 | This article needs additional citations for verification .(December 2011) |
The Hoodoo Rhythm Devils were an American blues-funk band from San Francisco, California, United States, formed in 1970. [1]
| | This article needs additional citations for verification .(December 2011) |
The Hoodoo Rhythm Devils were an American blues-funk band from San Francisco, California, United States, formed in 1970. [1]
In 1970, John Rewind was teaching guitar at Roger Calkins Music on Market Street in San Francisco. One of his students, Lee Humphries, kept telling Rewind about the talents of his friend Joe Crane, with whom he was in the Coast Guard. Crane played bass with Johnny and Edgar Winter in high school in Conroe, Texas, and had been produced by Huey Meaux. Between Humpries's description, and confirmation from Al Amis, who also worked at Roger Calkins and had heard Crane sing, Rewind went to the Alameda, California, Coast Guard Officer's Club to see Rewind perform, and the Hoodoo Rhythm Devils were born. [2] Another one of Rewind's guitar students, "Funky Jack" Leahy, who lived up the street from Rewind in the Haight-Ashbury district, had closed his poster business Funky Features, and was getting into recording and building a recording studio. When Leahy heard Crane and Rewind, he took the lead and started recording the band and making connections for them to get a recording contract with a major record label. After a few personnel changes, Glenn Walter, who had played drums in a band called The Zoo and released a single in St. Louis, Missouri, with Rewind during the 1960s, joined the band, along with Richard Greene (aka Dexter C. Plates) on bass. [1] Greene had played in groups around the Washington, D.C. area, most notably with Roberta Flack.
Modeled after the names of bands in the 1950s, Joe Crane and his Hoodoo Rhythm Devils signed with Capitol Records under the direction of Michael Sunday and Jack Leahy, and made their first record Rack Jobber's Rule in 1971. The name was too big of a mouthful, so it was shortened to the Hoodoo Rhythm Devils. Roger Allen Clark, fresh from the Steve Miller Band, was added on drums with the second album, The Barbecue of DeVille on Blue Thumb Records in 1972. The Hoodoos toured extensively that year playing with Savoy Brown, The Doobie Brothers, Steely Dan, Chuck Berry, John Lee Hooker, Graham Central Station, Tower of Power, Mott the Hoople, Bloodrock, and The Tubes. Clark left to become a studio session drummer working for Rick Hall in Muscle Shoals, Alabama. Keith Knudsen, formerly of Lee Michaels' band and later the Doobie Brothers, then joined for a short stint on drums from late 1972 to mid 1973 before Jerome Kimsey joined the band for the recording of their third album, What the Kids Want, for Blue Thumb Records in 1973. The Hoodoos continued to tour the United States and Crane began having some of his songs covered by Johnny Winter, The Chambers Brothers, Rodger Collins, and Patti LaBelle. [3]
In 1973, Greene left to become an audio engineer at Russian Hill Recording in San Francisco, and was the "Fall Into The Gap" voice. Roger Stanton replaced Greene on bass. 1973 and 1974 saw non-stop touring and took the band from Canada to Texas, California and Florida. The band went their separate ways in 1974, only to reform a year later with a new line-up and recorded the Lost Album that was not released until 2012. Jack Leahy and Bob Simmons of KSAN-FM in San Francisco formed World Records, and recorded, produced, and released the album Safe In Their Homes in 1976. Fantasy Records in Berkeley, California, re-released Safe in Their Homes. In 1978, Crane and Walters, recorded their second Fantasy Records album All Kidding Aside, which was produced by Clayton Ivey and Terry Woodford. It included guest musicians including Muscle Shoals Horns, Roger Allen Clark, Tom Roady and others. The band continued on until Crane died from leukemia in 1980. [1]
After the band's demise, several compilations were released by Rear Window Music. [3] In 2013, the Hoodoo Rhythm Devils released a live recording recorded at Ultrasonic Studios in Hempstead, New York on November 28, 1972, that had been broadcast live on WLIR-FM. In 2014 they released One Night Only, a CD which featured some jams with Johnny Winter and a live recording of the Texas Day Special with the Pointer Sisters that had been broadcast live on KSAN-FM from San Francisco in 1973. 2016 brought The Best Of The Hoodoo Rhythm Devils Volume II CD that featured a variety of unreleased tunes, demos, and a reunion tune with surviving members and their children. The album also featured Tower of Power, The Pointer Sisters, Norton Buffalo, Greg Douglass, John McFee, and the Two Tons of Fun - Martha Wash and the late Izora Armstead. [4]
Glenn Walters has carried on as fixture vocalist and drummer in the San Francisco area, known in the advertising business with his Taco Bell, Blue Diamond Almonds, Selix Tuxedos, etc., spots, and gigs regularly with the Glenn Walters Quartet and with Sidepocket, a cover band that performs for weddings and other social events. [5] [6] Greene is a member of The Bobs, the Grammy Award-winning a capella group. Rewind continues as a producer, guitarist, and songwriter for Rear Window Music, producing recordings with Georgia Whiting, Davey Pattison, Bobby Black, and many others. [2] [7] Clark currently tours with Travis Wammack in the Muscle Shoals and Nashville area.
