book on the Spanish baroque sculptor Luisa Roldán with Catherine Hall-van den Elsen.
Trusted's work on The Arts of Spain:Iberia and Latin America 1450–1700 (2007) was praised as "excellent" and "highly reliable". [15] Her work on the baroque and later ivory collections at the Victoria and Albert Museum led to a major publication in 2013,Baroque &Later Ivories,which was praised in review for its detailed approach to the subject and described as a "veritable magnum opus". [16]
Trusted was elected a member of the Society of Antiquaries of London in October 1999 and served as Honorary Vice-President in 2018–19. [2] [1] She was the founding editor of the Sculpture Journal in 1997. [5] She is Honorary President of ARTES,Iberian and Latin American Visual Culture Group,an association she co-founded in 2000. [17] She is also co-founder and co-chair of the international Ivory Studies Group,founded in 2009,which meets annually to study and discuss collections of post-medieval ivory sculpture.
Trusted has two children and five grandchildren. She divides her time between Oxfordshire and London. [1]
Trusted publishes under the name Marjorie Trusted.
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