Flamin' Groovies is an American rock band that formed in San Francisco in 1965, originally co-led by Roy Loney and Cyril Jordan. After the Groovies released three albums, on Epic (Supersnazz) and Kama Sutra, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band's emphasis shifted more toward British Invasion power pop.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
Ugly Kid Joe is an American hard rock band from Isla Vista, California, formed in 1989. The band's name spoofs the glam metal band Pretty Boy Floyd's name.
Tony Joe White, nicknamed the Swamp Fox, was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but which was first made popular by Brook Benton in 1970. He also wrote "Steamy Windows" and "Undercover Agent for the Blues", both hits for Tina Turner in 1989; those two songs came by way of Turner's producer at the time, Mark Knopfler, who was a friend of White's. "Polk Salad Annie" was also recorded by Joe Dassin, Elvis Presley, Joe Bonamassa and Tom Jones.
Blue Thumb Records was an American record label founded in 1968 by Bob Krasnow and former A&M Records executives Tommy LiPuma and Don Graham. Blue Thumb's last record was released in 1978. In 1995, the label was revived and remained active until 2005.
Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success. They have had eight songs on the Billboard Hot 100; their highest-charting songs include "You're Still a Young Man", "So Very Hard to Go", "What Is Hip?", and "Don't Change Horses ".
Junior Wells was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album Hoodoo Man Blues, described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues.
Ronald Douglas Montrose was an American musician and guitarist who founded and led the rock bands Montrose and Gamma. He also performed and did session work with a variety of musicians, including Van Morrison, Herbie Hancock, Beaver & Krause, Boz Scaggs, Edgar Winter, Gary Wright, The Beau Brummels, Dan Hartman, Tony Williams, The Neville Brothers, Marc Bonilla and Sammy Hagar.
Shoot Out at the Fantasy Factory is the sixth studio album by English rock band Traffic released in 1973. It followed their 1971 album The Low Spark of High Heeled Boys and contained five songs. Shoot Out, while achieving poorer reviews than its predecessor, did reach number six on the Billboard Pop Albums chart, one space higher than Low Spark had peaked in 1972. Like its predecessor, the original jacket for the Shoot Out LP had its top right and bottom left corners clipped. The album was remastered for CD in 2003.
Keith A. Knudsen was an American rock drummer, vocalist, and songwriter. Knudsen was best known as a drummer and vocalist for The Doobie Brothers. In addition, he founded the band Southern Pacific with fellow Doobie Brother John McFee. He was posthumously inducted into the Rock and Roll Hall of Fame as a member of The Doobie Brothers in 2020.
Muscle Shoals Sound Studio is an American recording studio in Sheffield, Alabama, formed in 1969 by four session musicians known as The Muscle Shoals Rhythm Section. They had left nearby FAME Studios in Muscle Shoals to create their own recording facility.
Boz Scaggs is the second studio album by American musician Boz Scaggs, released in 1969 by Atlantic Records. A stylistically diverse album, Boz Scaggs incorporates several genres, including Americana, blue-eyed soul, country, and rhythm and blues. The lyrics are about typical themes found in blues songs, such as love, regret, guilt, and loss. Scaggs recorded the album at Muscle Shoals Sound Studio with producer Jann Wenner, the co-founder of Rolling Stone magazine. The Muscle Shoals Rhythm Section heavily contributed to the album, which included a young Duane Allman, before his rise to fame with the Allman Brothers Band.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
The Pointer Sisters is the debut studio album by the Pointer Sisters, released in 1973 on the Blue Thumb label.
David Wayne Perkins is an American rock and R&B guitarist, singer, songwriter and session musician. According to a 2017 feature about him on the Alabama website AL.com, he is "arguably the greatest guitarist Alabama ever produced."
Barry Edward Beckett was an American keyboardist, session musician, record producer, and studio founder. He is best known for his work with David Hood, Jimmy Johnson, and Roger Hawkins, his bandmates in the Muscle Shoals Rhythm Section, which performed with numerous notable artists on their studio albums and helped define the "Muscle Shoals sound".
Live'r Than You'll Ever Be is a bootleg recording of the Rolling Stones' concert in Oakland, California, from 9 November 1969. It was one of the first live rock music bootlegs and was made notorious as a document of their 1969 tour of the United States. The popularity of the bootleg forced the Stones' labels Decca Records in the UK, and London Records in the US, to release the live album Get Yer Ya-Ya's Out! The Rolling Stones in Concert in 1970. Live'r is also one of the earliest commercial bootleg recordings in rock history, released in December 1969, just two months after the Beatles' Kum Back and five months after Bob Dylan's Great White Wonder. Like the two earlier records, Live'r's outer sleeve is plain white, with its name stamped on in ink.
Rodger Collins Jr., also known as Hajji Rajah Kasim Sabrie, is an American soul and funk singer and musician.
Abe Keshishian, known professionally as Abe "Voco" Kesh was an American disc jockey and record producer. He is best-known for discovering the seminal hard rock band Blue Cheer, and for producing their first two albums, Vincebus Eruptum and Outsideinside. He also produced the band's 1968 Top 10 cover of Eddie Cochran's "Summertime Blues."
Pacific High Recording was an independent recording studio in San Francisco. Founded in 1968, the studio was part of the San Francisco sound and the location for recordings by such notable artists as Sly and the Family Stone, the Grateful Dead, The Charlatans, Quicksilver Messenger Service, and Van Morrison.
| International | |
|---|---|
| National | |
| Artists | |
